21st-century British Gothic: the monstrous, spectral, and uncanny in contemporary fiction
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2024
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Schlagwörter: | |
Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035175316&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
Abstract: | "In this innovative re-casting of the genre and its received canon, Emily Horton explores fictional investments in the Gothic within contemporary British literature, revealing how such concepts as the monstrous, spectral and uncanny work to illuminate the insecure, uneven and precarious experience of 21st century life. Reading contemporary works of Gothic fiction by Helen Oyeyemi, Kazuo Ishiguro, Sarah Moss, Patrick McGrath and M.R. Carey alongside writers not previously grouped under this umbrella, such as Brian Chikwava, Chloe Aridjis and Mohsin Hamid, Horton illuminates the way the Gothic has been engaged and reread by these contemporary writers to address the many cultural anxieties invoked living under neocolonial and neoliberal governance, including terrorism, migration, homelessness, racism, and climate change. Marshalling new modes of diasporic and cross-disciplinary critical theory concerned with the violent dimensions of contemporary life, this book sets the Gothic aesthetics in such works as White is for Witching, Double Vision, Never Let Me Go, The Wasted Vigil and Ghost Wall against a backdrop of key events in the 21st century. Drawing connections between moments of anxiety, such as 9/11, the wars in Afghanistan and Iraq, ecological disaster, the refugee crisis, Brexit, the pandemic, and the Gothic, Horton demonstrates how British literature mediates transnational experiences of trauma and horror, while also addressing local and national insecurities and preoccupations. As a result, 21st century British Gothic can be seen to test geographical, psychological, cultural, and aesthetic borders, as it seeks to expose an often spectralised experience of human and planetary vulnerability, and as it speaks back against the brutality of global capitalism"-- |
Umfang: | 262 Seiten |
ISBN: | 9781350286566 |
Internformat
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520 | 3 | |a "In this innovative re-casting of the genre and its received canon, Emily Horton explores fictional investments in the Gothic within contemporary British literature, revealing how such concepts as the monstrous, spectral and uncanny work to illuminate the insecure, uneven and precarious experience of 21st century life. Reading contemporary works of Gothic fiction by Helen Oyeyemi, Kazuo Ishiguro, Sarah Moss, Patrick McGrath and M.R. Carey alongside writers not previously grouped under this umbrella, such as Brian Chikwava, Chloe Aridjis and Mohsin Hamid, Horton illuminates the way the Gothic has been engaged and reread by these contemporary writers to address the many cultural anxieties invoked living under neocolonial and neoliberal governance, including terrorism, migration, homelessness, racism, and climate change. Marshalling new modes of diasporic and cross-disciplinary critical theory concerned with the violent dimensions of contemporary life, this book sets the Gothic aesthetics in such works as White is for Witching, Double Vision, Never Let Me Go, The Wasted Vigil and Ghost Wall against a backdrop of key events in the 21st century. Drawing connections between moments of anxiety, such as 9/11, the wars in Afghanistan and Iraq, ecological disaster, the refugee crisis, Brexit, the pandemic, and the Gothic, Horton demonstrates how British literature mediates transnational experiences of trauma and horror, while also addressing local and national insecurities and preoccupations. As a result, 21st century British Gothic can be seen to test geographical, psychological, cultural, and aesthetic borders, as it seeks to expose an often spectralised experience of human and planetary vulnerability, and as it speaks back against the brutality of global capitalism"-- | |
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Datensatz im Suchindex
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adam_text |
Contents Acknowledgements ix Introduction: 21st-Century British Gothic: The Monstrous, Spectral, and Uncanny in Contemporary Fiction 1 1 2 3 4 5 Post-9/11 Gothic: The Uncanny and Contemporary Trauma in Pat Barkers Double Vision and Patrick McGrath’s Ghost Town 33 Decolonial Gothic: Tropical Terrors and Subterranean Ghosts in Tash Aw’s The Harmony Silk Factory and Nadeem Aslams The Wasted Vigil 51 Gothic Inheritance: Imperial Witchcraft and Haunted Houses in Helen Oyeyemi’s White is for Witching and Sarah Waters’ The Little Stranger 69 Digital Gothic: Digital Technology, Migration, and the Gothic in Hari Kunzru’s Transmission and Mohsin Hamid’s Exit West 93 Gothic Homelessness: Spectral Inhabitants and Uncanny Spaces in Ali Smith’s Hotel World, Trezza Azzopardi’s Remember Me, and Brian Chikwava’s Harare North 115 6 The Gothic City: Uncanny Spaces, Historical Spectres, and Monstrous Urbanity in Louise Welsh’s The Cutting Room and Chloe Aridjis’ Book of Clouds 139 7 Brexit Gothic: Spectral Illusions and Affect Memories in Sarah Moss’ Ghost Wall and Niall Griffiths’ Broken Ghost 161 Pandemic Gothic: Childhood Terror and Monstrous Illness in the Fiction of Kazuo Ishiguro and Μ. R. Carey 177 8 9 Wet Gothic: Ecofeminism and Horror in Julia Armfield’s Our Wives Under the Sea, Daisy Johnson’s Fen, and Zoe Gilbert’s Folk Bibliography Index 197 217 251 |
any_adam_object | 1 |
author | Horton, Emily |
author_GND | (DE-588)104726532X |
author_facet | Horton, Emily |
author_role | aut |
author_sort | Horton, Emily |
author_variant | e h eh |
building | Verbundindex |
bvnumber | BV049835297 |
classification_rvk | HO 13140 |
ctrlnum | (OCoLC)1466900710 (DE-599)KXP1874791015 |
dewey-full | 813.0872909 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 813 - American fiction in English |
dewey-raw | 813.0872909 |
dewey-search | 813.0872909 |
dewey-sort | 3813.0872909 |
dewey-tens | 810 - American literature in English |
discipline | Anglistik / Amerikanistik |
era | Geschichte 2000-2023 gnd |
era_facet | Geschichte 2000-2023 |
format | Book |
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spelling | Horton, Emily Verfasser (DE-588)104726532X aut 21st-century British Gothic the monstrous, spectral, and uncanny in contemporary fiction Emily Horton 21st century British Gothic Twentyfirst-century British Gothic London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2024 262 Seiten txt rdacontent n rdamedia nc rdacarrier "In this innovative re-casting of the genre and its received canon, Emily Horton explores fictional investments in the Gothic within contemporary British literature, revealing how such concepts as the monstrous, spectral and uncanny work to illuminate the insecure, uneven and precarious experience of 21st century life. Reading contemporary works of Gothic fiction by Helen Oyeyemi, Kazuo Ishiguro, Sarah Moss, Patrick McGrath and M.R. Carey alongside writers not previously grouped under this umbrella, such as Brian Chikwava, Chloe Aridjis and Mohsin Hamid, Horton illuminates the way the Gothic has been engaged and reread by these contemporary writers to address the many cultural anxieties invoked living under neocolonial and neoliberal governance, including terrorism, migration, homelessness, racism, and climate change. Marshalling new modes of diasporic and cross-disciplinary critical theory concerned with the violent dimensions of contemporary life, this book sets the Gothic aesthetics in such works as White is for Witching, Double Vision, Never Let Me Go, The Wasted Vigil and Ghost Wall against a backdrop of key events in the 21st century. Drawing connections between moments of anxiety, such as 9/11, the wars in Afghanistan and Iraq, ecological disaster, the refugee crisis, Brexit, the pandemic, and the Gothic, Horton demonstrates how British literature mediates transnational experiences of trauma and horror, while also addressing local and national insecurities and preoccupations. As a result, 21st century British Gothic can be seen to test geographical, psychological, cultural, and aesthetic borders, as it seeks to expose an often spectralised experience of human and planetary vulnerability, and as it speaks back against the brutality of global capitalism"-- Geschichte 2000-2023 gnd rswk-swf Gothic novel (DE-588)4157930-6 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Schauerliteratur (DE-588)4179419-9 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Gothic fiction (Literary genre), English / 21st century / History and criticism Großbritannien (DE-588)4022153-2 g Gothic novel (DE-588)4157930-6 s Geschichte 2000-2023 z DE-604 Englisch (DE-588)4014777-0 s Schauerliteratur (DE-588)4179419-9 s Erscheint auch als Online-Ausgabe, PDF 978-1-3502-8657-3 Erscheint auch als Online-Ausgabe 978-1-3502-8658-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035175316&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Horton, Emily 21st-century British Gothic the monstrous, spectral, and uncanny in contemporary fiction Gothic novel (DE-588)4157930-6 gnd Englisch (DE-588)4014777-0 gnd Schauerliteratur (DE-588)4179419-9 gnd |
subject_GND | (DE-588)4157930-6 (DE-588)4014777-0 (DE-588)4179419-9 (DE-588)4022153-2 |
title | 21st-century British Gothic the monstrous, spectral, and uncanny in contemporary fiction |
title_alt | 21st century British Gothic Twentyfirst-century British Gothic |
title_auth | 21st-century British Gothic the monstrous, spectral, and uncanny in contemporary fiction |
title_exact_search | 21st-century British Gothic the monstrous, spectral, and uncanny in contemporary fiction |
title_full | 21st-century British Gothic the monstrous, spectral, and uncanny in contemporary fiction Emily Horton |
title_fullStr | 21st-century British Gothic the monstrous, spectral, and uncanny in contemporary fiction Emily Horton |
title_full_unstemmed | 21st-century British Gothic the monstrous, spectral, and uncanny in contemporary fiction Emily Horton |
title_short | 21st-century British Gothic |
title_sort | 21st century british gothic the monstrous spectral and uncanny in contemporary fiction |
title_sub | the monstrous, spectral, and uncanny in contemporary fiction |
topic | Gothic novel (DE-588)4157930-6 gnd Englisch (DE-588)4014777-0 gnd Schauerliteratur (DE-588)4179419-9 gnd |
topic_facet | Gothic novel Englisch Schauerliteratur Großbritannien |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=035175316&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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