The crossings: defining Slave to the rhythm
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2023
|
| Schriftenreihe: | Cambridge elements: elements in popular music
|
| Schlagwörter: | |
| Abstract: | The album Slave to the Rhythm is typical of the exaltation of pop stars but atypical in its presentation and interaction with biographical material. Three crossings are considered in this assessment of the work: technological, cultural, and structural. These are presented with a detailed track-by-track analysis using a range of signal processing techniques, some adapted specifically for this project. This Element focuses on the combination of digital, novel, and analogue technology that was used, and the organisational and transformational treatments of recorded material it offered, along with their associated musical cultures. The way in which studio technology functions, and offers interaction with its users, has a direct influence over the sound of the music that is created with it. To understand how that influence is manifested in Slave, there is considerable focus on the development and use of music technology |
| Umfang: | 82 Seiten Illustrationen, Diagramme, Notenbeispiele 24 cm |
| ISBN: | 9781009069083 9781009454438 |
Internformat
MARC
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| 245 | 1 | 0 | |a The crossings |b defining Slave to the rhythm |c Jeremy J. Wells (University of York) |
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| 490 | 0 | |a Cambridge elements: elements in popular music | |
| 520 | 3 | |a The album Slave to the Rhythm is typical of the exaltation of pop stars but atypical in its presentation and interaction with biographical material. Three crossings are considered in this assessment of the work: technological, cultural, and structural. These are presented with a detailed track-by-track analysis using a range of signal processing techniques, some adapted specifically for this project. This Element focuses on the combination of digital, novel, and analogue technology that was used, and the organisational and transformational treatments of recorded material it offered, along with their associated musical cultures. The way in which studio technology functions, and offers interaction with its users, has a direct influence over the sound of the music that is created with it. To understand how that influence is manifested in Slave, there is considerable focus on the development and use of music technology | |
| 600 | 1 | 7 | |a Jones, Grace |d 1948- |0 (DE-588)133276570 |2 gnd |9 rswk-swf |
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| 653 | 1 | |a Jones, Grace / Slave to the rhythm | |
| 653 | 0 | |a Sound recordings / History / 20th century | |
| 653 | 0 | |a Popular music / Production and direction / History / 20th century | |
| 653 | 0 | |a Rock music / 1981-1990 / History and criticism | |
| 653 | 0 | |a Rock (Musique) / 1981-1990 / Histoire et critique | |
| 653 | 0 | |a Popular music / Production and direction | |
| 653 | 0 | |a Rock music | |
| 653 | 0 | |a Sound recordings | |
| 653 | 4 | |a 1900-1999 | |
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Datensatz im Suchindex
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| author | Wells, Jeremy J. |
| author_GND | (DE-588)1203163738 |
| author_facet | Wells, Jeremy J. |
| author_role | aut |
| author_sort | Wells, Jeremy J. |
| author_variant | j j w jj jjw |
| building | Verbundindex |
| bvnumber | BV049616508 |
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| id | DE-604.BV049616508 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T20:16:52Z |
| institution | BVB |
| isbn | 9781009069083 9781009454438 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034960597 |
| oclc_num | 1443585746 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 82 Seiten Illustrationen, Diagramme, Notenbeispiele 24 cm |
| psigel | BSB_NED_20240624 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Cambridge University Press |
| record_format | marc |
| series2 | Cambridge elements: elements in popular music |
| spelling | Wells, Jeremy J. Verfasser (DE-588)1203163738 aut The crossings defining Slave to the rhythm Jeremy J. Wells (University of York) Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2023 82 Seiten Illustrationen, Diagramme, Notenbeispiele 24 cm txt rdacontent n rdamedia nc rdacarrier Cambridge elements: elements in popular music The album Slave to the Rhythm is typical of the exaltation of pop stars but atypical in its presentation and interaction with biographical material. Three crossings are considered in this assessment of the work: technological, cultural, and structural. These are presented with a detailed track-by-track analysis using a range of signal processing techniques, some adapted specifically for this project. This Element focuses on the combination of digital, novel, and analogue technology that was used, and the organisational and transformational treatments of recorded material it offered, along with their associated musical cultures. The way in which studio technology functions, and offers interaction with its users, has a direct influence over the sound of the music that is created with it. To understand how that influence is manifested in Slave, there is considerable focus on the development and use of music technology Jones, Grace 1948- (DE-588)133276570 gnd rswk-swf Musikproduktion (DE-588)4235850-4 gnd rswk-swf Album (DE-588)4543648-4 gnd rswk-swf Jones, Grace / Slave to the rhythm Sound recordings / History / 20th century Popular music / Production and direction / History / 20th century Rock music / 1981-1990 / History and criticism Rock (Musique) / 1981-1990 / Histoire et critique Popular music / Production and direction Rock music Sound recordings 1900-1999 Criticism, interpretation, etc History Jones, Grace 1948- (DE-588)133276570 p Album (DE-588)4543648-4 s Musikproduktion (DE-588)4235850-4 s DE-604 ebook version 9781009071079 |
| spellingShingle | Wells, Jeremy J. The crossings defining Slave to the rhythm Jones, Grace 1948- (DE-588)133276570 gnd Musikproduktion (DE-588)4235850-4 gnd Album (DE-588)4543648-4 gnd |
| subject_GND | (DE-588)133276570 (DE-588)4235850-4 (DE-588)4543648-4 |
| title | The crossings defining Slave to the rhythm |
| title_auth | The crossings defining Slave to the rhythm |
| title_exact_search | The crossings defining Slave to the rhythm |
| title_full | The crossings defining Slave to the rhythm Jeremy J. Wells (University of York) |
| title_fullStr | The crossings defining Slave to the rhythm Jeremy J. Wells (University of York) |
| title_full_unstemmed | The crossings defining Slave to the rhythm Jeremy J. Wells (University of York) |
| title_short | The crossings |
| title_sort | the crossings defining slave to the rhythm |
| title_sub | defining Slave to the rhythm |
| topic | Jones, Grace 1948- (DE-588)133276570 gnd Musikproduktion (DE-588)4235850-4 gnd Album (DE-588)4543648-4 gnd |
| topic_facet | Jones, Grace 1948- Musikproduktion Album |
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