The moving form of film: historicising the medium through other media
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Weitere beteiligte Personen: | |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY, United States of America
Oxford University Press
[2023]
|
| Schlagwörter: | |
| Abstract: | "This book charts the ways in which intermediality - the crossing of borders between film and other arts and media - can provide an encompassing, inclusive and non-teleological understanding of film history. Moving across diverse approaches, technologies, national contexts and artistic styles, the collection depicts a clear as much as complex trajectory of cinematic phenomena according to the medial and artistic interactions they require and produce. Visions of the 'evolution' of cinema have traditionally hinged on the axis of World War II that separates so-called 'classical' Hollywood cinema from a purported 'modern' European-style production, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms at its base - theatre, dance, fairground spectacle, painting, literature, still photography and other pre-cinematic modes. Taking an ambitious step forward with relation to these theories, this book places its bet on the fluid quality of the film form itself. In so doing, it opens up to an array of exciting and often neglected artistic expressions worldwide as they permeate and interconnect films across temporal, geographical and cultural borders. By observing the ebb and flow of film's contours within the bounds of other artistic and medial expressions, this collection aspires to establish a flexible historical platform for the moving form of film, posited, from production to consumption, as a transforming and transformative medium"-- |
| Umfang: | xvii, 322 Seiten Illustrationen 24 cm |
| ISBN: | 9780197621714 9780197621707 |
Internformat
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| 245 | 1 | 0 | |a The moving form of film |b historicising the medium through other media |c edited by Lúcia Nagib and Stefan Solomon |
| 264 | 1 | |a New York, NY, United States of America |b Oxford University Press |c [2023] | |
| 300 | |a xvii, 322 Seiten |b Illustrationen |c 24 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Hegel, cinema and the other arts / Alain Badiou -- One-dimensional man? A reply to Alain Badiou / James Hellings -- Hybrid variations on an intermedial theme / Robert Stam -- Parallax historiography and metareference : the intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark / Mark Player -- Intermediality and the carousel slide projector / Julian Ross -- Up the junction, intermediality and social change / Sarah Street -- When the past is present : digital cinema and the philosophical toys of pre-cinema / Ismail Xavier -- Panoramic Views, planetary visions : an intermedial analysis of Medium Earth and Walden / Tiago de Luca -- Elemental intermedia / Stefan Solomon -- Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil / Luciana Corrêa de Araújo -- Flamenco on screen : the intermedial legacy of Carmen Amaya in Bajarí / Albert Elduque -- Impurity and identification : historicising Chinese cinema through the opera / Cecília Mello -- Historicising the story through film and music : an intermedial reading of Heimat 2 / Lúcia Nagib -- Stephen Dwoskin, an intermedial artist / Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue -- Intermedial voices : intersections in feminist sound and moving image / Claire M. Holdsworth -- Entanglements of intermediality : Polanski, Pinter, Steptoe and Son / Jonathan Bignell -- The intermedial reworking of history in Peter Greenaway's The Tulse Luper Suitcases trilogy / Fátima Chinita | |
| 520 | 3 | |a "This book charts the ways in which intermediality - the crossing of borders between film and other arts and media - can provide an encompassing, inclusive and non-teleological understanding of film history. Moving across diverse approaches, technologies, national contexts and artistic styles, the collection depicts a clear as much as complex trajectory of cinematic phenomena according to the medial and artistic interactions they require and produce. Visions of the 'evolution' of cinema have traditionally hinged on the axis of World War II that separates so-called 'classical' Hollywood cinema from a purported 'modern' European-style production, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms at its base - theatre, dance, fairground spectacle, painting, literature, still photography and other pre-cinematic modes. Taking an ambitious step forward with relation to these theories, this book places its bet on the fluid quality of the film form itself. In so doing, it opens up to an array of exciting and often neglected artistic expressions worldwide as they permeate and interconnect films across temporal, geographical and cultural borders. By observing the ebb and flow of film's contours within the bounds of other artistic and medial expressions, this collection aspires to establish a flexible historical platform for the moving form of film, posited, from production to consumption, as a transforming and transformative medium"-- | |
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| 653 | 0 | |a Motion pictures / Philosophy | |
| 653 | 0 | |a Motion pictures / Aesthetics | |
| 653 | 0 | |a Historicism | |
| 653 | 0 | |a Intermediality | |
| 653 | 0 | |a Historicism | |
| 653 | 0 | |a Intermediality | |
| 653 | 0 | |a Motion pictures / Aesthetics | |
| 653 | 0 | |a Motion pictures / Historiography | |
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| 700 | 1 | |a Nagib, Lúcia |d 1956- |0 (DE-588)173641040 |4 edt |4 win |4 aut | |
| 700 | 1 | |a Solomon, Stefan |d 1986- |0 (DE-588)1214666337 |4 edt |4 win | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-19-762173-8 |
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Datensatz im Suchindex
| _version_ | 1818990788878532608 |
|---|---|
| any_adam_object | |
| author | Nagib, Lúcia 1956- |
| author2 | Nagib, Lúcia 1956- Solomon, Stefan 1986- |
| author2_role | edt edt |
| author2_variant | l n ln s s ss |
| author_GND | (DE-588)173641040 (DE-588)1214666337 |
| author_facet | Nagib, Lúcia 1956- Nagib, Lúcia 1956- Solomon, Stefan 1986- |
| author_role | aut |
| author_sort | Nagib, Lúcia 1956- |
| author_variant | l n ln |
| building | Verbundindex |
| bvnumber | BV049072124 |
| classification_rvk | AP 44400 |
| contents | Hegel, cinema and the other arts / Alain Badiou -- One-dimensional man? A reply to Alain Badiou / James Hellings -- Hybrid variations on an intermedial theme / Robert Stam -- Parallax historiography and metareference : the intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark / Mark Player -- Intermediality and the carousel slide projector / Julian Ross -- Up the junction, intermediality and social change / Sarah Street -- When the past is present : digital cinema and the philosophical toys of pre-cinema / Ismail Xavier -- Panoramic Views, planetary visions : an intermedial analysis of Medium Earth and Walden / Tiago de Luca -- Elemental intermedia / Stefan Solomon -- Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil / Luciana Corrêa de Araújo -- Flamenco on screen : the intermedial legacy of Carmen Amaya in Bajarí / Albert Elduque -- Impurity and identification : historicising Chinese cinema through the opera / Cecília Mello -- Historicising the story through film and music : an intermedial reading of Heimat 2 / Lúcia Nagib -- Stephen Dwoskin, an intermedial artist / Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue -- Intermedial voices : intersections in feminist sound and moving image / Claire M. Holdsworth -- Entanglements of intermediality : Polanski, Pinter, Steptoe and Son / Jonathan Bignell -- The intermedial reworking of history in Peter Greenaway's The Tulse Luper Suitcases trilogy / Fátima Chinita |
| ctrlnum | (OCoLC)1401212738 (DE-599)BVBBV049072124 |
| discipline | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV049072124 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:59:57Z |
| institution | BVB |
| isbn | 9780197621714 9780197621707 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034334055 |
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| publisher | Oxford University Press |
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| spelling | The moving form of film historicising the medium through other media edited by Lúcia Nagib and Stefan Solomon New York, NY, United States of America Oxford University Press [2023] xvii, 322 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Hegel, cinema and the other arts / Alain Badiou -- One-dimensional man? A reply to Alain Badiou / James Hellings -- Hybrid variations on an intermedial theme / Robert Stam -- Parallax historiography and metareference : the intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark / Mark Player -- Intermediality and the carousel slide projector / Julian Ross -- Up the junction, intermediality and social change / Sarah Street -- When the past is present : digital cinema and the philosophical toys of pre-cinema / Ismail Xavier -- Panoramic Views, planetary visions : an intermedial analysis of Medium Earth and Walden / Tiago de Luca -- Elemental intermedia / Stefan Solomon -- Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil / Luciana Corrêa de Araújo -- Flamenco on screen : the intermedial legacy of Carmen Amaya in Bajarí / Albert Elduque -- Impurity and identification : historicising Chinese cinema through the opera / Cecília Mello -- Historicising the story through film and music : an intermedial reading of Heimat 2 / Lúcia Nagib -- Stephen Dwoskin, an intermedial artist / Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue -- Intermedial voices : intersections in feminist sound and moving image / Claire M. Holdsworth -- Entanglements of intermediality : Polanski, Pinter, Steptoe and Son / Jonathan Bignell -- The intermedial reworking of history in Peter Greenaway's The Tulse Luper Suitcases trilogy / Fátima Chinita "This book charts the ways in which intermediality - the crossing of borders between film and other arts and media - can provide an encompassing, inclusive and non-teleological understanding of film history. Moving across diverse approaches, technologies, national contexts and artistic styles, the collection depicts a clear as much as complex trajectory of cinematic phenomena according to the medial and artistic interactions they require and produce. Visions of the 'evolution' of cinema have traditionally hinged on the axis of World War II that separates so-called 'classical' Hollywood cinema from a purported 'modern' European-style production, a scheme that subjects the entire world to the cinematic history of two hegemonic centres. In turn, histories of film as a technological medium have focused on the specificity of cinema as it gradually separated from the other art and medial forms at its base - theatre, dance, fairground spectacle, painting, literature, still photography and other pre-cinematic modes. Taking an ambitious step forward with relation to these theories, this book places its bet on the fluid quality of the film form itself. In so doing, it opens up to an array of exciting and often neglected artistic expressions worldwide as they permeate and interconnect films across temporal, geographical and cultural borders. By observing the ebb and flow of film's contours within the bounds of other artistic and medial expressions, this collection aspires to establish a flexible historical platform for the moving form of film, posited, from production to consumption, as a transforming and transformative medium"-- Geschichte gnd rswk-swf Intermedialität (DE-588)4605581-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Motion pictures / Historiography Motion pictures / Philosophy Motion pictures / Aesthetics Historicism Intermediality (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Intermedialität (DE-588)4605581-2 s Geschichte z DE-604 Nagib, Lúcia 1956- (DE-588)173641040 edt win aut Solomon, Stefan 1986- (DE-588)1214666337 edt win Erscheint auch als Online-Ausgabe 978-0-19-762173-8 |
| spellingShingle | Nagib, Lúcia 1956- The moving form of film historicising the medium through other media Hegel, cinema and the other arts / Alain Badiou -- One-dimensional man? A reply to Alain Badiou / James Hellings -- Hybrid variations on an intermedial theme / Robert Stam -- Parallax historiography and metareference : the intramedial case of Nagasaki Shunichi's Heart, Beating in the Dark / Mark Player -- Intermediality and the carousel slide projector / Julian Ross -- Up the junction, intermediality and social change / Sarah Street -- When the past is present : digital cinema and the philosophical toys of pre-cinema / Ismail Xavier -- Panoramic Views, planetary visions : an intermedial analysis of Medium Earth and Walden / Tiago de Luca -- Elemental intermedia / Stefan Solomon -- Cinema from the perspective of the stage: for an integrated history of theatrical entertainment in Brazil / Luciana Corrêa de Araújo -- Flamenco on screen : the intermedial legacy of Carmen Amaya in Bajarí / Albert Elduque -- Impurity and identification : historicising Chinese cinema through the opera / Cecília Mello -- Historicising the story through film and music : an intermedial reading of Heimat 2 / Lúcia Nagib -- Stephen Dwoskin, an intermedial artist / Rachel Garfield, Jenny Chamarette and Darragh O'Donoghue -- Intermedial voices : intersections in feminist sound and moving image / Claire M. Holdsworth -- Entanglements of intermediality : Polanski, Pinter, Steptoe and Son / Jonathan Bignell -- The intermedial reworking of history in Peter Greenaway's The Tulse Luper Suitcases trilogy / Fátima Chinita Intermedialität (DE-588)4605581-2 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4605581-2 (DE-588)4017102-4 (DE-588)4143413-4 |
| title | The moving form of film historicising the medium through other media |
| title_auth | The moving form of film historicising the medium through other media |
| title_exact_search | The moving form of film historicising the medium through other media |
| title_full | The moving form of film historicising the medium through other media edited by Lúcia Nagib and Stefan Solomon |
| title_fullStr | The moving form of film historicising the medium through other media edited by Lúcia Nagib and Stefan Solomon |
| title_full_unstemmed | The moving form of film historicising the medium through other media edited by Lúcia Nagib and Stefan Solomon |
| title_short | The moving form of film |
| title_sort | the moving form of film historicising the medium through other media |
| title_sub | historicising the medium through other media |
| topic | Intermedialität (DE-588)4605581-2 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Intermedialität Film Aufsatzsammlung |
| work_keys_str_mv | AT nagiblucia themovingformoffilmhistoricisingthemediumthroughothermedia AT solomonstefan themovingformoffilmhistoricisingthemediumthroughothermedia |