Melanie Smith - farsa y artificio: = Melanie Smith - farce and artifice
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Spanisch Englisch |
| Veröffentlicht: |
Ciudad de México
MUAC, Museo Universitario Arte Contemporáneo, UNAM
2019
Puebla, Pue. México Museo Amparo 2019 |
| Ausgabe: | Primera edición |
| Schriftenreihe: | MUAC
078 |
| Schlagwörter: | |
| Abstract: | Since the 1980s, Melanie Smith (United Kingdom, 1965) has addressed a number of interrelated themes encompassing the effects and the detritus of industrialization, the economy and the aesthetics of abstraction, urbanization, colonialism and, more recently, nature and entropy, through a blurring and blending of the logics of the worlds of the image, cinema, and performance. The exhibition was developed by the Museu dArt Contemporani de Barcelona (MACBA) and takes in all the media used by the artist, from her first sculptures, assemblages, relief works and paintings up to her works in video, photography and installation. The version shown at the MUAC and Museo Amparo focuses on the driving forces behind her more recent works, which have seen her experimenting with her own gaze as an artist or producer of images in terms of time-space. In her most recent creations, Smith works with distance rooted in a physical perspective, taking journeys to the Amazon jungle or the Atacama desert in Fordlandia and María Elena, as well as the anti-voyage of Skype. She also addresses this theme from a formal, technological perspective using security cameras or other mechanisms to distance her from the position of authorial control. The works shown in this exhibition appear in two cities simultaneously: Puebla and Mexico City. The project is not conceived as two parallel shows, but one single one. To achieve this sense of simultaneity, a system of crossed gazes and references between the works is employed, with peepholes that enable viewers to see live what is happening in the other venue. In this way, a dialogue is established between the two museums and between different moments in the artistic career of Melanie Smith. |
| Umfang: | 143 Seiten Illustrationen 22 cm |
| ISBN: | 9786073019538 607301953X 9788417975081 841797508X 9786079862749 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV049437013 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t| | ||
| 008 | 231129s2019 xx a||| |||| 00||| spa d | ||
| 020 | |a 9786073019538 |q UNAM |9 978-607-30-1953-8 | ||
| 020 | |a 607301953X |9 607-30-1953-X | ||
| 020 | |a 9788417975081 |q RM Verlag |9 978-84-17975-08-1 | ||
| 020 | |a 841797508X |9 84-17975-08-X | ||
| 020 | |a 9786079862749 |q Fundación Amparo |9 978-607-98627-4-9 | ||
| 035 | |a (OCoLC)1383751941 | ||
| 035 | |a (DE-599)BVBBV049437013 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a spa |a eng | |
| 049 | |a DE-255 | ||
| 100 | 1 | |a Smith, Melanie |d 1965- |0 (DE-588)124684890 |4 art | |
| 245 | 1 | 0 | |a Melanie Smith - farsa y artificio |b = Melanie Smith - farce and artifice |c curaduría: Tanya Barson, Alejandra Labastida ; textos: José Luis Barrios, Alejandra Labastida, Cuauhtémoc Medina |
| 246 | 1 | 3 | |a Farsa y artificio |
| 246 | 1 | 3 | |a Farce and artifice |
| 246 | 1 | 1 | |a Melanie Smith - farce and artifice |
| 250 | |a Primera edición | ||
| 264 | 1 | |a Ciudad de México |b MUAC, Museo Universitario Arte Contemporáneo, UNAM |c 2019 | |
| 264 | 1 | |a Puebla, Pue. México |b Museo Amparo |c 2019 | |
| 300 | |a 143 Seiten |b Illustrationen |c 22 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 336 | |b sti |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a MUAC |v 078 | |
| 520 | 3 | |a Since the 1980s, Melanie Smith (United Kingdom, 1965) has addressed a number of interrelated themes encompassing the effects and the detritus of industrialization, the economy and the aesthetics of abstraction, urbanization, colonialism and, more recently, nature and entropy, through a blurring and blending of the logics of the worlds of the image, cinema, and performance. The exhibition was developed by the Museu dArt Contemporani de Barcelona (MACBA) and takes in all the media used by the artist, from her first sculptures, assemblages, relief works and paintings up to her works in video, photography and installation. The version shown at the MUAC and Museo Amparo focuses on the driving forces behind her more recent works, which have seen her experimenting with her own gaze as an artist or producer of images in terms of time-space. In her most recent creations, Smith works with distance rooted in a physical perspective, taking journeys to the Amazon jungle or the Atacama desert in Fordlandia and María Elena, as well as the anti-voyage of Skype. She also addresses this theme from a formal, technological perspective using security cameras or other mechanisms to distance her from the position of authorial control. The works shown in this exhibition appear in two cities simultaneously: Puebla and Mexico City. The project is not conceived as two parallel shows, but one single one. To achieve this sense of simultaneity, a system of crossed gazes and references between the works is employed, with peepholes that enable viewers to see live what is happening in the other venue. In this way, a dialogue is established between the two museums and between different moments in the artistic career of Melanie Smith. | |
| 546 | |a Text spanisch und englisch | ||
| 600 | 1 | 7 | |a Smith, Melanie |d 1965- |0 (DE-588)124684890 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Museu d'Art Contemporani de Barcelona |y 18.05.2018-07.10.2018 |z Barcelona |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Museo Universitario Arte Contemporáneo, Universidad Nacional Autónoma de México |y 25.05.2019-06.10.2019 |z Mexiko-Stadt |2 gnd-content | |
| 655 | 7 | |0 (DE-588)4135467-9 |a Ausstellungskatalog |x Museo Amparo |y 25.05.2019-07.10.2019 |z Puebla, Mex. |2 gnd-content | |
| 689 | 0 | 0 | |a Smith, Melanie |d 1965- |0 (DE-588)124684890 |D p |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Barson, Tanya |0 (DE-588)141123281 |4 edt | |
| 700 | 1 | |a Labastida, Alejandra |4 edt | |
| 710 | 2 | |a Museu d'Art Contemporani de Barcelona |0 (DE-588)5264000-0 |4 his | |
| 710 | 2 | |a Universidad Nacional Autónoma de México |b Museo Universitario Arte Contemporáneo |0 (DE-588)5204660-6 |4 his |4 isb | |
| 710 | 2 | |a Museo Amparo |0 (DE-588)5504981-3 |4 his |4 isb | |
| 830 | 0 | |a MUAC |v 078 |w (DE-604)BV048501852 |9 078 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034783044 | |
Datensatz im Suchindex
| _version_ | 1818991548081111040 |
|---|---|
| any_adam_object | |
| author2 | Barson, Tanya Labastida, Alejandra |
| author2_role | edt edt |
| author2_variant | t b tb a l al |
| author_GND | (DE-588)124684890 (DE-588)141123281 |
| author_facet | Barson, Tanya Labastida, Alejandra |
| building | Verbundindex |
| bvnumber | BV049437013 |
| ctrlnum | (OCoLC)1383751941 (DE-599)BVBBV049437013 |
| edition | Primera edición |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04217nam a2200553 cb4500</leader><controlfield tag="001">BV049437013</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">231129s2019 xx a||| |||| 00||| spa d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9786073019538</subfield><subfield code="q">UNAM</subfield><subfield code="9">978-607-30-1953-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">607301953X</subfield><subfield code="9">607-30-1953-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9788417975081</subfield><subfield code="q">RM Verlag</subfield><subfield code="9">978-84-17975-08-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">841797508X</subfield><subfield code="9">84-17975-08-X</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9786079862749</subfield><subfield code="q">Fundación Amparo</subfield><subfield code="9">978-607-98627-4-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1383751941</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV049437013</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">spa</subfield><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Smith, Melanie</subfield><subfield code="d">1965-</subfield><subfield code="0">(DE-588)124684890</subfield><subfield code="4">art</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Melanie Smith - farsa y artificio</subfield><subfield code="b">= Melanie Smith - farce and artifice</subfield><subfield code="c">curaduría: Tanya Barson, Alejandra Labastida ; textos: José Luis Barrios, Alejandra Labastida, Cuauhtémoc Medina</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Farsa y artificio</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Farce and artifice</subfield></datafield><datafield tag="246" ind1="1" ind2="1"><subfield code="a">Melanie Smith - farce and artifice</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Primera edición</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Ciudad de México</subfield><subfield code="b">MUAC, Museo Universitario Arte Contemporáneo, UNAM</subfield><subfield code="c">2019</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Puebla, Pue. México</subfield><subfield code="b">Museo Amparo</subfield><subfield code="c">2019</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">143 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">22 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">MUAC</subfield><subfield code="v">078</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Since the 1980s, Melanie Smith (United Kingdom, 1965) has addressed a number of interrelated themes encompassing the effects and the detritus of industrialization, the economy and the aesthetics of abstraction, urbanization, colonialism and, more recently, nature and entropy, through a blurring and blending of the logics of the worlds of the image, cinema, and performance. The exhibition was developed by the Museu dArt Contemporani de Barcelona (MACBA) and takes in all the media used by the artist, from her first sculptures, assemblages, relief works and paintings up to her works in video, photography and installation. The version shown at the MUAC and Museo Amparo focuses on the driving forces behind her more recent works, which have seen her experimenting with her own gaze as an artist or producer of images in terms of time-space. In her most recent creations, Smith works with distance rooted in a physical perspective, taking journeys to the Amazon jungle or the Atacama desert in Fordlandia and María Elena, as well as the anti-voyage of Skype. She also addresses this theme from a formal, technological perspective using security cameras or other mechanisms to distance her from the position of authorial control. The works shown in this exhibition appear in two cities simultaneously: Puebla and Mexico City. The project is not conceived as two parallel shows, but one single one. To achieve this sense of simultaneity, a system of crossed gazes and references between the works is employed, with peepholes that enable viewers to see live what is happening in the other venue. In this way, a dialogue is established between the two museums and between different moments in the artistic career of Melanie Smith.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">Text spanisch und englisch</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Smith, Melanie</subfield><subfield code="d">1965-</subfield><subfield code="0">(DE-588)124684890</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Museu d'Art Contemporani de Barcelona</subfield><subfield code="y">18.05.2018-07.10.2018</subfield><subfield code="z">Barcelona</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Museo Universitario Arte Contemporáneo, Universidad Nacional Autónoma de México</subfield><subfield code="y">25.05.2019-06.10.2019</subfield><subfield code="z">Mexiko-Stadt</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4135467-9</subfield><subfield code="a">Ausstellungskatalog</subfield><subfield code="x">Museo Amparo</subfield><subfield code="y">25.05.2019-07.10.2019</subfield><subfield code="z">Puebla, Mex.</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Smith, Melanie</subfield><subfield code="d">1965-</subfield><subfield code="0">(DE-588)124684890</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barson, Tanya</subfield><subfield code="0">(DE-588)141123281</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Labastida, Alejandra</subfield><subfield code="4">edt</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Museu d'Art Contemporani de Barcelona</subfield><subfield code="0">(DE-588)5264000-0</subfield><subfield code="4">his</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Universidad Nacional Autónoma de México</subfield><subfield code="b">Museo Universitario Arte Contemporáneo</subfield><subfield code="0">(DE-588)5204660-6</subfield><subfield code="4">his</subfield><subfield code="4">isb</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">Museo Amparo</subfield><subfield code="0">(DE-588)5504981-3</subfield><subfield code="4">his</subfield><subfield code="4">isb</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">MUAC</subfield><subfield code="v">078</subfield><subfield code="w">(DE-604)BV048501852</subfield><subfield code="9">078</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034783044</subfield></datafield></record></collection> |
| genre | (DE-588)4135467-9 Ausstellungskatalog Museu d'Art Contemporani de Barcelona 18.05.2018-07.10.2018 Barcelona gnd-content (DE-588)4135467-9 Ausstellungskatalog Museo Universitario Arte Contemporáneo, Universidad Nacional Autónoma de México 25.05.2019-06.10.2019 Mexiko-Stadt gnd-content (DE-588)4135467-9 Ausstellungskatalog Museo Amparo 25.05.2019-07.10.2019 Puebla, Mex. gnd-content |
| genre_facet | Ausstellungskatalog Museu d'Art Contemporani de Barcelona 18.05.2018-07.10.2018 Barcelona Ausstellungskatalog Museo Universitario Arte Contemporáneo, Universidad Nacional Autónoma de México 25.05.2019-06.10.2019 Mexiko-Stadt Ausstellungskatalog Museo Amparo 25.05.2019-07.10.2019 Puebla, Mex. |
| id | DE-604.BV049437013 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T20:12:01Z |
| institution | BVB |
| institution_GND | (DE-588)5264000-0 (DE-588)5204660-6 (DE-588)5504981-3 |
| isbn | 9786073019538 607301953X 9788417975081 841797508X 9786079862749 |
| language | Spanish English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034783044 |
| oclc_num | 1383751941 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 143 Seiten Illustrationen 22 cm |
| publishDate | 2019 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | MUAC, Museo Universitario Arte Contemporáneo, UNAM Museo Amparo |
| record_format | marc |
| series | MUAC |
| series2 | MUAC |
| spelling | Smith, Melanie 1965- (DE-588)124684890 art Melanie Smith - farsa y artificio = Melanie Smith - farce and artifice curaduría: Tanya Barson, Alejandra Labastida ; textos: José Luis Barrios, Alejandra Labastida, Cuauhtémoc Medina Farsa y artificio Farce and artifice Melanie Smith - farce and artifice Primera edición Ciudad de México MUAC, Museo Universitario Arte Contemporáneo, UNAM 2019 Puebla, Pue. México Museo Amparo 2019 143 Seiten Illustrationen 22 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier MUAC 078 Since the 1980s, Melanie Smith (United Kingdom, 1965) has addressed a number of interrelated themes encompassing the effects and the detritus of industrialization, the economy and the aesthetics of abstraction, urbanization, colonialism and, more recently, nature and entropy, through a blurring and blending of the logics of the worlds of the image, cinema, and performance. The exhibition was developed by the Museu dArt Contemporani de Barcelona (MACBA) and takes in all the media used by the artist, from her first sculptures, assemblages, relief works and paintings up to her works in video, photography and installation. The version shown at the MUAC and Museo Amparo focuses on the driving forces behind her more recent works, which have seen her experimenting with her own gaze as an artist or producer of images in terms of time-space. In her most recent creations, Smith works with distance rooted in a physical perspective, taking journeys to the Amazon jungle or the Atacama desert in Fordlandia and María Elena, as well as the anti-voyage of Skype. She also addresses this theme from a formal, technological perspective using security cameras or other mechanisms to distance her from the position of authorial control. The works shown in this exhibition appear in two cities simultaneously: Puebla and Mexico City. The project is not conceived as two parallel shows, but one single one. To achieve this sense of simultaneity, a system of crossed gazes and references between the works is employed, with peepholes that enable viewers to see live what is happening in the other venue. In this way, a dialogue is established between the two museums and between different moments in the artistic career of Melanie Smith. Text spanisch und englisch Smith, Melanie 1965- (DE-588)124684890 gnd rswk-swf (DE-588)4135467-9 Ausstellungskatalog Museu d'Art Contemporani de Barcelona 18.05.2018-07.10.2018 Barcelona gnd-content (DE-588)4135467-9 Ausstellungskatalog Museo Universitario Arte Contemporáneo, Universidad Nacional Autónoma de México 25.05.2019-06.10.2019 Mexiko-Stadt gnd-content (DE-588)4135467-9 Ausstellungskatalog Museo Amparo 25.05.2019-07.10.2019 Puebla, Mex. gnd-content Smith, Melanie 1965- (DE-588)124684890 p DE-604 Barson, Tanya (DE-588)141123281 edt Labastida, Alejandra edt Museu d'Art Contemporani de Barcelona (DE-588)5264000-0 his Universidad Nacional Autónoma de México Museo Universitario Arte Contemporáneo (DE-588)5204660-6 his isb Museo Amparo (DE-588)5504981-3 his isb MUAC 078 (DE-604)BV048501852 078 |
| spellingShingle | Melanie Smith - farsa y artificio = Melanie Smith - farce and artifice MUAC Smith, Melanie 1965- (DE-588)124684890 gnd |
| subject_GND | (DE-588)124684890 (DE-588)4135467-9 |
| title | Melanie Smith - farsa y artificio = Melanie Smith - farce and artifice |
| title_alt | Farsa y artificio Farce and artifice Melanie Smith - farce and artifice |
| title_auth | Melanie Smith - farsa y artificio = Melanie Smith - farce and artifice |
| title_exact_search | Melanie Smith - farsa y artificio = Melanie Smith - farce and artifice |
| title_full | Melanie Smith - farsa y artificio = Melanie Smith - farce and artifice curaduría: Tanya Barson, Alejandra Labastida ; textos: José Luis Barrios, Alejandra Labastida, Cuauhtémoc Medina |
| title_fullStr | Melanie Smith - farsa y artificio = Melanie Smith - farce and artifice curaduría: Tanya Barson, Alejandra Labastida ; textos: José Luis Barrios, Alejandra Labastida, Cuauhtémoc Medina |
| title_full_unstemmed | Melanie Smith - farsa y artificio = Melanie Smith - farce and artifice curaduría: Tanya Barson, Alejandra Labastida ; textos: José Luis Barrios, Alejandra Labastida, Cuauhtémoc Medina |
| title_short | Melanie Smith - farsa y artificio |
| title_sort | melanie smith farsa y artificio melanie smith farce and artifice |
| title_sub | = Melanie Smith - farce and artifice |
| topic | Smith, Melanie 1965- (DE-588)124684890 gnd |
| topic_facet | Smith, Melanie 1965- Ausstellungskatalog Museu d'Art Contemporani de Barcelona 18.05.2018-07.10.2018 Barcelona Ausstellungskatalog Museo Universitario Arte Contemporáneo, Universidad Nacional Autónoma de México 25.05.2019-06.10.2019 Mexiko-Stadt Ausstellungskatalog Museo Amparo 25.05.2019-07.10.2019 Puebla, Mex. |
| volume_link | (DE-604)BV048501852 |
| work_keys_str_mv | AT smithmelanie melaniesmithfarsayartificiomelaniesmithfarceandartifice AT barsontanya melaniesmithfarsayartificiomelaniesmithfarceandartifice AT labastidaalejandra melaniesmithfarsayartificiomelaniesmithfarceandartifice AT museudartcontemporanidebarcelona melaniesmithfarsayartificiomelaniesmithfarceandartifice AT universidadnacionalautonomademexicomuseouniversitarioartecontemporaneo melaniesmithfarsayartificiomelaniesmithfarceandartifice AT museoamparo melaniesmithfarsayartificiomelaniesmithfarceandartifice AT smithmelanie farsayartificio AT barsontanya farsayartificio AT labastidaalejandra farsayartificio AT museudartcontemporanidebarcelona farsayartificio AT universidadnacionalautonomademexicomuseouniversitarioartecontemporaneo farsayartificio AT museoamparo farsayartificio AT smithmelanie farceandartifice AT barsontanya farceandartifice AT labastidaalejandra farceandartifice AT museudartcontemporanidebarcelona farceandartifice AT universidadnacionalautonomademexicomuseouniversitarioartecontemporaneo farceandartifice AT museoamparo farceandartifice AT smithmelanie melaniesmithfarceandartifice AT barsontanya melaniesmithfarceandartifice AT labastidaalejandra melaniesmithfarceandartifice AT museudartcontemporanidebarcelona melaniesmithfarceandartifice AT universidadnacionalautonomademexicomuseouniversitarioartecontemporaneo melaniesmithfarceandartifice AT museoamparo melaniesmithfarceandartifice |