Passing and posing between black and white: calibrating the color line in U.S. cinema
Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fac...
Gespeichert in:
Beteilige Person: | |
---|---|
Weitere beteiligte Personen: | |
Format: | Elektronisch E-Book |
Sprache: | Englisch Deutsch |
Veröffentlicht: |
Bielefeld
transcript Verlag
[2021]
|
Schriftenreihe: | FilmStudies
|
Schlagwörter: | |
Links: | https://doi.org/10.14361/9783839453377 https://doi.org/10.1515/9783839453377 |
Zusammenfassung: | Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with negating boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium |
Beschreibung: | Aus dem Vorwort: "slightly shortened and rivised ... english edition" |
Umfang: | 1 Online-Ressource (246 Seiten) Illustrationen |
ISBN: | 9783839453377 |
DOI: | 10.14361/9783839453377 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV049601261 | ||
003 | DE-604 | ||
007 | cr|uuu---uuuuu | ||
008 | 240307s2021 xx a||| om||| 00||| eng d | ||
020 | |a 9783839453377 |c Online, PDF |9 978-3-8394-5337-7 | ||
024 | 7 | |a 10.14361/9783839453377 |2 doi | |
024 | 7 | |a 10.1515/9783839453377 |2 doi | |
035 | |a (OCoLC)1427329000 | ||
035 | |a (DE-599)BVBBV049601261 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 1 | |a eng |h ger | |
049 | |a DE-B1533 |a DE-M100 |a DE-634 |a DE-210 |a DE-1052 |a DE-521 |a DE-1102 |a DE-1046 |a DE-1047 |a DE-1028 |a DE-Aug4 |a DE-573 |a DE-M347 |a DE-92 |a DE-1051 |a DE-898 |a DE-859 |a DE-860 |a DE-863 |a DE-862 |a DE-523 |a DE-Re13 |a DE-70 |a DE-2174 |a DE-127 |a DE-155 |a DE-150 |a DE-154 |a DE-91 |a DE-384 |a DE-473 |a DE-19 |a DE-355 |a DE-703 |a DE-20 |a DE-706 |a DE-824 |a DE-29 |a DE-739 | ||
082 | 0 | |a 791.43/655 |2 23 | |
084 | |a AP 59483 |0 (DE-625)7791:743 |2 rvk | ||
084 | |a AP 59783 |0 (DE-625)7794:743 |2 rvk | ||
100 | 1 | |a Gotto, Lisa |d 1976- |e Verfasser |0 (DE-588)1029790175 |4 aut | |
240 | 1 | 0 | |a Traum und Trauma in Schwarz-Weiß |
245 | 1 | 0 | |a Passing and posing between black and white |b calibrating the color line in U.S. cinema |c Lisa Gotto ; translated by Rudolph Saliba |
264 | 1 | |a Bielefeld |b transcript Verlag |c [2021] | |
264 | 4 | |c © 2021 | |
300 | |a 1 Online-Ressource (246 Seiten) |b Illustrationen | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a FilmStudies | |
500 | |a Aus dem Vorwort: "slightly shortened and rivised ... english edition" | ||
520 | |a Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with negating boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium | ||
648 | 7 | |a Geschichte 1915-2003 |2 gnd |9 rswk-swf | |
650 | 4 | |a America | |
650 | 4 | |a Cinema | |
650 | 4 | |a Cultural History | |
650 | 4 | |a Culture | |
650 | 4 | |a Ethnicity | |
650 | 4 | |a Hollywood | |
650 | 4 | |a Media Studies | |
650 | 4 | |a Media | |
650 | 4 | |a Race | |
650 | 4 | |a Racism | |
650 | 7 | |a SOCIAL SCIENCE / Media Studies |2 bisacsh | |
650 | 4 | |a Motion pictures |z United States |x History | |
650 | 4 | |a Passing (Identity) in motion pictures | |
650 | 4 | |a Race in motion pictures | |
650 | 4 | |a Racism in motion pictures | |
650 | 0 | 7 | |a Rassismus |0 (DE-588)4076527-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Visuelle Wahrnehmung |0 (DE-588)4078921-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ethnische Beziehungen |g Motiv |0 (DE-588)4176974-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Film |0 (DE-588)4017102-4 |2 gnd |9 rswk-swf |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 0 | 1 | |a Rassismus |0 (DE-588)4076527-1 |D s |
689 | 0 | 2 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 1 | 1 | |a Film |0 (DE-588)4017102-4 |D s |
689 | 1 | 2 | |a Ethnische Beziehungen |g Motiv |0 (DE-588)4176974-0 |D s |
689 | 1 | 3 | |a Visuelle Wahrnehmung |0 (DE-588)4078921-4 |D s |
689 | 1 | 4 | |a Geschichte 1915-2003 |A z |
689 | 1 | |5 DE-604 | |
700 | 1 | |a Saliba, Rudolph |4 trl | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, Paperback |z 978-3-8376-5337-3 |
856 | 4 | 0 | |u https://doi.org/10.14361/9783839453377 |x Verlag |z kostenfrei |3 Volltext |
856 | 4 | 0 | |u https://doi.org/10.1515/9783839453377 |x Verlag |z kostenfrei |3 Volltext |
912 | |a ZDB-23-DGG | ||
912 | |a ZDB-23-GOA | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034945672 |
Datensatz im Suchindex
DE-BY-TUM_katkey | 2786224 |
---|---|
_version_ | 1821936775495417856 |
adam_text | |
any_adam_object | |
author | Gotto, Lisa 1976- |
author2 | Saliba, Rudolph |
author2_role | trl |
author2_variant | r s rs |
author_GND | (DE-588)1029790175 |
author_facet | Gotto, Lisa 1976- Saliba, Rudolph |
author_role | aut |
author_sort | Gotto, Lisa 1976- |
author_variant | l g lg |
building | Verbundindex |
bvnumber | BV049601261 |
classification_rvk | AP 59483 AP 59783 |
collection | ZDB-23-DGG ZDB-23-GOA |
ctrlnum | (OCoLC)1427329000 (DE-599)BVBBV049601261 |
dewey-full | 791.43/655 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43/655 |
dewey-search | 791.43/655 |
dewey-sort | 3791.43 3655 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
doi_str_mv | 10.14361/9783839453377 10.1515/9783839453377 |
era | Geschichte 1915-2003 gnd |
era_facet | Geschichte 1915-2003 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV049601261</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">240307s2021 xx a||| om||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9783839453377</subfield><subfield code="c">Online, PDF</subfield><subfield code="9">978-3-8394-5337-7</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.14361/9783839453377</subfield><subfield code="2">doi</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9783839453377</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1427329000</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049601261</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="1" ind2=" "><subfield code="a">eng</subfield><subfield code="h">ger</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-B1533</subfield><subfield code="a">DE-M100</subfield><subfield code="a">DE-634</subfield><subfield code="a">DE-210</subfield><subfield code="a">DE-1052</subfield><subfield code="a">DE-521</subfield><subfield code="a">DE-1102</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-1047</subfield><subfield code="a">DE-1028</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-573</subfield><subfield code="a">DE-M347</subfield><subfield code="a">DE-92</subfield><subfield code="a">DE-1051</subfield><subfield code="a">DE-898</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-863</subfield><subfield code="a">DE-862</subfield><subfield code="a">DE-523</subfield><subfield code="a">DE-Re13</subfield><subfield code="a">DE-70</subfield><subfield code="a">DE-2174</subfield><subfield code="a">DE-127</subfield><subfield code="a">DE-155</subfield><subfield code="a">DE-150</subfield><subfield code="a">DE-154</subfield><subfield code="a">DE-91</subfield><subfield code="a">DE-384</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-703</subfield><subfield code="a">DE-20</subfield><subfield code="a">DE-706</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/655</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 59483</subfield><subfield code="0">(DE-625)7791:743</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 59783</subfield><subfield code="0">(DE-625)7794:743</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gotto, Lisa</subfield><subfield code="d">1976-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1029790175</subfield><subfield code="4">aut</subfield></datafield><datafield tag="240" ind1="1" ind2="0"><subfield code="a">Traum und Trauma in Schwarz-Weiß</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Passing and posing between black and white</subfield><subfield code="b">calibrating the color line in U.S. cinema</subfield><subfield code="c">Lisa Gotto ; translated by Rudolph Saliba</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bielefeld</subfield><subfield code="b">transcript Verlag</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (246 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">FilmStudies</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Aus dem Vorwort: "slightly shortened and rivised ... english edition"</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with negating boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1915-2003</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">America</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cinema</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cultural History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Culture</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Ethnicity</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Hollywood</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Media Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Media</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Race</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Racism</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Media Studies</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="z">United States</subfield><subfield code="x">History</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Passing (Identity) in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Race in motion pictures</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Racism in motion pictures</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Rassismus</subfield><subfield code="0">(DE-588)4076527-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="0">(DE-588)4078921-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ethnische Beziehungen</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4176974-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Rassismus</subfield><subfield code="0">(DE-588)4076527-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Film</subfield><subfield code="0">(DE-588)4017102-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="2"><subfield code="a">Ethnische Beziehungen</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4176974-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="3"><subfield code="a">Visuelle Wahrnehmung</subfield><subfield code="0">(DE-588)4078921-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="4"><subfield code="a">Geschichte 1915-2003</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Saliba, Rudolph</subfield><subfield code="4">trl</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, Paperback</subfield><subfield code="z">978-3-8376-5337-3</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.14361/9783839453377</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9783839453377</subfield><subfield code="x">Verlag</subfield><subfield code="z">kostenfrei</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-GOA</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034945672</subfield></datafield></record></collection> |
genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
geographic | USA (DE-588)4078704-7 gnd |
geographic_facet | USA |
id | DE-604.BV049601261 |
illustrated | Illustrated |
indexdate | 2025-01-11T15:11:33Z |
institution | BVB |
isbn | 9783839453377 |
language | English German |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034945672 |
oclc_num | 1427329000 |
open_access_boolean | 1 |
owner | DE-B1533 DE-M100 DE-634 DE-210 DE-1052 DE-521 DE-1102 DE-1046 DE-1047 DE-1028 DE-Aug4 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-523 DE-Re13 DE-BY-UBR DE-70 DE-2174 DE-127 DE-155 DE-BY-UBR DE-150 DE-154 DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
owner_facet | DE-B1533 DE-M100 DE-634 DE-210 DE-1052 DE-521 DE-1102 DE-1046 DE-1047 DE-1028 DE-Aug4 DE-573 DE-M347 DE-92 DE-1051 DE-898 DE-BY-UBR DE-859 DE-860 DE-863 DE-BY-FWS DE-862 DE-BY-FWS DE-523 DE-Re13 DE-BY-UBR DE-70 DE-2174 DE-127 DE-155 DE-BY-UBR DE-150 DE-154 DE-91 DE-BY-TUM DE-384 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-703 DE-20 DE-706 DE-824 DE-29 DE-739 |
physical | 1 Online-Ressource (246 Seiten) Illustrationen |
psigel | ZDB-23-DGG ZDB-23-GOA |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | transcript Verlag |
record_format | marc |
series2 | FilmStudies |
spellingShingle | Gotto, Lisa 1976- Passing and posing between black and white calibrating the color line in U.S. cinema America Cinema Cultural History Culture Ethnicity Hollywood Media Studies Media Race Racism SOCIAL SCIENCE / Media Studies bisacsh Motion pictures United States History Passing (Identity) in motion pictures Race in motion pictures Racism in motion pictures Rassismus (DE-588)4076527-1 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4076527-1 (DE-588)4078921-4 (DE-588)4176974-0 (DE-588)4017102-4 (DE-588)4078704-7 (DE-588)4113937-9 |
title | Passing and posing between black and white calibrating the color line in U.S. cinema |
title_alt | Traum und Trauma in Schwarz-Weiß |
title_auth | Passing and posing between black and white calibrating the color line in U.S. cinema |
title_exact_search | Passing and posing between black and white calibrating the color line in U.S. cinema |
title_full | Passing and posing between black and white calibrating the color line in U.S. cinema Lisa Gotto ; translated by Rudolph Saliba |
title_fullStr | Passing and posing between black and white calibrating the color line in U.S. cinema Lisa Gotto ; translated by Rudolph Saliba |
title_full_unstemmed | Passing and posing between black and white calibrating the color line in U.S. cinema Lisa Gotto ; translated by Rudolph Saliba |
title_short | Passing and posing between black and white |
title_sort | passing and posing between black and white calibrating the color line in u s cinema |
title_sub | calibrating the color line in U.S. cinema |
topic | America Cinema Cultural History Culture Ethnicity Hollywood Media Studies Media Race Racism SOCIAL SCIENCE / Media Studies bisacsh Motion pictures United States History Passing (Identity) in motion pictures Race in motion pictures Racism in motion pictures Rassismus (DE-588)4076527-1 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd |
topic_facet | America Cinema Cultural History Culture Ethnicity Hollywood Media Studies Media Race Racism SOCIAL SCIENCE / Media Studies Motion pictures United States History Passing (Identity) in motion pictures Race in motion pictures Racism in motion pictures Rassismus Visuelle Wahrnehmung Ethnische Beziehungen Motiv Film USA Hochschulschrift |
url | https://doi.org/10.14361/9783839453377 https://doi.org/10.1515/9783839453377 |
work_keys_str_mv | AT gottolisa traumundtraumainschwarzweiß AT salibarudolph traumundtraumainschwarzweiß AT gottolisa passingandposingbetweenblackandwhitecalibratingthecolorlineinuscinema AT salibarudolph passingandposingbetweenblackandwhitecalibratingthecolorlineinuscinema |