Adam Reynolds - no lone zone:
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Atlanta, Georgia
Yoffy Press
[2022]
|
| Schlagwörter: | |
| Abstract: | "Countdown is a unique photography book experience that explores the offensive and defensive nuclear infrastructure in the United States during the Cold War. Through two balanced photo essays, photographers Jeanine Michna-Bales and Adam Reynolds offer a calculated look at the frighteningly contrary logic behind America's nuclear policy of Mutually Assured Destruction (MAD) and the implications of nuclear war. Michna-Bales's series, "Fallout: A Look Back at the Height of the Cold War, circa 1960" (2013-2022), explores various Cold War-era fallout shelters throughout the United States, while Reynolds looks at now-dormant nuclear missile silos that have been converted into tourist sites in his photo essay "No Lone Zone" (2017-2022). These quiet architectural spaces, devoid of people, allow us to come face to face with present nuclear dangers while offering a look into the collective psyche of the American people during the Cold War. Utilizing period documents such as Civil Defense materials, Michna-Bales's overlays allude to our attempts to quantify and rationalize a full-scale nuclear war and its aftermath. While Reynold's glitched images, employing faux nuclear coding, hint at the inherent dangers of a breakdown in the command and control system, both intentional and accidental. This MAD balance is incorporated into the book's design through dual front covers, insert booklets, and collaborative imagery that conceptually links the two projects together in an ominous collision of hubris and wishful thinking. The architectural spaces documented in Countdown remind us that while the Cold War itself has passed into history, the threat that nuclear weapons pose today has not. |
| Beschreibung: | Wendebuch. - Wanderausstellung. - "A companion publication to the ExhibitsUSA traveling exhibition "Two Minutes to Midnight and the Architecture of Armageddon"..." |
| Umfang: | 69, 71 Seiten 26 cm Beilage (2 Faltblätter) |
| ISBN: | 9781949608311 |
Internformat
MARC
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| 100 | 1 | |a Reynolds, Adam |d 1979- |0 (DE-588)1143567544 |4 pht | |
| 245 | 1 | 0 | |a Adam Reynolds - no lone zone |
| 246 | 1 | 3 | |a No lone zone |
| 246 | 1 | 3 | |a Fallout |
| 246 | 1 | 3 | |a Two minutes to midnight and the architecture of armageddon |
| 264 | 1 | |a Atlanta, Georgia |b Yoffy Press |c [2022] | |
| 300 | |a 69, 71 Seiten |c 26 cm |e Beilage (2 Faltblätter) | ||
| 336 | |b sti |2 rdacontent | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
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| 500 | |a Wendebuch. - Wanderausstellung. - "A companion publication to the ExhibitsUSA traveling exhibition "Two Minutes to Midnight and the Architecture of Armageddon"..." | ||
| 520 | 3 | |a "Countdown is a unique photography book experience that explores the offensive and defensive nuclear infrastructure in the United States during the Cold War. Through two balanced photo essays, photographers Jeanine Michna-Bales and Adam Reynolds offer a calculated look at the frighteningly contrary logic behind America's nuclear policy of Mutually Assured Destruction (MAD) and the implications of nuclear war. Michna-Bales's series, "Fallout: A Look Back at the Height of the Cold War, circa 1960" (2013-2022), explores various Cold War-era fallout shelters throughout the United States, while Reynolds looks at now-dormant nuclear missile silos that have been converted into tourist sites in his photo essay "No Lone Zone" (2017-2022). These quiet architectural spaces, devoid of people, allow us to come face to face with present nuclear dangers while offering a look into the collective psyche of the American people during the Cold War. Utilizing period documents such as Civil Defense materials, Michna-Bales's overlays allude to our attempts to quantify and rationalize a full-scale nuclear war and its aftermath. While Reynold's glitched images, employing faux nuclear coding, hint at the inherent dangers of a breakdown in the command and control system, both intentional and accidental. This MAD balance is incorporated into the book's design through dual front covers, insert booklets, and collaborative imagery that conceptually links the two projects together in an ominous collision of hubris and wishful thinking. The architectural spaces documented in Countdown remind us that while the Cold War itself has passed into history, the threat that nuclear weapons pose today has not. | |
| 600 | 1 | 7 | |a Michna-Bales, Jeanine |d 1971- |0 (DE-588)1102555754 |2 gnd |9 rswk-swf |
| 600 | 1 | 7 | |a Reynolds, Adam |d 1979- |0 (DE-588)1143567544 |2 gnd |9 rswk-swf |
| 650 | 4 | |a Nuclear weapons / United States / Pictorial works | |
| 650 | 4 | |a Architectural photography / United States | |
| 650 | 4 | |a Photography, Artistic | |
| 650 | 4 | |a Military architecture / United States / Pictorial works | |
| 650 | 0 | 7 | |a Bunker |0 (DE-588)4147004-7 |2 gnd |9 rswk-swf |
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| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a Reynolds, Adam |d 1979- |0 (DE-588)1143567544 |D p |
| 689 | 0 | 1 | |a Michna-Bales, Jeanine |d 1971- |0 (DE-588)1102555754 |D p |
| 689 | 0 | 2 | |a USA |0 (DE-588)4078704-7 |D g |
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| 700 | 1 | |a Michna-Bales, Jeanine |d 1971- |0 (DE-588)1102555754 |4 pht | |
| 700 | 1 | |a Kaplan, Fred |4 wst | |
| 249 | |a Jeanine Michna-Bales - fallout |b countdown : a visual exploration of the Cold War's opposing nuclear architexture |c essay by Fred Kaplan | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034172814 | |
Datensatz im Suchindex
| _version_ | 1818990502134939648 |
|---|---|
| any_adam_object | |
| author2 | Reynolds, Adam 1979- Michna-Bales, Jeanine 1971- |
| author2_role | pht pht |
| author2_variant | a r ar j m b jmb |
| author_GND | (DE-588)1143567544 (DE-588)1102555754 |
| author_facet | Reynolds, Adam 1979- Michna-Bales, Jeanine 1971- |
| building | Verbundindex |
| bvnumber | BV048908571 |
| ctrlnum | (OCoLC)1378500627 (DE-599)BVBBV048908571 |
| format | Book |
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| geographic_facet | USA |
| id | DE-604.BV048908571 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:55:23Z |
| institution | BVB |
| isbn | 9781949608311 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034172814 |
| oclc_num | 1378500627 |
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| owner | DE-255 |
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| physical | 69, 71 Seiten 26 cm Beilage (2 Faltblätter) |
| publishDate | 2022 |
| publishDateSearch | 2022 |
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| publisher | Yoffy Press |
| record_format | marc |
| spelling | Reynolds, Adam 1979- (DE-588)1143567544 pht Adam Reynolds - no lone zone No lone zone Fallout Two minutes to midnight and the architecture of armageddon Atlanta, Georgia Yoffy Press [2022] 69, 71 Seiten 26 cm Beilage (2 Faltblätter) sti rdacontent txt rdacontent n rdamedia nc rdacarrier Wendebuch. - Wanderausstellung. - "A companion publication to the ExhibitsUSA traveling exhibition "Two Minutes to Midnight and the Architecture of Armageddon"..." "Countdown is a unique photography book experience that explores the offensive and defensive nuclear infrastructure in the United States during the Cold War. Through two balanced photo essays, photographers Jeanine Michna-Bales and Adam Reynolds offer a calculated look at the frighteningly contrary logic behind America's nuclear policy of Mutually Assured Destruction (MAD) and the implications of nuclear war. Michna-Bales's series, "Fallout: A Look Back at the Height of the Cold War, circa 1960" (2013-2022), explores various Cold War-era fallout shelters throughout the United States, while Reynolds looks at now-dormant nuclear missile silos that have been converted into tourist sites in his photo essay "No Lone Zone" (2017-2022). These quiet architectural spaces, devoid of people, allow us to come face to face with present nuclear dangers while offering a look into the collective psyche of the American people during the Cold War. Utilizing period documents such as Civil Defense materials, Michna-Bales's overlays allude to our attempts to quantify and rationalize a full-scale nuclear war and its aftermath. While Reynold's glitched images, employing faux nuclear coding, hint at the inherent dangers of a breakdown in the command and control system, both intentional and accidental. This MAD balance is incorporated into the book's design through dual front covers, insert booklets, and collaborative imagery that conceptually links the two projects together in an ominous collision of hubris and wishful thinking. The architectural spaces documented in Countdown remind us that while the Cold War itself has passed into history, the threat that nuclear weapons pose today has not. Michna-Bales, Jeanine 1971- (DE-588)1102555754 gnd rswk-swf Reynolds, Adam 1979- (DE-588)1143567544 gnd rswk-swf Nuclear weapons / United States / Pictorial works Architectural photography / United States Photography, Artistic Military architecture / United States / Pictorial works Bunker (DE-588)4147004-7 gnd rswk-swf Ost-West-Konflikt (DE-588)4075770-5 gnd rswk-swf Kernwaffe (DE-588)4003434-3 gnd rswk-swf Architektur (DE-588)4002851-3 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Reynolds, Adam 1979- (DE-588)1143567544 p Michna-Bales, Jeanine 1971- (DE-588)1102555754 p USA (DE-588)4078704-7 g Ost-West-Konflikt (DE-588)4075770-5 s Kernwaffe (DE-588)4003434-3 s Bunker (DE-588)4147004-7 s Architektur (DE-588)4002851-3 s DE-604 Michna-Bales, Jeanine 1971- (DE-588)1102555754 pht Kaplan, Fred wst Jeanine Michna-Bales - fallout countdown : a visual exploration of the Cold War's opposing nuclear architexture essay by Fred Kaplan |
| spellingShingle | Adam Reynolds - no lone zone Michna-Bales, Jeanine 1971- (DE-588)1102555754 gnd Reynolds, Adam 1979- (DE-588)1143567544 gnd Nuclear weapons / United States / Pictorial works Architectural photography / United States Photography, Artistic Military architecture / United States / Pictorial works Bunker (DE-588)4147004-7 gnd Ost-West-Konflikt (DE-588)4075770-5 gnd Kernwaffe (DE-588)4003434-3 gnd Architektur (DE-588)4002851-3 gnd |
| subject_GND | (DE-588)1102555754 (DE-588)1143567544 (DE-588)4147004-7 (DE-588)4075770-5 (DE-588)4003434-3 (DE-588)4002851-3 (DE-588)4078704-7 |
| title | Adam Reynolds - no lone zone |
| title_alt | No lone zone Fallout Two minutes to midnight and the architecture of armageddon |
| title_auth | Adam Reynolds - no lone zone |
| title_exact_search | Adam Reynolds - no lone zone |
| title_full | Adam Reynolds - no lone zone |
| title_fullStr | Adam Reynolds - no lone zone |
| title_full_unstemmed | Adam Reynolds - no lone zone |
| title_short | Adam Reynolds - no lone zone |
| title_sort | adam reynolds no lone zone |
| topic | Michna-Bales, Jeanine 1971- (DE-588)1102555754 gnd Reynolds, Adam 1979- (DE-588)1143567544 gnd Nuclear weapons / United States / Pictorial works Architectural photography / United States Photography, Artistic Military architecture / United States / Pictorial works Bunker (DE-588)4147004-7 gnd Ost-West-Konflikt (DE-588)4075770-5 gnd Kernwaffe (DE-588)4003434-3 gnd Architektur (DE-588)4002851-3 gnd |
| topic_facet | Michna-Bales, Jeanine 1971- Reynolds, Adam 1979- Nuclear weapons / United States / Pictorial works Architectural photography / United States Photography, Artistic Military architecture / United States / Pictorial works Bunker Ost-West-Konflikt Kernwaffe Architektur USA |
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