Rhythm changes: jazz, culture, discourse
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York
Routledge
2023
|
| Schriftenreihe: | Transnational studies in jazz
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034147176&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "Rhythm Changes: Jazz, Culture, Discourse addresses the development of jazz, the music, its makers, and its socio-cultural contexts, as well as the various discourses - especially those of academic analysis and journalistic criticism - that have influenced the creation, interpretation, and reception of jazz. Tackling diverse issues, such as race, class, nationalism, art, authenticity, irony, parody, romanticism, commercialism, technology, recording, and musical form and style, the book's viewpoint on artistic and cultural practices suggests new ways of thinking about jazz history. It challenges many established scholarly approaches in jazz research, providing a much-needed intervention in the current academic orthodoxies of Jazz Studies. Perhaps the most striking and distinctive aspect of the book is the extraordinary eclecticism of the wide-ranging but carefully chosen case studies and examples referenced throughout the text, from nineteenth century literature, through 1930s Broadway and film, to twentieth and twenty- first century jazz and popular music"-- |
| Umfang: | xv, 362 Seiten Illustrationen |
| ISBN: | 9781032251899 9781032251905 |
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| 505 | 8 | |a Introduction. The Persistence of Authenticity -- The Challenge of the Past : Jazz, Parody, and Jazz Discourse -- A Few of My Favorite Things : Analyzing Jazz, Interpreting Irony, Assessing Value -- My Only Sunshine : Jazz, Country Music, George Russell, and Musical Meaning -- Divine Revelations : Keith Jarrett, Acoustic Authenticity, and Romantic Genius -- The Body Electric : Music, Machines, and Mechanical Reproduction -- Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate | |
| 520 | 3 | |a "Rhythm Changes: Jazz, Culture, Discourse addresses the development of jazz, the music, its makers, and its socio-cultural contexts, as well as the various discourses - especially those of academic analysis and journalistic criticism - that have influenced the creation, interpretation, and reception of jazz. Tackling diverse issues, such as race, class, nationalism, art, authenticity, irony, parody, romanticism, commercialism, technology, recording, and musical form and style, the book's viewpoint on artistic and cultural practices suggests new ways of thinking about jazz history. It challenges many established scholarly approaches in jazz research, providing a much-needed intervention in the current academic orthodoxies of Jazz Studies. Perhaps the most striking and distinctive aspect of the book is the extraordinary eclecticism of the wide-ranging but carefully chosen case studies and examples referenced throughout the text, from nineteenth century literature, through 1930s Broadway and film, to twentieth and twenty- first century jazz and popular music"-- | |
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Datensatz im Suchindex
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| adam_text |
Contents List of Figures Preface and Acknowledgements x xii Introduction: The Persistence of Authenticity 1 Rhythm Changes Playlists 1 Í Notes 13 1 The Challenge of the Past: Jazz, Parody, and Jazz Discourse 15 They Brainwash and Teach You Hate: From Parody to Protest 17 It Ain’t Necessarily So: From Caricature to Celebration 22 In a Sentimental Mood: From Ridicule to Romanticism 39 Notes 48 2 A Few of My Favorite Things: Analyzing Jazz, Interpreting Irony, Assessing Value 55 “Saying Something”: Coltrane, Irony, and “My Favorite Things” 56 “White Things,” Black Things, and a Few Other Things 59 “Undeniable Qualities”: Homage, Value-For, and Ideological Hegemony 65 “Myriad Subtleties,” Bebop Parody, and the Question of Context 73 “We’re in the Money”: Irony, Complexity, and Social Normativity 79 Notes 89 3 My Only Sunshine: Jazz, Country Music, George Russell, and Musical Meaning Way Out West: From Cowhand Sonny to Dangerous Davey 96 Cowboy Favorites: Jazz Meets Country Music 106 You Are My Sunshine: From Singing Cowboys to Gassed Soulsters 114 95
viii Contents Happy Endings: George Russell Meets “You Are My Sunshine" 118 Sunshine Redux: From Kiddies Songs to Kitchen Appliances 130 Notes 137 4 Divine Revelations: Keith Jarrett, Acoustic Authenticity, and Romantic Genius 141 Fun with Toys: Miles, Electricity, and Acoustic Relief 142 A Blazing Forth of a Divine Will: Blank Slates, Claptrap, and Emphysemic Goats 150 Body and Soul: Sacred Space, the State of Grace, and Everyday Ecstasy 155 Blessed with Genius: The Flame Itself, the Man from Porlock, and the Heavenly Ostrich 161 Play On, Play On: Robert Bly, the Wild Man, and the Neglected Male Psyche 166 Touch the Soil: Elemental Instruments, Indian Country, and the Noble Savage 174 Notes 184 5 The Body Electric: Music, Machines, and Mechanical Reproduction 191 I Sing the Body Electric: Aesthetic Materialism, Technological Humanism, and Electrical Grandmothers 192 Spark of Being: Frankenstein, Electricity, and the Merging of Text and Form 200 Undervaluing Overdubbing: Jazz, Spontaneity, and Recording Studio Trickery 212 Essential and Divine: Faithful Fidelity, Analogue Authenticity, and “exactly what was played” 221 Preserving Spontaneity: Free Improvisation, Live Performance, and the Paradox of Sound Recording 230 Notes 237 6 Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate Getting to Know You: The “Afrological,” the “Eurological,” and the Illogical 245 The Anxiety of Affluence: Race, Class, and European “Privilege” 249 243
Contents ix A Pan-European Conspiracy? Cultural Nationalism, Nativist Politics, and Foreign Competitors 257 The Emancipation Problem: African American Models and German Belligerents 264 A Delicate, Nuanced Approach? Humour, Improvisation, and Composer-Centred Music 267 Networks of Power: Whiteness, Erasure, and World Harmony 281 Postscript: Say It Loud, I’m British and I'm Proud 284 Notes 286 References Discography Filmography Index 295 317 337 341 |
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| id | DE-604.BV048882469 |
| illustrated | Illustrated |
| indexdate | 2025-01-17T17:00:44Z |
| institution | BVB |
| isbn | 9781032251899 9781032251905 |
| language | English |
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| spelling | Stanbridge, Alan Verfasser (DE-588)1294987283 aut Rhythm changes jazz, culture, discourse Alan Stanbridge New York Routledge 2023 xv, 362 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Transnational studies in jazz Introduction. The Persistence of Authenticity -- The Challenge of the Past : Jazz, Parody, and Jazz Discourse -- A Few of My Favorite Things : Analyzing Jazz, Interpreting Irony, Assessing Value -- My Only Sunshine : Jazz, Country Music, George Russell, and Musical Meaning -- Divine Revelations : Keith Jarrett, Acoustic Authenticity, and Romantic Genius -- The Body Electric : Music, Machines, and Mechanical Reproduction -- Can Blue Men Sing the Whites? African American Exceptionalism, European Stereotypes, and the Jazz Studies Debate "Rhythm Changes: Jazz, Culture, Discourse addresses the development of jazz, the music, its makers, and its socio-cultural contexts, as well as the various discourses - especially those of academic analysis and journalistic criticism - that have influenced the creation, interpretation, and reception of jazz. Tackling diverse issues, such as race, class, nationalism, art, authenticity, irony, parody, romanticism, commercialism, technology, recording, and musical form and style, the book's viewpoint on artistic and cultural practices suggests new ways of thinking about jazz history. It challenges many established scholarly approaches in jazz research, providing a much-needed intervention in the current academic orthodoxies of Jazz Studies. Perhaps the most striking and distinctive aspect of the book is the extraordinary eclecticism of the wide-ranging but carefully chosen case studies and examples referenced throughout the text, from nineteenth century literature, through 1930s Broadway and film, to twentieth and twenty- first century jazz and popular music"-- Musikleben (DE-588)4075128-4 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf Soziokultur (DE-588)4299677-6 gnd rswk-swf Diskursanalyse (DE-588)4194747-2 gnd rswk-swf Jazz / History and criticism Jazz / Philosophy and aesthetics Jazz / Political aspects Jazz / Social aspects Jazz Criticism, interpretation, etc Jazz (DE-588)4028532-7 s Musikleben (DE-588)4075128-4 s Soziokultur (DE-588)4299677-6 s Diskursanalyse (DE-588)4194747-2 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-03-225190-5 Erscheint auch als Online-Ausgabe, ebk. 978-1-00-328197-9 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034147176&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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