William Burges's Great Bookcase & the Victorian colour revolution:
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | , |
| Format: | Book |
| Language: | English |
| Published: |
New Haven ; London
Yale University Press
2023
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| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034320589&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | Charlotte Ribeyrol presents a fascinating (book)case study exploring the story of an extraordinary object, William Burges's (1827-1881) Great Bookcase. No fewer than 13 major artists, including Edward Burne-Jones, Edward Poynter, and Albert Moore, took part in the painting of this unique piece of furniture, which has now returned to the Ashmolean Museum after an absence of over 80 years. Ribeyrol throws new light on the chromophilia of the Pre-Raphaelite architect William Burges and his key role in shaping aesthetic debates about color in the 1860s. This crucial decade, which saw the advent of the first synthetic dyes, transformed the experience of color for many painters and poets in Burges's circle. Interweaving art, literature, and chemistry, Ribeyrol reads the eight painted panels of the Great Bookcase in the context of this 'color revolution', which brought to the fore new approaches to color while simultaneously triggering a revival of the polychromy of the Pagan and Christian past. Drawing on pioneering interdisciplinary research and featuring new photography throughout, this book provides a definitive account of one of Burges's most cherished and complex artworks |
| Item Description: | Includes index Bibliography: pages 222-232 |
| Physical Description: | 240 Seiten Illustrationen 27 cm |
| ISBN: | 9780300267976 |
Staff View
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| 500 | |a Includes index | ||
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| 505 | 8 | 0 | |t The colours of the 1862 London Exhibition |t Sanctifying colour: Simeon Solomon's St John and the angel measuring the heavenly Jerusalem and Thomas Morten's Beato Angelico |t Translating poetic colour: Henry Holiday's Sappho and Phaeton and Edward J. Poynter's Dante's vision |t Excavating colour: Edward J. Poynter's Rhodopis and Frederick Smallfield's The origin of painting |t Sculptural bodies: Simeon Solomon's Pygmalion and Albert Moore's Torrel modelling effigy of Queen Eleanor |t Reading Burges |t Colour matters: reading the materiality of the Great bookcase / |r Tea Ghigo. |
| 520 | 3 | |a Charlotte Ribeyrol presents a fascinating (book)case study exploring the story of an extraordinary object, William Burges's (1827-1881) Great Bookcase. No fewer than 13 major artists, including Edward Burne-Jones, Edward Poynter, and Albert Moore, took part in the painting of this unique piece of furniture, which has now returned to the Ashmolean Museum after an absence of over 80 years. Ribeyrol throws new light on the chromophilia of the Pre-Raphaelite architect William Burges and his key role in shaping aesthetic debates about color in the 1860s. This crucial decade, which saw the advent of the first synthetic dyes, transformed the experience of color for many painters and poets in Burges's circle. Interweaving art, literature, and chemistry, Ribeyrol reads the eight painted panels of the Great Bookcase in the context of this 'color revolution', which brought to the fore new approaches to color while simultaneously triggering a revival of the polychromy of the Pagan and Christian past. Drawing on pioneering interdisciplinary research and featuring new photography throughout, this book provides a definitive account of one of Burges's most cherished and complex artworks | |
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Record in the Search Index
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|---|---|
| adam_text | CONTENTS
7 INTRODUCTION
THE COLOURS OF THE 1862 LONDON EXHIBITION
37 CHAPTER 1
SANCTIFYING COLOUR: SIMEON SOLOMONS ST JOHN AND THE
ANGEL MEASURING THE HEAVENLY JERUSALEM AND THOMAS MORTENS
BEATO ANGELICO
75 CHAPTER 2
TRANSLATING POETIC COLOUR: HENRY HOLIDAYS SAPPHO AND PHAON
AND EDWARD J. POYNTERS DANTES VISION
113 CHAPTER 3
EXCAVATING COLOUR: EDWARD J. POYNTERS RHODOPIS AND
FREDERICK SMALLFIELD S THE ORIGIN OF PAINTING
151 CHAPTER 4
SCULPTURAL BODIES: SIMEON SOLOMONS PYGMALION AND
ALBERT MOORE S TORREL MODELLING EFFIGY OF QUEEN ELEANOR
189 EPILOGUE
READING BURGES
194 ANNEX (TEA GHIGO)
COLOUR MATTERS: READING THE MATERIALITY OF THE GREAT BOOKCASE
204 NOTES
222 BIBLIOGRAPHY
233 INDEX
239 ACKNOWLEDGEMENTS
240 PICTURE CREDITS
|
| any_adam_object | 1 |
| author | Ribeyrol, Charlotte 1980- |
| author2 | Ghigo, Tea Burges, William 1827-1881 |
| author2_role | ctb ill |
| author2_variant | t g tg w b wb |
| author_GND | (DE-588)1026175925 (DE-588)1228924597 (DE-588)102443890 |
| author_additional | Tea Ghigo. |
| author_facet | Ribeyrol, Charlotte 1980- Ghigo, Tea Burges, William 1827-1881 |
| author_role | aut |
| author_sort | Ribeyrol, Charlotte 1980- |
| author_variant | c r cr |
| building | Verbundindex |
| bvnumber | BV049058393 |
| contents | The colours of the 1862 London Exhibition Sanctifying colour: Simeon Solomon's St John and the angel measuring the heavenly Jerusalem and Thomas Morten's Beato Angelico Translating poetic colour: Henry Holiday's Sappho and Phaeton and Edward J. Poynter's Dante's vision Excavating colour: Edward J. Poynter's Rhodopis and Frederick Smallfield's The origin of painting Sculptural bodies: Simeon Solomon's Pygmalion and Albert Moore's Torrel modelling effigy of Queen Eleanor Reading Burges Colour matters: reading the materiality of the Great bookcase / |
| ctrlnum | (OCoLC)1381312288 (DE-599)KXP1847672914 |
| dewey-full | 749.3 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 749 - Furniture and accessories |
| dewey-raw | 749.3 |
| dewey-search | 749.3 |
| dewey-sort | 3749.3 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV049058393 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:59:34Z |
| institution | BVB |
| isbn | 9780300267976 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034320589 |
| oclc_num | 1381312288 |
| open_access_boolean | |
| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 240 Seiten Illustrationen 27 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Yale University Press |
| record_format | marc |
| spellingShingle | Ribeyrol, Charlotte 1980- William Burges's Great Bookcase & the Victorian colour revolution The colours of the 1862 London Exhibition Sanctifying colour: Simeon Solomon's St John and the angel measuring the heavenly Jerusalem and Thomas Morten's Beato Angelico Translating poetic colour: Henry Holiday's Sappho and Phaeton and Edward J. Poynter's Dante's vision Excavating colour: Edward J. Poynter's Rhodopis and Frederick Smallfield's The origin of painting Sculptural bodies: Simeon Solomon's Pygmalion and Albert Moore's Torrel modelling effigy of Queen Eleanor Reading Burges Colour matters: reading the materiality of the Great bookcase / Burges, William 1827-1881 Bücherschrank Ashmolean Museum (DE-588)1294471457 gnd Farbgestaltung (DE-588)4153709-9 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)1294471457 (DE-588)4153709-9 (DE-588)4000626-8 |
| title | William Burges's Great Bookcase & the Victorian colour revolution |
| title_alt | William Burges's Great Bookcase and the Victorian colour revolution The colours of the 1862 London Exhibition Sanctifying colour: Simeon Solomon's St John and the angel measuring the heavenly Jerusalem and Thomas Morten's Beato Angelico Translating poetic colour: Henry Holiday's Sappho and Phaeton and Edward J. Poynter's Dante's vision Excavating colour: Edward J. Poynter's Rhodopis and Frederick Smallfield's The origin of painting Sculptural bodies: Simeon Solomon's Pygmalion and Albert Moore's Torrel modelling effigy of Queen Eleanor Reading Burges Colour matters: reading the materiality of the Great bookcase / |
| title_auth | William Burges's Great Bookcase & the Victorian colour revolution |
| title_exact_search | William Burges's Great Bookcase & the Victorian colour revolution |
| title_full | William Burges's Great Bookcase & the Victorian colour revolution Charlotte Ribeyrol ; with a contribution by Tea Ghigo, Conservation Research Fellow, Ashmolean Museum, Oxford |
| title_fullStr | William Burges's Great Bookcase & the Victorian colour revolution Charlotte Ribeyrol ; with a contribution by Tea Ghigo, Conservation Research Fellow, Ashmolean Museum, Oxford |
| title_full_unstemmed | William Burges's Great Bookcase & the Victorian colour revolution Charlotte Ribeyrol ; with a contribution by Tea Ghigo, Conservation Research Fellow, Ashmolean Museum, Oxford |
| title_short | William Burges's Great Bookcase & the Victorian colour revolution |
| title_sort | william burges s great bookcase the victorian colour revolution |
| topic | Burges, William 1827-1881 Bücherschrank Ashmolean Museum (DE-588)1294471457 gnd Farbgestaltung (DE-588)4153709-9 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Burges, William 1827-1881 Bücherschrank Ashmolean Museum Farbgestaltung Ästhetik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034320589&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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