Theatre Histories: an introduction
Gespeichert in:
| Beteiligte Personen: | , , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2024
|
| Ausgabe: | Fourth edition |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035221522&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "This updated 4th edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted. Bringing together a group of scholars from a diverse range of backgrounds and approaches to the history of global theater, this introduction to theatre history places theatre into its larger historical contexts and attends to communication's role in shaping theatre. Its case studies provide deeper knowledge of selected topics in theater and drama, and its "Thinking Through Theatre Histories" boxes discuss important concepts and approaches used in the book. Features of the fully updated fourth edition include: · Deeper coverage of East Asian and Latin American theater · Richer treatment of popular culture · More illustrations, photographs, and information about online resources · New case studies, include several written by authoritative scholars on the topic · Pronunciation guidance, both in the text and as audio files online · Timelines · An introduction on historiography · A website with additional case studies, a glossary, recordings of the pronunciation of important non-English terms, and instructor resources · A case studies library listing, including both those in print and online, for greater instructor choice and flexibility This is an essential textbook for undergraduate courses in theatre history, world theatre and introduction to theatre, and anyone looking for a full and diverse account of the emergence, development and continuing relevance of theatre to cultures and societies across the world"-- |
| Umfang: | xxxvi, 728 Seiten Illustrationen |
| ISBN: | 9781032027920 9781032027906 |
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| 520 | 3 | |a "This updated 4th edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted. Bringing together a group of scholars from a diverse range of backgrounds and approaches to the history of global theater, this introduction to theatre history places theatre into its larger historical contexts and attends to communication's role in shaping theatre. Its case studies provide deeper knowledge of selected topics in theater and drama, and its "Thinking Through Theatre Histories" boxes discuss important concepts and approaches used in the book. Features of the fully updated fourth edition include: · Deeper coverage of East Asian and Latin American theater · Richer treatment of popular culture · More illustrations, photographs, and information about online resources · New case studies, include several written by authoritative scholars on the topic · Pronunciation guidance, both in the text and as audio files online · Timelines · An introduction on historiography · A website with additional case studies, a glossary, recordings of the pronunciation of important non-English terms, and instructor resources · A case studies library listing, including both those in print and online, for greater instructor choice and flexibility This is an essential textbook for undergraduate courses in theatre history, world theatre and introduction to theatre, and anyone looking for a full and diverse account of the emergence, development and continuing relevance of theatre to cultures and societies across the world"-- | |
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Contents List of figures About the authors Preface to the fourth edition Acknowledgments General introduction The goals of Theatre Histories The structure of Theatre Histories Historiography: Thinking about history Social context and cultural relativity Evidence-theory connections Intelligibility, plausibility, and narrative Causes of historical change Theories of society The construction of history Theatre and the history of communication Features and conventions of Theatre Histories Pronunciation guidance Additional resources Names and diacritics Capitalization xv xxxi xxxiii xxxv 1 1 2 4 6 7 8 9 10 11 11 14 14 14 15 15 V
CONTENTS part 1 I Performance in oral and manuscript cultures 17 Part I Timeline 18 Introduction: Speech, writing, and performance 22 27 From oral to literate performance Thinking through theatre histories: The problem of beginnings 28 Performance in oral cultures Memory aids in oral cultures Storytelling and ritual in oral cultures 30 30 32 case study: Hopi katsinas and clowns 35 Performance in oral cultures with writing Commemorative ritual performance in Abydos, Egypt Mesoamerican performance Thinking through theatre histories: The multiple meanings of evidence 40 41 46. 49 Performance in a hterate culture: Theatre in the city-state of Athens Alphabetic writing and Athenian democracy The religious background Drama in the context of the Dionysian festivals in Athens Space and performance in the Theatre of Dionysus The plays and playwrights Greek theatre after the fifth century BCE The first theory of theatre Conquests, refugees, and resuscitation Summary 2 53 54 56 57 58 61 64 65 66 68 Pleasure, power, and transmission: Scripted and non-scripted theatres Ancient Roman performance: From the Republic to the Empire Early Roman performance: Festivals, games, and mimes Popular comedy in the Roman republic 69 70 70 71 Plautus's plays: What's so funny? 74 Senecas tragedies and Horace’s Ars Poetica (The art ofpoetry) Imperial spectacles: Performance during the Empire Debating the ludi: Did violent spectacles serve a purpose? Drama and theatre in ancient India The Natyasastra Early Sanskrit dramas Kutiyattam:A new way to stage Sanskrit drama 79 80 82 83 84 84 86 case study:
CONTENTS Rasa-bhava aesthetic theory and the actor/audience relationship The birth of kathakali Early Chinese performances: From non-scripted to scripted performances Confùcianism and the imperial examination Thinking through theatre histories: Symbolic capital Transformation text Early Korean and Japanese performances Early Japanese performance and the development of no Thinking through theatre histories: Roots, routes, roadblocks, detours, and U-turns Zeami and nô The aesthetics of nö Performing and staging nö case study: The no play Döjöji Summary 3 Commemorative drama and Carnival 89 90 91 92 93 93 94 94 96 97 98 98 101 105 107 Carnival and the carnivalesque 108 Thinking through theatre histories: Mikhail Bakhtin's theory of the carnivalesque 111 Commemorative performances 112 Commemoration and the carnivalesque in the Jewish Purim shpil 114 Commemorative performance in medieval Christian Europe 116 The Christian Mass as a performance of commemoration 117 Biblical dramas in Latin 119 Christian drama in the vernacular 120 Christian feast days and biblical dramas 120 Saint plays, morality plays, and autos sacramentales 125 Dramas of Christian crusade and conquest 129 case study: Christians and Moors: Medieval performance in Spain and the New World 130. Thinking through theatre histories: Reading for the "hidden transcripts" 134 Islamic commemorative mourning dramas: The Ta’ziyeh of Iran and beyond 135 Commemorative mourning rituals and the development of Ta’ziyeh 137 Non-representational reading and representation inTa’ziyeh 138 case study: Playful Gods: The Ramlilain
North India 139 Thinking through theatre histories: Resurrective aspects of commemorative drama 145 Summary 146 vii
CONTENTS PART II Theatre and performance in early print cultures Part II Timeline Introduction: Performance, printing, and political centralization 4 Secular and professional theatre, 1250-1650 Thinking through theatre histories: The problem of periodization Developments in Chinese drama, theatre, andperformance The growth of kunqu Secular performance and the emergence of professional theatre in Europe The commedia dell’arte in Italy and its influence in Europe Origin theories Conventionalized plots, individualized lazzi Verbal improvisation in relation to literacy Making a hving through commedia Urban growth and the new business of theatre in Europe The establishment ofpermanent theatre spaces The social occasion of theatre Increasing importance of women in theatre Popular Japanese theatre in a time of cultural seclusion The birth of kabuki Blurring performance genres: Puppets and actors Kabuki and bunraku in performance case study: Realerthan real? Imaging "woman" in kabuki Summary 5 Theatre and the print revolution in Europe, 1550-1650 Social and cultural upheavals in early modern Europe Printing, renaissance humanism, and drama Printing and the Protestant reformation Major characteristics of early European book culture Elizabethan and Jacobean theatre in England, 1558-1642 Golden age theatre in Spain, 1590-1650 case study: Sor Juana Inés de la Cruz and the perils of print culture in New Spain French theatre before the triumph of neoclassicism, 1550—1637 Neoclassicism, print, and the controversy over Le Cid Scenic perspective in print and on stage European print culture
reaches a watershed viii 147 148 152 157 158 159 161 163 166 167 167 169 170 170 172 176 177 179 180 182 183 186 191 193 194 195 196 197 198 203 207 211 212 215 216
CONTENTS case study: Early modern metatheatricality and the print revolution Thinking through theatre histories: Critical realism Summary 6 European absolutisms and performance, 1600-1770 The rise of absolutism Entertainments at court Realizing absolutism in stage design Louis XIV and Molière case study: Molière and carnival laughter Absolutism and neoclassicism in France, 1660-1700 Theatre in New France in the colonial period Absolutism and neoclassicism in England, 1660—1700 Reforming Italian and French Baroque opera Absolutism and neoclassicism in the German states and Russia, 1700-1770 The Emits of neoclassicism and absolutism in France, 1720-1770 Summary part 7 ill Theatre and performance in periodical print cultures 217 219 222 225 226 228 232 240 241 247 248 250 255 259 260 264 267 Part III Timeline 268 Introduction: Theatre for bourgeois civil society 273 Sentiment, satire, and acting in bourgeois Europe, 1700-1785 Sentiment and periodical print culture Sentimental drama in England Pantomime, satire, and censorship in England case study: Censorship in eighteenth-century Japan Sentiment and satire on the European continent Changes and challenges in sentimentalism Acting in the eighteenth century case study: Theatre iconology and the actor as an icon: David Garrick Thinking through theatre histories: Cultural studies and theatre iconology Performers and the public Theorizing acting Summary 279 280 282 285 289 · 292 298 300· 302 302 311 313 314 ix
CONTENTS 8 Nationalism in the theatre in Europe and the Americas, 1760-1880 Print, theatre, and liberal nationalism, 1760—1800 case study: Friedrich Schiller's vision of aesthetic education and the German dream of a national theatre Thinking through theatre histories: Studies in theatre and national identity The French Revolution, melodrama, and nationalism European cultural nationalisms, 1815-1848 Wagner and racial nationalism in Germany (1848—1880) Liberalisms, nationalisms, and theatre in Latin America Theatre, race, and nationalism in the United States, 1820—1870 Summary 9 Theatricalizing modern imperialism and Orientalism, 1790-1914 Modern imperialisms Performing imperialism and orientalism at the great expositions Imperialism and orientalism on American stage Imperialism and orientalism in British theatre case study: Imperialism, Orientalism, and nineteenth-century Indian theatre Variety theatre and music hall Internal and external imperialism in China and the creation ofjingju (Beijing Opera) Thinking through theatre histories: Western artists appropriate non-Western imagery and techniques case study: Yellowface Summary 10 Realism, early avant-gardes, commodity capitalism, and circuits of performance New media and new ideologies: Photography, science, and positivism Thinking through theatre histories: Positivism The rise of realist staging The introduction of female performers in Japan Takarazuka review Naturalism on stage Realism and the rise of producer-directors Thinking through theatre histories: Ideology, realism, and the well-made play X 315 317 318 322 323 327
336 339 347 355 357 358 361 363 364 365 370 372 375 377 381 383 384 385 385 388 389 391 394 397
CONTENTS Ibsen and romantic idealism Chekhov undermines nineteenth-century theatre conventions 398 399 Stanislavsky and Chekhov: A collaboration of differences 401 case study: Ibsen, Chekhov, and the critique of photography Sound-based media after 1870 The emergence of avant-garde theatre Symbolism and aestheticism William Butler Yeats and poetic modernism Media, consumerism, and the theatre Print culture for stars and playwrights Commodity capitalism and new forms of popular theatre Gender, performance, and capitalism case study: Karamu Theatre and the Harlem Renaissance Circuits of U.S. popular performance Summary part 11 IV Theatre and performance in electric and electronic communication culture 407 407 408 410 415 416 417 420 423 426 431 433 435 Part IV Timeline 436 Introduction: Theatre and the unceasing communications revolutions 442 Revolutionary times, 1910-1950 449 War and the movies Revolutionary predecessors Futurism and dada German Expressionism Expressionism in the United States Theatricalizing the Russian Revolution 449 453 457 459 462 464 case study: Lenin's Taylorism and Meyerhold's biomechanics 466 Radical theatre in Europe after the Russian Revolution The avant-garde outside of Europe and the United States: Global revolutionary theatres Theatres of anti-imperialism, 1910-1950 470 case study: Global Brecht Theatre experimentation between the wars Theatricalizing modernism Institutionalizing the avant-garde Summary 474 480 485 491 492 494 496 xi
CONTENTS 12 The aftermath of the Second World War and theatres of the Cold War, 1940-1970 The impact of the Second World War on the victors and the defeated Beckett and the end of high modernism 497 499 499 Thinking through theatre histories: Existentialism and the "Theatre of the Absurd" 502 Transforming modernism in Europe Postwar theatre in a defeated Germany Japanese theatrical responses to defeat in the Second World War Postwar theatre and the Cold War Psychological realism in the United States The Cold War and theatre outside the United States 504 506 507 509 509 512 case study: Social drama in Kerala, India: Staging the "revolution" Thinking through theatre histories: Politics, ideology, history, and performance 517 The rise of the American musical 521 "Asian" Broadway Musicals: Rodgers Hammerstein's South Pacific and The King and I 516 case study: Happenings, protest', and the growth of alternative theatre in the United States Summary 13 Art, politics, identity, 1968-2023 The Sixties: A historical crossroads Theatre and electronic media Radical theatre for social change in Europe Social activism and theatre in postcolonial Africa Ama Ata Aidoo's dramas: Gender, diaspora, and slavery in The Dilemma of a Ghost and Anowa 522 528 531 533 534 536 537 538 case study: Theatre and resistance in the Philippines Theatre and resistance in South Korea Theatre experimentation in the Middle East Theatre and resistance in Latin America Politics and theatre in China case study: xii Contemporary Sinophone theatre 541 547 549 549 551 553 554 Questioning the authority) Performing in
the flesh Performance art The director as auteur 559 559 561 562 Thinking through theatre histories: Functions of the classics 566 Creating “performance texts” Theatre of images 567 569
CONTENTS Authors and innovation in playwriting A new era of playwriting by women The growth of non-commercial theatres Theatre of underrepresented voices: Local minorities or global majorities? Summary 14 571 571 574 577 584 Theatres of local roots and globalreach, 1970-2023 585 Local roots, global reach, hybrid play, and social change in “Shakespeare” Global theatre culture International festivals Mega-musicals on Broadway and beyond 586 592 592 594 The business of show business 595 Theatres of cultural differentiation Theatre for cultural preservation and assertion Performances of national patrimony Performances of (and against) “authenticity” in the context of tourism 600 600 601 603 Thinking through theatre histories: Doing theatre history in a local/global world 605 Theatre as a zone of contact within and between cultures Multicultural theatre Intercultural theatre: Four examples in three waves 606 607 609 Chinese opera in the age of interculturalism and globalization case study: Form in fusion: Where the local and global influence each other The global reach of theatre for social change Theater of the Oppressed Theatre for development Community-based theatre and community plays Summary 15 Theatre in networked culture, 1990-2023 Global effects of the pandemic on theatre New players Experiments with live, virtual, and machine actors Exploring and expanding the limits of the human Actors and robots, robots as actors — and authors Changing platforms for theatre and performance Digital platforms Socio-spatial performance experiments in the material world 613 620 623 623
624 625 628 631 633' 637 637 639 640 642 642 647 xiii
CONTENTS New performance structuresand processes Immersive theatre Postdramatic theatre Collaborative theatre devisement case study: Hip Hop theatre Summary: Thinking throughtheatre histories Media resources Pronunciation guide Case studies library Works cited Index xiv 648 651 654 655 657 669 671 681 685 689 699 |
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| publisher | Routledge, Taylor & Francis Group |
| record_format | marc |
| spelling | Theatre Histories an introduction general editor: Tobin Nellhaus ; Tobin Nellhaus, Daphne P. Lei, Tamara Underiner and Patricia Ybarra Fourth edition London ; New York Routledge, Taylor & Francis Group 2024 xxxvi, 728 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "This updated 4th edition of Theatre Histories offers a critical overview of global theatre, drama, and performance, spanning a broad wealth of world cultures and periods, integrating them chronologically or thematically, and showing how they have often interacted. Bringing together a group of scholars from a diverse range of backgrounds and approaches to the history of global theater, this introduction to theatre history places theatre into its larger historical contexts and attends to communication's role in shaping theatre. Its case studies provide deeper knowledge of selected topics in theater and drama, and its "Thinking Through Theatre Histories" boxes discuss important concepts and approaches used in the book. Features of the fully updated fourth edition include: · Deeper coverage of East Asian and Latin American theater · Richer treatment of popular culture · More illustrations, photographs, and information about online resources · New case studies, include several written by authoritative scholars on the topic · Pronunciation guidance, both in the text and as audio files online · Timelines · An introduction on historiography · A website with additional case studies, a glossary, recordings of the pronunciation of important non-English terms, and instructor resources · A case studies library listing, including both those in print and online, for greater instructor choice and flexibility This is an essential textbook for undergraduate courses in theatre history, world theatre and introduction to theatre, and anyone looking for a full and diverse account of the emergence, development and continuing relevance of theatre to cultures and societies across the world"-- Geschichte gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Theater-History Theater / History Performing arts / History Theater (DE-588)4059702-7 s Geschichte z DE-604 Nellhaus, Tobin (DE-588)1354634136 edt aut Lei, Daphne Pi-Wei (DE-588)115919758X aut Underiner, Tamara L. 1958- (DE-588)1057638838 aut Ybarra, Patricia A. 1972- (DE-588)139206574 aut Erscheint auch als Online-Ausgabe 9781003185185 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035221522&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Nellhaus, Tobin Lei, Daphne Pi-Wei Underiner, Tamara L. 1958- Ybarra, Patricia A. 1972- Theatre Histories an introduction Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4059702-7 |
| title | Theatre Histories an introduction |
| title_auth | Theatre Histories an introduction |
| title_exact_search | Theatre Histories an introduction |
| title_full | Theatre Histories an introduction general editor: Tobin Nellhaus ; Tobin Nellhaus, Daphne P. Lei, Tamara Underiner and Patricia Ybarra |
| title_fullStr | Theatre Histories an introduction general editor: Tobin Nellhaus ; Tobin Nellhaus, Daphne P. Lei, Tamara Underiner and Patricia Ybarra |
| title_full_unstemmed | Theatre Histories an introduction general editor: Tobin Nellhaus ; Tobin Nellhaus, Daphne P. Lei, Tamara Underiner and Patricia Ybarra |
| title_short | Theatre Histories |
| title_sort | theatre histories an introduction |
| title_sub | an introduction |
| topic | Theater (DE-588)4059702-7 gnd |
| topic_facet | Theater |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035221522&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT nellhaustobin theatrehistoriesanintroduction AT leidaphnepiwei theatrehistoriesanintroduction AT underinertamaral theatrehistoriesanintroduction AT ybarrapatriciaa theatrehistoriesanintroduction |