Jan Massys (c. 1510-1573): Renaissance painter of Flemish female beauty
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Turnhout, Belgium
Brepols
[2023]
|
| Schriftenreihe: | Me fecit
[14] |
| Schlagwörter: | |
| Links: | https://swbplus.bsz-bw.de/bsz1885972687inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034737138&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals – both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique." |
| Beschreibung: | Rückentitel: "Jan Massys" Die Bandangabe wurde auf der Internetseite des Verlags ermittelt Literaturverzeichnis: Seite 223-231 |
| Umfang: | 239 Seiten Illustrationen |
| ISBN: | 9782503607207 |
Internformat
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| 245 | 1 | 0 | |a Jan Massys (c. 1510-1573) |b Renaissance painter of Flemish female beauty |c Maria Clelia Galassi |
| 246 | 1 | 3 | |a Jan Massys |
| 264 | 1 | |a Turnhout, Belgium |b Brepols |c [2023] | |
| 264 | 4 | |c © 2023 | |
| 300 | |a 239 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Me fecit |v [14] | |
| 500 | |a Rückentitel: "Jan Massys" | ||
| 500 | |a Die Bandangabe wurde auf der Internetseite des Verlags ermittelt | ||
| 500 | |a Literaturverzeichnis: Seite 223-231 | ||
| 520 | 3 | |a "The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals – both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique." | |
| 600 | 1 | 7 | |a Massys, Jan |d 1509-1575 |0 (DE-588)119382989 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Frau |g Motiv |0 (DE-588)4113617-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Malerei |0 (DE-588)4037220-0 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Massys, Jan |d 1509-1575 |0 (DE-588)119382989 |D p |
| 689 | 0 | 1 | |a Malerei |0 (DE-588)4037220-0 |D s |
| 689 | 0 | 2 | |a Frau |g Motiv |0 (DE-588)4113617-2 |D s |
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| 700 | 1 | |a Massys, Jan |d 1509-1575 |0 (DE-588)119382989 |4 ill | |
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Datensatz im Suchindex
| _version_ | 1818991503207301120 |
|---|---|
| any_adam_object | 1 |
| author | Galassi, Maria Clelia 1954- |
| author2 | Massys, Jan 1509-1575 |
| author2_role | ill |
| author2_variant | j m jm |
| author_GND | (DE-588)137135653 (DE-588)119382989 |
| author_facet | Galassi, Maria Clelia 1954- Massys, Jan 1509-1575 |
| author_role | aut |
| author_sort | Galassi, Maria Clelia 1954- |
| author_variant | m c g mc mcg |
| building | Verbundindex |
| bvnumber | BV049410059 |
| classification_rvk | LI 99999 |
| ctrlnum | (OCoLC)1430213539 (DE-599)BVBBV049410059 |
| discipline | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV049410059 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T20:11:18Z |
| institution | BVB |
| isbn | 9782503607207 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034737138 |
| oclc_num | 1430213539 |
| open_access_boolean | |
| owner | DE-Y2 DE-20 DE-11 DE-255 DE-12 DE-Y3 |
| owner_facet | DE-Y2 DE-20 DE-11 DE-255 DE-12 DE-Y3 |
| physical | 239 Seiten Illustrationen |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Brepols |
| record_format | marc |
| series | Me fecit |
| series2 | Me fecit |
| spelling | Galassi, Maria Clelia 1954- Verfasser (DE-588)137135653 aut Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty Maria Clelia Galassi Jan Massys Turnhout, Belgium Brepols [2023] © 2023 239 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Me fecit [14] Rückentitel: "Jan Massys" Die Bandangabe wurde auf der Internetseite des Verlags ermittelt Literaturverzeichnis: Seite 223-231 "The painter Jan Massys (c. 1510-1573) trained under his father Quinten, succeeding him after his death (1530) at the head of Antwerp's most famous workshop. However, his career, destined for certain success, was abruptly cut short in 1544. Condemned for joining the Loysts sect, he had to flee Antwerp, finding refuge perhaps initially in France and at one point in Italy. Only in 1555 was he able to return to his homeland, regaining his artistic leadership within a few years. His oeuvre consists exclusively of works for private use and is characterized, in particular, by the depiction of elegant and seductive nude or half-naked female figures, protagonists of biblical or mythological subjects. The identification of the patron of the 1561 Venus with the view of Genoa (Stockholm, Nationalmuseum) in the person of the noble Genoese banker Ambrogio di Negro, offered the possibility of reconstructing the social context of the artist's clientele and his relations with those intellectuals – both Genoese and Flemish-who gave life to the lively humanist academies of Antwerp. The figure emerges of a cultivated and particularly refined painter, who shared with his patrons the ideals of neo-Petrarchan poetry and executed paintings of great preciousness, characterized by a meticulous and skillful painting technique." Massys, Jan 1509-1575 (DE-588)119382989 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Massys, Jan 1509-1575 (DE-588)119382989 p Malerei (DE-588)4037220-0 s Frau Motiv (DE-588)4113617-2 s DE-604 Massys, Jan 1509-1575 (DE-588)119382989 ill Me fecit [14] (DE-604)BV038748502 14 B:DE-16 V:DE-576 https://swbplus.bsz-bw.de/bsz1885972687inh.htm 20240626194845 Inhaltsverzeichnis V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034737138&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Galassi, Maria Clelia 1954- Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty Me fecit Massys, Jan 1509-1575 (DE-588)119382989 gnd Frau Motiv (DE-588)4113617-2 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)119382989 (DE-588)4113617-2 (DE-588)4037220-0 |
| title | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty |
| title_alt | Jan Massys |
| title_auth | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty |
| title_exact_search | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty |
| title_full | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty Maria Clelia Galassi |
| title_fullStr | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty Maria Clelia Galassi |
| title_full_unstemmed | Jan Massys (c. 1510-1573) Renaissance painter of Flemish female beauty Maria Clelia Galassi |
| title_short | Jan Massys (c. 1510-1573) |
| title_sort | jan massys c 1510 1573 renaissance painter of flemish female beauty |
| title_sub | Renaissance painter of Flemish female beauty |
| topic | Massys, Jan 1509-1575 (DE-588)119382989 gnd Frau Motiv (DE-588)4113617-2 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Massys, Jan 1509-1575 Frau Motiv Malerei |
| url | https://swbplus.bsz-bw.de/bsz1885972687inh.htm http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034737138&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV038748502 |
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