Popular culture and its relationship to conflict in the UK and Australia since the Great War:
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2023
|
| Schlagwörter: | |
| Abstract: | This book shows how cultural production derived from, or in anticipation of, conflict can be used to create specific social identities, national histories, and contemporary concepts of memory in Britain and Australia. Studies on the politics of cultural production have usually focussed on one conflict, or on one particular cultural medium, at a time. This volume, however, presents a broader horizon to draw attention to more popular forms of cultural production from the Great War up to and including its Centenary. The chapters in this volume interrogate the contentious philosophical notion that culture thrives in times of war, and expires in peace, and asks whether art', as a form of social barometer, can anticipate conflict rather than merely respond to it. This is a fascinating read for students, researchers, and academics interested in British and Australian History and its relationship with Popular Culture. The chapters in this book were originally published as a special issue of Contemporary British History. |
| Beschreibung: | The chapters in this book were originally published as a special issue of "Contemporary British history", volume 33 (2019), issue 4 |
| Umfang: | ix, 132 Seiten Illustrationen 25 cm |
| ISBN: | 9781032393421 |
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| 245 | 1 | 0 | |a Popular culture and its relationship to conflict in the UK and Australia since the Great War |c edited by Andrekos Varnava and Michael J.K. Walsh |
| 246 | 1 | 3 | |a The politics of popular cultural production and performance in Britain since the Great War |
| 264 | 1 | |a London ; New York |b Routledge, Taylor & Francis Group |c 2023 | |
| 300 | |a ix, 132 Seiten |b Illustrationen |c 25 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a The chapters in this book were originally published as a special issue of "Contemporary British history", volume 33 (2019), issue 4 | ||
| 520 | 3 | |a This book shows how cultural production derived from, or in anticipation of, conflict can be used to create specific social identities, national histories, and contemporary concepts of memory in Britain and Australia. Studies on the politics of cultural production have usually focussed on one conflict, or on one particular cultural medium, at a time. This volume, however, presents a broader horizon to draw attention to more popular forms of cultural production from the Great War up to and including its Centenary. The chapters in this volume interrogate the contentious philosophical notion that culture thrives in times of war, and expires in peace, and asks whether art', as a form of social barometer, can anticipate conflict rather than merely respond to it. This is a fascinating read for students, researchers, and academics interested in British and Australian History and its relationship with Popular Culture. The chapters in this book were originally published as a special issue of Contemporary British History. | |
| 653 | 0 | |a Popular culture / Great Britain / History | |
| 653 | 0 | |a Popular culture / Australia / History | |
| 653 | 0 | |a War and society / Great Britain / History | |
| 653 | 0 | |a War and society / Australia / History | |
| 653 | 0 | |a Popular culture | |
| 653 | 0 | |a War and society | |
| 653 | 2 | |a Australia | |
| 653 | 2 | |a Great Britain | |
| 653 | 6 | |a History | |
| 700 | 1 | |a Varnava, Andrekos |d 1979- |0 (DE-588)1066495084 |4 edt | |
| 700 | 1 | |a Walsh, Michael J. K. |d 1968- |0 (DE-588)141522259 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-00-080608-3 |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034223562 | |
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| id | DE-604.BV048959780 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:57:01Z |
| institution | BVB |
| isbn | 9781032393421 |
| language | English |
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| physical | ix, 132 Seiten Illustrationen 25 cm |
| publishDate | 2023 |
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| spelling | Popular culture and its relationship to conflict in the UK and Australia since the Great War edited by Andrekos Varnava and Michael J.K. Walsh The politics of popular cultural production and performance in Britain since the Great War London ; New York Routledge, Taylor & Francis Group 2023 ix, 132 Seiten Illustrationen 25 cm txt rdacontent n rdamedia nc rdacarrier The chapters in this book were originally published as a special issue of "Contemporary British history", volume 33 (2019), issue 4 This book shows how cultural production derived from, or in anticipation of, conflict can be used to create specific social identities, national histories, and contemporary concepts of memory in Britain and Australia. Studies on the politics of cultural production have usually focussed on one conflict, or on one particular cultural medium, at a time. This volume, however, presents a broader horizon to draw attention to more popular forms of cultural production from the Great War up to and including its Centenary. The chapters in this volume interrogate the contentious philosophical notion that culture thrives in times of war, and expires in peace, and asks whether art', as a form of social barometer, can anticipate conflict rather than merely respond to it. This is a fascinating read for students, researchers, and academics interested in British and Australian History and its relationship with Popular Culture. The chapters in this book were originally published as a special issue of Contemporary British History. Popular culture / Great Britain / History Popular culture / Australia / History War and society / Great Britain / History War and society / Australia / History Popular culture War and society Australia Great Britain History Varnava, Andrekos 1979- (DE-588)1066495084 edt Walsh, Michael J. K. 1968- (DE-588)141522259 edt Erscheint auch als Online-Ausgabe 978-1-00-080608-3 |
| spellingShingle | Popular culture and its relationship to conflict in the UK and Australia since the Great War |
| title | Popular culture and its relationship to conflict in the UK and Australia since the Great War |
| title_alt | The politics of popular cultural production and performance in Britain since the Great War |
| title_auth | Popular culture and its relationship to conflict in the UK and Australia since the Great War |
| title_exact_search | Popular culture and its relationship to conflict in the UK and Australia since the Great War |
| title_full | Popular culture and its relationship to conflict in the UK and Australia since the Great War edited by Andrekos Varnava and Michael J.K. Walsh |
| title_fullStr | Popular culture and its relationship to conflict in the UK and Australia since the Great War edited by Andrekos Varnava and Michael J.K. Walsh |
| title_full_unstemmed | Popular culture and its relationship to conflict in the UK and Australia since the Great War edited by Andrekos Varnava and Michael J.K. Walsh |
| title_short | Popular culture and its relationship to conflict in the UK and Australia since the Great War |
| title_sort | popular culture and its relationship to conflict in the uk and australia since the great war |
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