"Vanitas" and "trompe-l'iil: pictorial illusion as a visual strategy of the "memento mori"
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| Main Author: | |
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| Format: | Paper |
| Language: | English |
| Published: |
2022
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| Subjects: | |
| Abstract: | This essay examines the complex ways in which early Netherlandish artists used illusionistic devices including trompe l’il as a means of forcing viewers to confront their own mortality. Her analysis unpacks deep associations between the representation of memento mori motifs and the viewer’s response, focusing on how such paintings paradoxically appeal to the notoriously fallible sense of sight in order to provoke deeper reflection on, and preparation for, the inevitable end of life. The relationship of trompe l’il to the memento mori rests, in this discussion, on how such devices call attention to the ways in which painting itself invites responses that are both sensual and cognitive. The deception of the eye leads to a higher cognitive state of questioning earthly perception as well as the unfathomable nature of death. The frequent use of folding panels served to ‘enfold’ the viewer actively in the visual and conative dynamics of the painted representation. |
| Physical Description: | Illustrationen |
| ISSN: | 0169-6726 |
Staff View
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| 520 | 3 | |a This essay examines the complex ways in which early Netherlandish artists used illusionistic devices including trompe l’il as a means of forcing viewers to confront their own mortality. Her analysis unpacks deep associations between the representation of memento mori motifs and the viewer’s response, focusing on how such paintings paradoxically appeal to the notoriously fallible sense of sight in order to provoke deeper reflection on, and preparation for, the inevitable end of life. The relationship of trompe l’il to the memento mori rests, in this discussion, on how such devices call attention to the ways in which painting itself invites responses that are both sensual and cognitive. The deception of the eye leads to a higher cognitive state of questioning earthly perception as well as the unfathomable nature of death. The frequent use of folding panels served to ‘enfold’ the viewer actively in the visual and conative dynamics of the painted representation. | |
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Record in the Search Index
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| spelling | Hindriks, Sandra Verfasser (DE-588)1072063816 aut "Vanitas" and "trompe-l'iil pictorial illusion as a visual strategy of the "memento mori" Sandra Hindriks 2022 Illustrationen txt rdacontent n rdamedia nc rdacarrier This essay examines the complex ways in which early Netherlandish artists used illusionistic devices including trompe l’il as a means of forcing viewers to confront their own mortality. Her analysis unpacks deep associations between the representation of memento mori motifs and the viewer’s response, focusing on how such paintings paradoxically appeal to the notoriously fallible sense of sight in order to provoke deeper reflection on, and preparation for, the inevitable end of life. The relationship of trompe l’il to the memento mori rests, in this discussion, on how such devices call attention to the ways in which painting itself invites responses that are both sensual and cognitive. The deception of the eye leads to a higher cognitive state of questioning earthly perception as well as the unfathomable nature of death. The frequent use of folding panels served to ‘enfold’ the viewer actively in the visual and conative dynamics of the painted representation. Geschichte 1450-1515 gnd rswk-swf Vanitas (DE-588)4324124-4 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Tod Motiv (DE-588)4117229-2 gnd rswk-swf Memento mori (DE-588)4169407-7 gnd rswk-swf Sterblichkeit Motiv (DE-588)4546836-9 gnd rswk-swf Trompe-l'oeil (DE-588)4132218-6 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Niederlande (DE-588)4042203-3 g Malerei (DE-588)4037220-0 s Trompe-l'oeil (DE-588)4132218-6 s Vanitas (DE-588)4324124-4 s Sterblichkeit Motiv (DE-588)4546836-9 s Memento mori (DE-588)4169407-7 s Tod Motiv (DE-588)4117229-2 s Geschichte 1450-1515 z DE-604 volume:72 year:2022 pages:58-93 Nederlands kunsthistorisch jaarboek Leiden ; Boston, 2022 Deel 72 (2022), Seite [58]-[93] (DE-604)BV002664896 0169-6726 (DE-600)2483-1 |
| spellingShingle | Hindriks, Sandra "Vanitas" and "trompe-l'iil pictorial illusion as a visual strategy of the "memento mori" Vanitas (DE-588)4324124-4 gnd Malerei (DE-588)4037220-0 gnd Tod Motiv (DE-588)4117229-2 gnd Memento mori (DE-588)4169407-7 gnd Sterblichkeit Motiv (DE-588)4546836-9 gnd Trompe-l'oeil (DE-588)4132218-6 gnd |
| subject_GND | (DE-588)4324124-4 (DE-588)4037220-0 (DE-588)4117229-2 (DE-588)4169407-7 (DE-588)4546836-9 (DE-588)4132218-6 (DE-588)4042203-3 |
| title | "Vanitas" and "trompe-l'iil pictorial illusion as a visual strategy of the "memento mori" |
| title_auth | "Vanitas" and "trompe-l'iil pictorial illusion as a visual strategy of the "memento mori" |
| title_exact_search | "Vanitas" and "trompe-l'iil pictorial illusion as a visual strategy of the "memento mori" |
| title_full | "Vanitas" and "trompe-l'iil pictorial illusion as a visual strategy of the "memento mori" Sandra Hindriks |
| title_fullStr | "Vanitas" and "trompe-l'iil pictorial illusion as a visual strategy of the "memento mori" Sandra Hindriks |
| title_full_unstemmed | "Vanitas" and "trompe-l'iil pictorial illusion as a visual strategy of the "memento mori" Sandra Hindriks |
| title_short | "Vanitas" and "trompe-l'iil |
| title_sort | vanitas and trompe l iil pictorial illusion as a visual strategy of the memento mori |
| title_sub | pictorial illusion as a visual strategy of the "memento mori" |
| topic | Vanitas (DE-588)4324124-4 gnd Malerei (DE-588)4037220-0 gnd Tod Motiv (DE-588)4117229-2 gnd Memento mori (DE-588)4169407-7 gnd Sterblichkeit Motiv (DE-588)4546836-9 gnd Trompe-l'oeil (DE-588)4132218-6 gnd |
| topic_facet | Vanitas Malerei Tod Motiv Memento mori Sterblichkeit Motiv Trompe-l'oeil Niederlande |
| work_keys_str_mv | AT hindrikssandra vanitasandtrompeliilpictorialillusionasavisualstrategyofthemementomori |