After Impressionism: inventing modern art
Gespeichert in:
| Beteiligte Personen: | , , , , , , , , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London
National Gallery Global
2023
|
| Schlagwörter: | |
| Abstract: | Through the 1880s the very essence of representation, meaning and process in Western art were profoundly interrogated. Plausible representations of the external world were cast aside in favour of non-naturalism expressed in varying degrees, from modest distortions of reality to pure abstraction. The decades that followed, up to the outbreak of the First World War in 1914, were a complex, vibrant period of artistic questioning, searching, risk-taking and innovation. Concentrating on this period of great upheaval, this book will explore the constructive dialogue between painting and sculpture, and the influential roles played by three giants of the era, Paul Cézanne, Paul Gauguin and Vincent van Gogh, across European art as a whole. While acknowledging the centrality of Paris as a cultural capital, it will also uniquely highlight other centres of artistic ferment in Europe, from Brussels and Barcelona to Berlin and Vienna, and track the variety of routes into modernism in the early twentieth century. This fully illustrated catalogue will contain four essays, introductions to each city of ferment and biographies of the artists. Exhibition: The National Gallery, London, UK (25.03. - 13.08.2023) |
| Beschreibung: | Rückseite Titelblatt: Published to accompany the exhibition "After Impressionism: Inventing Modern Art", The National Gallery, London, 25 March - 13 August 2023 |
| Umfang: | 272 Seiten Illustrationen 28,7 cm |
| ISBN: | 9781857096958 |
Internformat
MARC
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| 264 | 1 | |a London |b National Gallery Global |c 2023 | |
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| 500 | |a Rückseite Titelblatt: Published to accompany the exhibition "After Impressionism: Inventing Modern Art", The National Gallery, London, 25 March - 13 August 2023 | ||
| 520 | 3 | |a Through the 1880s the very essence of representation, meaning and process in Western art were profoundly interrogated. Plausible representations of the external world were cast aside in favour of non-naturalism expressed in varying degrees, from modest distortions of reality to pure abstraction. The decades that followed, up to the outbreak of the First World War in 1914, were a complex, vibrant period of artistic questioning, searching, risk-taking and innovation. Concentrating on this period of great upheaval, this book will explore the constructive dialogue between painting and sculpture, and the influential roles played by three giants of the era, Paul Cézanne, Paul Gauguin and Vincent van Gogh, across European art as a whole. While acknowledging the centrality of Paris as a cultural capital, it will also uniquely highlight other centres of artistic ferment in Europe, from Brussels and Barcelona to Berlin and Vienna, and track the variety of routes into modernism in the early twentieth century. This fully illustrated catalogue will contain four essays, introductions to each city of ferment and biographies of the artists. Exhibition: The National Gallery, London, UK (25.03. - 13.08.2023) | |
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Datensatz im Suchindex
| _version_ | 1820963612117696512 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Stevens, MaryAnne 1947- Alambritis, Maria Domercq, Julien De Mille, Charlotte Milner, John 1946- Ralston, Daniel Sobrino Riopelle, Christopher 1950- Smith, Camilla Wieber, Sabine |
| author_GND | (DE-588)17238642X (DE-588)1296475220 (DE-588)114856036X (DE-588)143999133 (DE-588)133883841 (DE-588)1296475360 (DE-588)137034741 (DE-588)1271482789 (DE-588)1022069756 |
| author_facet | Stevens, MaryAnne 1947- Alambritis, Maria Domercq, Julien De Mille, Charlotte Milner, John 1946- Ralston, Daniel Sobrino Riopelle, Christopher 1950- Smith, Camilla Wieber, Sabine |
| author_role | aut aut aut aut aut aut aut aut aut |
| author_sort | Stevens, MaryAnne 1947- |
| author_variant | m s ms m a ma j d jd m c d mc mcd j m jm d s r ds dsr c r cr c s cs s w sw |
| building | Verbundindex |
| bvnumber | BV048990154 |
| classification_rvk | LH 65800 LH 45290 |
| ctrlnum | (OCoLC)1389889644 (DE-599)BVBBV048990154 |
| discipline | Kunstgeschichte |
| format | Book |
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| genre_facet | Ausstellungskatalog The National Gallery 25.03.2023-13.08.2023 London |
| id | DE-604.BV048990154 |
| illustrated | Illustrated |
| indexdate | 2025-01-11T14:37:07Z |
| institution | BVB |
| institution_GND | (DE-588)1003322-1 |
| isbn | 9781857096958 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034253521 |
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| physical | 272 Seiten Illustrationen 28,7 cm |
| publishDate | 2023 |
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| publisher | National Gallery Global |
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| spelling | After Impressionism inventing modern art MaryAnne Stevens ; with contributions by Maria Alambritis, Julien Domercq, Charlotte De Mille, John Milner, Daniel Sobrino Ralston, Christopher Riopelle, Camilla Smith and Sabine Wieber London National Gallery Global 2023 [New Haven ; London] Yale University Press 2023 272 Seiten Illustrationen 28,7 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: Published to accompany the exhibition "After Impressionism: Inventing Modern Art", The National Gallery, London, 25 March - 13 August 2023 Through the 1880s the very essence of representation, meaning and process in Western art were profoundly interrogated. Plausible representations of the external world were cast aside in favour of non-naturalism expressed in varying degrees, from modest distortions of reality to pure abstraction. The decades that followed, up to the outbreak of the First World War in 1914, were a complex, vibrant period of artistic questioning, searching, risk-taking and innovation. Concentrating on this period of great upheaval, this book will explore the constructive dialogue between painting and sculpture, and the influential roles played by three giants of the era, Paul Cézanne, Paul Gauguin and Vincent van Gogh, across European art as a whole. While acknowledging the centrality of Paris as a cultural capital, it will also uniquely highlight other centres of artistic ferment in Europe, from Brussels and Barcelona to Berlin and Vienna, and track the variety of routes into modernism in the early twentieth century. This fully illustrated catalogue will contain four essays, introductions to each city of ferment and biographies of the artists. Exhibition: The National Gallery, London, UK (25.03. - 13.08.2023) Nachimpressionismus (DE-588)4220630-3 gnd rswk-swf Moderne (DE-588)4039827-4 gnd rswk-swf Art, Modern / 19th century / Exhibitions Art, Modern / 20th century / Exhibitions Art / 19e siècle / Expositions Art / 20e siècle / Expositions ART / European Art, Modern 1800-1999 Exhibition catalogs (DE-588)4135467-9 Ausstellungskatalog The National Gallery 25.03.2023-13.08.2023 London gnd-content Nachimpressionismus (DE-588)4220630-3 s Moderne (DE-588)4039827-4 s DE-604 Stevens, MaryAnne 1947- (DE-588)17238642X aut Alambritis, Maria (DE-588)1296475220 aut Domercq, Julien (DE-588)114856036X aut De Mille, Charlotte (DE-588)143999133 aut Milner, John 1946- (DE-588)133883841 aut Ralston, Daniel Sobrino (DE-588)1296475360 aut Riopelle, Christopher 1950- (DE-588)137034741 aut Smith, Camilla (DE-588)1271482789 aut Wieber, Sabine (DE-588)1022069756 aut The National Gallery (London) (DE-588)1003322-1 isb his |
| spellingShingle | Stevens, MaryAnne 1947- Alambritis, Maria Domercq, Julien De Mille, Charlotte Milner, John 1946- Ralston, Daniel Sobrino Riopelle, Christopher 1950- Smith, Camilla Wieber, Sabine After Impressionism inventing modern art Nachimpressionismus (DE-588)4220630-3 gnd Moderne (DE-588)4039827-4 gnd |
| subject_GND | (DE-588)4220630-3 (DE-588)4039827-4 (DE-588)4135467-9 |
| title | After Impressionism inventing modern art |
| title_auth | After Impressionism inventing modern art |
| title_exact_search | After Impressionism inventing modern art |
| title_full | After Impressionism inventing modern art MaryAnne Stevens ; with contributions by Maria Alambritis, Julien Domercq, Charlotte De Mille, John Milner, Daniel Sobrino Ralston, Christopher Riopelle, Camilla Smith and Sabine Wieber |
| title_fullStr | After Impressionism inventing modern art MaryAnne Stevens ; with contributions by Maria Alambritis, Julien Domercq, Charlotte De Mille, John Milner, Daniel Sobrino Ralston, Christopher Riopelle, Camilla Smith and Sabine Wieber |
| title_full_unstemmed | After Impressionism inventing modern art MaryAnne Stevens ; with contributions by Maria Alambritis, Julien Domercq, Charlotte De Mille, John Milner, Daniel Sobrino Ralston, Christopher Riopelle, Camilla Smith and Sabine Wieber |
| title_short | After Impressionism |
| title_sort | after impressionism inventing modern art |
| title_sub | inventing modern art |
| topic | Nachimpressionismus (DE-588)4220630-3 gnd Moderne (DE-588)4039827-4 gnd |
| topic_facet | Nachimpressionismus Moderne Ausstellungskatalog The National Gallery 25.03.2023-13.08.2023 London |
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