Lies and epiphanies: composers and their inspiration from Wagner to Berg
Lies and Epiphanies offers case studies of "inspiration" in five composers -- Richard Wagner, Gustav Mahler, Wilhelm FurtwaÌngler, Richard Strauss, and Alban Berg. Their own tales of their epiphanies played a determining role in the reception history of their works: the finale of Mahler...
Gespeichert in:
Beteilige Person: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | Englisch |
Veröffentlicht: |
Rochester, New York
University of Rochester Press
2014
|
Schriftenreihe: | Eastman studies in music
|
Schlagwörter: | |
Links: | https://doi.org/10.1017/9781580468435 https://doi.org/10.1017/9781580468435 https://doi.org/10.1017/9781580468435 |
Zusammenfassung: | Lies and Epiphanies offers case studies of "inspiration" in five composers -- Richard Wagner, Gustav Mahler, Wilhelm FurtwaÌngler, Richard Strauss, and Alban Berg. Their own tales of their epiphanies played a determining role in the reception history of their works: the finale of Mahler's Second Symphony was supposedly born of a "lightning bolt" of inspiration at the funeral of Hans von BuÌlow, while Alban Berg's Violin Concerto was purportedly his direct response to the tragic early death of Alma Mahler's daughter. Chris Walton looks behind these tales to explore instead the composer's dual role as author and self-commentator, laying bare the fissures and inconsistencieswithin these artists' testimonies and revealing how the putatively extrarational world of creative inspiration intersects with the highly rational world of money and politics. As Walton points out, the composer often imposes on the audience an interpretation of a work and its genesis that is as superficial as the score itself is not. This study seeks to show why |
Beschreibung: | Title from publisher's bibliographic system (viewed on 10 Feb 2023) Richard Wagner's dynastic dreams -- Gustav Mahler's resurrection and the apostolic succession -- Of forked tongues and angels : Alban Berg's violin concerto -- Wilhelm Furtwängler and the return of the muse -- Here comes the sunset : the late and the last works of Richard Strauss -- Postlude : the telephone call |
Umfang: | 1 Online-Ressource (x, 168 Seiten) |
ISBN: | 9781580468435 |
DOI: | 10.1017/9781580468435 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV048900074 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 230414s2023 xx o|||| 00||| eng d | ||
020 | |a 9781580468435 |c Online |9 978-1-58046-843-5 | ||
024 | 7 | |a 10.1017/9781580468435 |2 doi | |
035 | |a (ZDB-20-CBO)CR9781580468435 | ||
035 | |a (OCoLC)1376405310 | ||
035 | |a (DE-599)BVBBV048900074 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 781.3111 | |
084 | |a MUS |q DE-12 |2 fid | ||
084 | |a LP 63020 |0 (DE-625)107202: |2 rvk | ||
084 | |a LP 91020 |0 (DE-625)108050: |2 rvk | ||
100 | 1 | |a Walton, Chris |d 1963- |0 (DE-588)12140191X |4 aut | |
245 | 1 | 0 | |a Lies and epiphanies |b composers and their inspiration from Wagner to Berg |c Chris Walton |
264 | 1 | |a Rochester, New York |b University of Rochester Press |c 2014 | |
300 | |a 1 Online-Ressource (x, 168 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Eastman studies in music | |
500 | |a Title from publisher's bibliographic system (viewed on 10 Feb 2023) | ||
500 | |a Richard Wagner's dynastic dreams -- Gustav Mahler's resurrection and the apostolic succession -- Of forked tongues and angels : Alban Berg's violin concerto -- Wilhelm Furtwängler and the return of the muse -- Here comes the sunset : the late and the last works of Richard Strauss -- Postlude : the telephone call | ||
520 | |a Lies and Epiphanies offers case studies of "inspiration" in five composers -- Richard Wagner, Gustav Mahler, Wilhelm FurtwaÌngler, Richard Strauss, and Alban Berg. Their own tales of their epiphanies played a determining role in the reception history of their works: the finale of Mahler's Second Symphony was supposedly born of a "lightning bolt" of inspiration at the funeral of Hans von BuÌlow, while Alban Berg's Violin Concerto was purportedly his direct response to the tragic early death of Alma Mahler's daughter. Chris Walton looks behind these tales to explore instead the composer's dual role as author and self-commentator, laying bare the fissures and inconsistencieswithin these artists' testimonies and revealing how the putatively extrarational world of creative inspiration intersects with the highly rational world of money and politics. As Walton points out, the composer often imposes on the audience an interpretation of a work and its genesis that is as superficial as the score itself is not. This study seeks to show why | ||
600 | 1 | 7 | |a Furtwängler, Wilhelm |d 1886-1954 |0 (DE-588)118536931 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Strauss, Richard |d 1864-1949 |0 (DE-588)11861911X |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Wagner, Richard |d 1813-1883 |0 (DE-588)118594117 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Berg, Alban |d 1885-1935 |0 (DE-588)118509322 |2 gnd |9 rswk-swf |
600 | 1 | 7 | |a Mahler, Gustav |d 1860-1911 |0 (DE-588)118576291 |2 gnd |9 rswk-swf |
650 | 4 | |a Composition (Music) | |
650 | 4 | |a Composers | |
650 | 4 | |a Inspiration | |
650 | 4 | |a Creation (Literary, artistic, etc.) | |
650 | 0 | 7 | |a Kreativität |0 (DE-588)4032903-3 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Inspiration |0 (DE-588)4027139-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Komponist |0 (DE-588)4032009-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Offenbarung |0 (DE-588)4043365-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Komposition |g Musik |0 (DE-588)4133320-2 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Wagner, Richard |d 1813-1883 |0 (DE-588)118594117 |D p |
689 | 0 | 1 | |a Mahler, Gustav |d 1860-1911 |0 (DE-588)118576291 |D p |
689 | 0 | 2 | |a Strauss, Richard |d 1864-1949 |0 (DE-588)11861911X |D p |
689 | 0 | 3 | |a Berg, Alban |d 1885-1935 |0 (DE-588)118509322 |D p |
689 | 0 | 4 | |a Furtwängler, Wilhelm |d 1886-1954 |0 (DE-588)118536931 |D p |
689 | 0 | 5 | |a Offenbarung |0 (DE-588)4043365-1 |D s |
689 | 0 | 6 | |a Inspiration |0 (DE-588)4027139-0 |D s |
689 | 0 | 7 | |a Kreativität |0 (DE-588)4032903-3 |D s |
689 | 0 | 8 | |a Komposition |g Musik |0 (DE-588)4133320-2 |D s |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Komponist |0 (DE-588)4032009-1 |D s |
689 | 1 | 1 | |a Inspiration |0 (DE-588)4027139-0 |D s |
689 | 1 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-1-58046-477-2 |
856 | 4 | 0 | |u https://doi.org/10.1017/9781580468435 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034164498 | |
966 | e | |u https://doi.org/10.1017/9781580468435 |l DE-12 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9781580468435 |l DE-473 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1818990487787274240 |
---|---|
any_adam_object | |
author | Walton, Chris 1963- |
author_GND | (DE-588)12140191X |
author_facet | Walton, Chris 1963- |
author_role | aut |
author_sort | Walton, Chris 1963- |
author_variant | c w cw |
building | Verbundindex |
bvnumber | BV048900074 |
classification_rvk | LP 63020 LP 91020 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9781580468435 (OCoLC)1376405310 (DE-599)BVBBV048900074 |
dewey-full | 781.3111 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.3111 |
dewey-search | 781.3111 |
dewey-sort | 3781.3111 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
doi_str_mv | 10.1017/9781580468435 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04519nam a2200757zc 4500</leader><controlfield tag="001">BV048900074</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230414s2023 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781580468435</subfield><subfield code="c">Online</subfield><subfield code="9">978-1-58046-843-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9781580468435</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9781580468435</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1376405310</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048900074</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.3111</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 63020</subfield><subfield code="0">(DE-625)107202:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LP 91020</subfield><subfield code="0">(DE-625)108050:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Walton, Chris</subfield><subfield code="d">1963-</subfield><subfield code="0">(DE-588)12140191X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Lies and epiphanies</subfield><subfield code="b">composers and their inspiration from Wagner to Berg</subfield><subfield code="c">Chris Walton</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Rochester, New York</subfield><subfield code="b">University of Rochester Press</subfield><subfield code="c">2014</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (x, 168 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Eastman studies in music</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 10 Feb 2023)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Richard Wagner's dynastic dreams -- Gustav Mahler's resurrection and the apostolic succession -- Of forked tongues and angels : Alban Berg's violin concerto -- Wilhelm Furtwängler and the return of the muse -- Here comes the sunset : the late and the last works of Richard Strauss -- Postlude : the telephone call</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Lies and Epiphanies offers case studies of "inspiration" in five composers -- Richard Wagner, Gustav Mahler, Wilhelm FurtwaÌngler, Richard Strauss, and Alban Berg. Their own tales of their epiphanies played a determining role in the reception history of their works: the finale of Mahler's Second Symphony was supposedly born of a "lightning bolt" of inspiration at the funeral of Hans von BuÌlow, while Alban Berg's Violin Concerto was purportedly his direct response to the tragic early death of Alma Mahler's daughter. Chris Walton looks behind these tales to explore instead the composer's dual role as author and self-commentator, laying bare the fissures and inconsistencieswithin these artists' testimonies and revealing how the putatively extrarational world of creative inspiration intersects with the highly rational world of money and politics. As Walton points out, the composer often imposes on the audience an interpretation of a work and its genesis that is as superficial as the score itself is not. This study seeks to show why</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Furtwängler, Wilhelm</subfield><subfield code="d">1886-1954</subfield><subfield code="0">(DE-588)118536931</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Strauss, Richard</subfield><subfield code="d">1864-1949</subfield><subfield code="0">(DE-588)11861911X</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Wagner, Richard</subfield><subfield code="d">1813-1883</subfield><subfield code="0">(DE-588)118594117</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Berg, Alban</subfield><subfield code="d">1885-1935</subfield><subfield code="0">(DE-588)118509322</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Mahler, Gustav</subfield><subfield code="d">1860-1911</subfield><subfield code="0">(DE-588)118576291</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Composition (Music)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Composers</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Inspiration</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Creation (Literary, artistic, etc.)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kreativität</subfield><subfield code="0">(DE-588)4032903-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Inspiration</subfield><subfield code="0">(DE-588)4027139-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Offenbarung</subfield><subfield code="0">(DE-588)4043365-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Wagner, Richard</subfield><subfield code="d">1813-1883</subfield><subfield code="0">(DE-588)118594117</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Mahler, Gustav</subfield><subfield code="d">1860-1911</subfield><subfield code="0">(DE-588)118576291</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Strauss, Richard</subfield><subfield code="d">1864-1949</subfield><subfield code="0">(DE-588)11861911X</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Berg, Alban</subfield><subfield code="d">1885-1935</subfield><subfield code="0">(DE-588)118509322</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Furtwängler, Wilhelm</subfield><subfield code="d">1886-1954</subfield><subfield code="0">(DE-588)118536931</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="5"><subfield code="a">Offenbarung</subfield><subfield code="0">(DE-588)4043365-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="6"><subfield code="a">Inspiration</subfield><subfield code="0">(DE-588)4027139-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="7"><subfield code="a">Kreativität</subfield><subfield code="0">(DE-588)4032903-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="8"><subfield code="a">Komposition</subfield><subfield code="g">Musik</subfield><subfield code="0">(DE-588)4133320-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Komponist</subfield><subfield code="0">(DE-588)4032009-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Inspiration</subfield><subfield code="0">(DE-588)4027139-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-1-58046-477-2</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9781580468435</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034164498</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781580468435</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9781580468435</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV048900074 |
illustrated | Not Illustrated |
indexdate | 2024-12-20T19:55:09Z |
institution | BVB |
isbn | 9781580468435 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034164498 |
oclc_num | 1376405310 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (x, 168 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2014 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | University of Rochester Press |
record_format | marc |
series2 | Eastman studies in music |
spelling | Walton, Chris 1963- (DE-588)12140191X aut Lies and epiphanies composers and their inspiration from Wagner to Berg Chris Walton Rochester, New York University of Rochester Press 2014 1 Online-Ressource (x, 168 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastman studies in music Title from publisher's bibliographic system (viewed on 10 Feb 2023) Richard Wagner's dynastic dreams -- Gustav Mahler's resurrection and the apostolic succession -- Of forked tongues and angels : Alban Berg's violin concerto -- Wilhelm Furtwängler and the return of the muse -- Here comes the sunset : the late and the last works of Richard Strauss -- Postlude : the telephone call Lies and Epiphanies offers case studies of "inspiration" in five composers -- Richard Wagner, Gustav Mahler, Wilhelm FurtwaÌngler, Richard Strauss, and Alban Berg. Their own tales of their epiphanies played a determining role in the reception history of their works: the finale of Mahler's Second Symphony was supposedly born of a "lightning bolt" of inspiration at the funeral of Hans von BuÌlow, while Alban Berg's Violin Concerto was purportedly his direct response to the tragic early death of Alma Mahler's daughter. Chris Walton looks behind these tales to explore instead the composer's dual role as author and self-commentator, laying bare the fissures and inconsistencieswithin these artists' testimonies and revealing how the putatively extrarational world of creative inspiration intersects with the highly rational world of money and politics. As Walton points out, the composer often imposes on the audience an interpretation of a work and its genesis that is as superficial as the score itself is not. This study seeks to show why Furtwängler, Wilhelm 1886-1954 (DE-588)118536931 gnd rswk-swf Strauss, Richard 1864-1949 (DE-588)11861911X gnd rswk-swf Wagner, Richard 1813-1883 (DE-588)118594117 gnd rswk-swf Berg, Alban 1885-1935 (DE-588)118509322 gnd rswk-swf Mahler, Gustav 1860-1911 (DE-588)118576291 gnd rswk-swf Composition (Music) Composers Inspiration Creation (Literary, artistic, etc.) Kreativität (DE-588)4032903-3 gnd rswk-swf Inspiration (DE-588)4027139-0 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Offenbarung (DE-588)4043365-1 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Wagner, Richard 1813-1883 (DE-588)118594117 p Mahler, Gustav 1860-1911 (DE-588)118576291 p Strauss, Richard 1864-1949 (DE-588)11861911X p Berg, Alban 1885-1935 (DE-588)118509322 p Furtwängler, Wilhelm 1886-1954 (DE-588)118536931 p Offenbarung (DE-588)4043365-1 s Inspiration (DE-588)4027139-0 s Kreativität (DE-588)4032903-3 s Komposition Musik (DE-588)4133320-2 s DE-604 Komponist (DE-588)4032009-1 s Erscheint auch als Druck-Ausgabe 978-1-58046-477-2 https://doi.org/10.1017/9781580468435 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Walton, Chris 1963- Lies and epiphanies composers and their inspiration from Wagner to Berg Furtwängler, Wilhelm 1886-1954 (DE-588)118536931 gnd Strauss, Richard 1864-1949 (DE-588)11861911X gnd Wagner, Richard 1813-1883 (DE-588)118594117 gnd Berg, Alban 1885-1935 (DE-588)118509322 gnd Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Composition (Music) Composers Inspiration Creation (Literary, artistic, etc.) Kreativität (DE-588)4032903-3 gnd Inspiration (DE-588)4027139-0 gnd Komponist (DE-588)4032009-1 gnd Offenbarung (DE-588)4043365-1 gnd Komposition Musik (DE-588)4133320-2 gnd |
subject_GND | (DE-588)118536931 (DE-588)11861911X (DE-588)118594117 (DE-588)118509322 (DE-588)118576291 (DE-588)4032903-3 (DE-588)4027139-0 (DE-588)4032009-1 (DE-588)4043365-1 (DE-588)4133320-2 |
title | Lies and epiphanies composers and their inspiration from Wagner to Berg |
title_auth | Lies and epiphanies composers and their inspiration from Wagner to Berg |
title_exact_search | Lies and epiphanies composers and their inspiration from Wagner to Berg |
title_full | Lies and epiphanies composers and their inspiration from Wagner to Berg Chris Walton |
title_fullStr | Lies and epiphanies composers and their inspiration from Wagner to Berg Chris Walton |
title_full_unstemmed | Lies and epiphanies composers and their inspiration from Wagner to Berg Chris Walton |
title_short | Lies and epiphanies |
title_sort | lies and epiphanies composers and their inspiration from wagner to berg |
title_sub | composers and their inspiration from Wagner to Berg |
topic | Furtwängler, Wilhelm 1886-1954 (DE-588)118536931 gnd Strauss, Richard 1864-1949 (DE-588)11861911X gnd Wagner, Richard 1813-1883 (DE-588)118594117 gnd Berg, Alban 1885-1935 (DE-588)118509322 gnd Mahler, Gustav 1860-1911 (DE-588)118576291 gnd Composition (Music) Composers Inspiration Creation (Literary, artistic, etc.) Kreativität (DE-588)4032903-3 gnd Inspiration (DE-588)4027139-0 gnd Komponist (DE-588)4032009-1 gnd Offenbarung (DE-588)4043365-1 gnd Komposition Musik (DE-588)4133320-2 gnd |
topic_facet | Furtwängler, Wilhelm 1886-1954 Strauss, Richard 1864-1949 Wagner, Richard 1813-1883 Berg, Alban 1885-1935 Mahler, Gustav 1860-1911 Composition (Music) Composers Inspiration Creation (Literary, artistic, etc.) Kreativität Komponist Offenbarung Komposition Musik |
url | https://doi.org/10.1017/9781580468435 |
work_keys_str_mv | AT waltonchris liesandepiphaniescomposersandtheirinspirationfromwagnertoberg |