Handel's operas, 1726-1741:
Detailed overview of Handel's final 22 operas - including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo - by the world's leading authority. Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of ope...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Woodbridge, UK
Boydell Press
2006
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1017/9781846154737 https://doi.org/10.1017/9781846154737 https://doi.org/10.1017/9781846154737 |
| Zusammenfassung: | Detailed overview of Handel's final 22 operas - including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo - by the world's leading authority. Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between 1754 (when Handel was still living) and 1920 not one of his operas was performed anywhere. Their revival in the modern theatre has beenamong the most remarkable phenomena in the history of the art. But they are still too little understood, or studied, and until recently no reliable modern editions existed. This long-awaited book is the sequel to Handel'sOperas 1704-1726, published in 1987. It is the first study in depth of Handel's last twenty-two operas, including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo. Each chapter contains a full synopsis and study of the libretto, a detailed assessment of the opera's musical and (often misunderstood) dramatic qualities, a performance history, and comparison of the different versions. Much new material has been incorporated. In addition four general chapters throw a vivid light on the historical background. Two Epilogues touch on Handel's dramatic vision, the revival of his operas in the twentieth century, and their performance today. There are a number of valuable Appendices. Together with its predecessor, the book provides the first complete overview of these works. WINTON DEAN isthe most distinguished British authority on the life and work of Handel; he has also written extensively on opera in general |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 17 Mar 2023) The rival queens 1726-1728 -- - Alessandro -- - Admeto, re di Tessaglia -- - Riccardo primo, re d'Inghlaterra -- - Siroe, re di Persia -- - Tolomeo, re di Egitto -- - The 'second academy' 1729-1734 -- - Lotario -- - Partenope -- - Poro, Re dell'Indie -- - Ezio -- - Sosarme, re di Media -- - Orlando -- - Arianna in Creta -- - Covent Garden 1734-1737 -- - Ariodante -- - Alcina -- - Atalanta -- - Arminio -- - Giustino -- - Berenice, regina di Egitto -- - The last operas 1738-1741 -- - Faramondo -- - Serse -- - Imeneo -- - Deidamia |
| Umfang: | 1 Online-Ressource (xx, 565 Seiten) |
| ISBN: | 9781846154737 |
| DOI: | 10.1017/9781846154737 |
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| 520 | |a Detailed overview of Handel's final 22 operas - including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo - by the world's leading authority. Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between 1754 (when Handel was still living) and 1920 not one of his operas was performed anywhere. Their revival in the modern theatre has beenamong the most remarkable phenomena in the history of the art. But they are still too little understood, or studied, and until recently no reliable modern editions existed. This long-awaited book is the sequel to Handel'sOperas 1704-1726, published in 1987. It is the first study in depth of Handel's last twenty-two operas, including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo. Each chapter contains a full synopsis and study of the libretto, a detailed assessment of the opera's musical and (often misunderstood) dramatic qualities, a performance history, and comparison of the different versions. Much new material has been incorporated. In addition four general chapters throw a vivid light on the historical background. Two Epilogues touch on Handel's dramatic vision, the revival of his operas in the twentieth century, and their performance today. There are a number of valuable Appendices. Together with its predecessor, the book provides the first complete overview of these works. WINTON DEAN isthe most distinguished British authority on the life and work of Handel; he has also written extensively on opera in general | ||
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Datensatz im Suchindex
| _version_ | 1818990631746273280 |
|---|---|
| any_adam_object | |
| author | Dean, Winton 1916-2013 |
| author_GND | (DE-588)124366953 |
| author_facet | Dean, Winton 1916-2013 |
| author_role | aut |
| author_sort | Dean, Winton 1916-2013 |
| author_variant | w d wd |
| building | Verbundindex |
| bvnumber | BV048976136 |
| classification_rvk | LP 39140 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9781846154737 (OCoLC)1381309616 (DE-599)BVBBV048976136 |
| dewey-full | 782.1092 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1092 |
| dewey-search | 782.1092 |
| dewey-sort | 3782.1092 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| doi_str_mv | 10.1017/9781846154737 |
| era | Geschichte 1726-1741 gnd |
| era_facet | Geschichte 1726-1741 |
| format | Electronic eBook |
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| id | DE-604.BV048976136 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:57:27Z |
| institution | BVB |
| isbn | 9781846154737 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034239678 |
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| physical | 1 Online-Ressource (xx, 565 Seiten) |
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| publisher | Boydell Press |
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| spelling | Dean, Winton 1916-2013 (DE-588)124366953 aut Handel's operas, 1726-1741 Winton Dean Woodbridge, UK Boydell Press 2006 1 Online-Ressource (xx, 565 Seiten) txt rdacontent c rdamedia cr rdacarrier Title from publisher's bibliographic system (viewed on 17 Mar 2023) The rival queens 1726-1728 -- - Alessandro -- - Admeto, re di Tessaglia -- - Riccardo primo, re d'Inghlaterra -- - Siroe, re di Persia -- - Tolomeo, re di Egitto -- - The 'second academy' 1729-1734 -- - Lotario -- - Partenope -- - Poro, Re dell'Indie -- - Ezio -- - Sosarme, re di Media -- - Orlando -- - Arianna in Creta -- - Covent Garden 1734-1737 -- - Ariodante -- - Alcina -- - Atalanta -- - Arminio -- - Giustino -- - Berenice, regina di Egitto -- - The last operas 1738-1741 -- - Faramondo -- - Serse -- - Imeneo -- - Deidamia Detailed overview of Handel's final 22 operas - including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo - by the world's leading authority. Handel ranks with Monteverdi, Mozart and Verdi among the supreme masters of opera, yet between 1754 (when Handel was still living) and 1920 not one of his operas was performed anywhere. Their revival in the modern theatre has beenamong the most remarkable phenomena in the history of the art. But they are still too little understood, or studied, and until recently no reliable modern editions existed. This long-awaited book is the sequel to Handel'sOperas 1704-1726, published in 1987. It is the first study in depth of Handel's last twenty-two operas, including major masterpieces such as Orlando, Ariodante and Alcina and the brilliant lighter works Partenope, Serse and Imeneo. Each chapter contains a full synopsis and study of the libretto, a detailed assessment of the opera's musical and (often misunderstood) dramatic qualities, a performance history, and comparison of the different versions. Much new material has been incorporated. In addition four general chapters throw a vivid light on the historical background. Two Epilogues touch on Handel's dramatic vision, the revival of his operas in the twentieth century, and their performance today. There are a number of valuable Appendices. Together with its predecessor, the book provides the first complete overview of these works. WINTON DEAN isthe most distinguished British authority on the life and work of Handel; he has also written extensively on opera in general Handel, George Frideric / 1685-1759 / Operas Händel, Georg Friedrich 1685-1759 (DE-588)118544489 gnd rswk-swf Geschichte 1726-1741 gnd rswk-swf Opera Oper (DE-588)4043582-9 gnd rswk-swf Händel, Georg Friedrich 1685-1759 (DE-588)118544489 p Oper (DE-588)4043582-9 s Geschichte 1726-1741 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-84383-268-3 https://doi.org/10.1017/9781846154737 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Dean, Winton 1916-2013 Handel's operas, 1726-1741 Handel, George Frideric / 1685-1759 / Operas Händel, Georg Friedrich 1685-1759 (DE-588)118544489 gnd Opera Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)118544489 (DE-588)4043582-9 |
| title | Handel's operas, 1726-1741 |
| title_auth | Handel's operas, 1726-1741 |
| title_exact_search | Handel's operas, 1726-1741 |
| title_full | Handel's operas, 1726-1741 Winton Dean |
| title_fullStr | Handel's operas, 1726-1741 Winton Dean |
| title_full_unstemmed | Handel's operas, 1726-1741 Winton Dean |
| title_short | Handel's operas, 1726-1741 |
| title_sort | handel s operas 1726 1741 |
| topic | Handel, George Frideric / 1685-1759 / Operas Händel, Georg Friedrich 1685-1759 (DE-588)118544489 gnd Opera Oper (DE-588)4043582-9 gnd |
| topic_facet | Handel, George Frideric / 1685-1759 / Operas Händel, Georg Friedrich 1685-1759 Opera Oper |
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