Mythology and symbolism of Eurasia and indigenous Americas: manifestations in artifacts and rituals
Gespeichert in:
| Beteilige Person: | |
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| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
2023
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034144230&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034144230&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034144230&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "There is a continuity of a cohesive system of symbols and patterns from the Paleolithic and the Neolithic that survives in present-day imagery. This continuity is evident in the analysis of popular art, mythology, and rituals of Eastern Europe, as well among the Indigenous peoples across in the Americas. This continuity suggests that these civilizations are historically closely related; they have common symbolic and mythological roots, and these patterns had special significance for the people who produced them. The understanding of commonalities underlying these seemingly distant cultures demonstrates that, despite appearances, there is more that unites us than that divides us"-- |
| Umfang: | xix, 141 Seiten Illustrationen |
| ISBN: | 9781800738164 |
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| 505 | 8 | |a Foreword: Aluna's Threads sing / Alan West-Duran -- Introduction: Worldview -- Cervids and Their Associations -- Goddess Civilizations and Their Symbols -- Image of the Universe -- Weaving and Embroidery: A Semblance of the Cosmos | |
| 520 | 3 | |a "There is a continuity of a cohesive system of symbols and patterns from the Paleolithic and the Neolithic that survives in present-day imagery. This continuity is evident in the analysis of popular art, mythology, and rituals of Eastern Europe, as well among the Indigenous peoples across in the Americas. This continuity suggests that these civilizations are historically closely related; they have common symbolic and mythological roots, and these patterns had special significance for the people who produced them. The understanding of commonalities underlying these seemingly distant cultures demonstrates that, despite appearances, there is more that unites us than that divides us"-- | |
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Datensatz im Suchindex
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| adam_text | Contents List of Illustrations viii Foreword Alan Wèst-Duràn xiv Acknowledgments xviii Introduction. Worldview 1 Chapter 1. Cervids and Their Associations 6 Chapter 2. Goddess Civilizations and Their Symbols 37 Chapter 3. Image of the Universe 57 Chapter 4· Weaving and Embroidery: A Semblance of the Cosmos 85 Conclusion 108 Bibliography 110 Index 131
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Index Note: Italie page numbers refer to illustrations. Afanas’ev, Aleksandr, 15,85 Americas: animal deities of, 6-11, 13-14; female figurines with symbolic designs from, 42-44,43,55n5; and mystical power of hair, 90-91. See also Cora Indians; Costa Rica; Haida Indians; Huichol Indians; Middle American Maya; Nahua Indians; Native Americans; Pawnee Indians Anati, Emanuel, 73,83nl5 Anatolia (Asian part of Turkey): “Birth Symbol,” 72; Çatal Höyük site, 37,40,47,48,55n6,98; “Double Bird/Vulture” motif of kilims, 47; “Elibelinde” or “Hands on Hips” motif of kilims, 45-46,99; fringes and other fertility symbols on girl’s garment, 90, 91·, Hacılar site, 37,66; Mistress of Animals flanked by two leopards, 14-15, 37,38,70; plate with a quincunx design, Hacılar, 66,67; rhomb/diamond/ lozenge motif with incurving lines on four sides, 65-66,66,73; tree with deer and birds, center of woven kilim, 9,10, 48; weaving in, 86 Animal Master, 4,13,16-18 Animal Owner, 14 Anisimov, E, 7,53,54,57 anthropomorphic male images, 4 Association for the Study of Women and Mythology (ASWM), 2 Baba Yaga (Slavic witch), 18,72,86 ballgame, 19,30 Balpinar, Belkis, 83nll Barber, Elizabeth Wayland, 93 bear: “The Bear-Man” story of Pawnee Indians, 13-14; Great Bear constellation, 7,18; and headdresses, 54; iconography of she-bear, 6; Mistress of Animals as, 14-15 Benitez, Fernando, 86 Bird Goddess: and birds of prey, 46,48, 55n6; Goddesses with shrines, trees, and life-giving and death-bringing birds, embroidery, 46-47,47,48; iconography of, 4,6,46; and Tree of Life, 48; and Vinča culture, 6,46 bird-headed
antlers, as metaphor for trees, 9 bird motif, 2 birds: aquatic birds, 6,46,74,86; double meaning of, 48-49; functions of, 108; and horned swan, 82; and shaman’s cloak, 54; sun and heavens represented by, 6; sun and images of paired birds, 26. See also Bird Goddess; Goddess with birds birds of prey: and Bird Goddess, 46,48, 55n6; and death and regeneration cycle, 47,55n6; and tradition of “heavenly burial practice,” 9,35n6; vase used for funeral ceremonies, Crete, 37,39,47. See also vultures “Birth Diagram,” 1 “Birth Symbol,” 72 The Black Madonna in Latin America and Europe (Oleszkiewicz-Peralba), 1 Biombos Cave, South Africa, 76 Borgia Codex, 86 bread, ritual bread consumption, 27,28 Bribri indigenous group, Costa Rica, 102, 107nl8 Bucrania, 37 Buddhism, 16,17
132 · Index bugady (sacred and generative places), 7 Bugady Enintyn, 7,15,53 Bukk culture, 37 burial practices, 9,35n6 Butterfly Mother, 104 calendar: names of months, 79,83-84n22; representation of agricultural calendar, 79; in round dances, accompanied by fire, 79,84n24; and time, 60 Campbell, Joseph, 3,42,108 Cañón del Muerto district, Arizona, 55n5 “A Captive Deer-Man,” Mochica ceramic vessel, Lima, Peru, 30 Carpathian Hutsul region, Ukraine, И ceramics: “A Captive Deer-Man,” Mochica ceramic vessel, Lima, Peru, 30; iconography of animal deities on, 6; of Middle American Maya, 32; tripartite cosmos portrayed on, 50-51, 52,53,56nl5; ofTrypillian-Cucuteni civilization, 49-50 Cernunnos (ancient god), 18 cervids: ancestry of, 7-8,13; antlered cervid headdresses, 16; dry season associated with, 21; and fertility, 32-35; iconography of, 6,11; role of, 4,55,108; sun cult linked with, 18,21; transformation to horses, 8-9 Cherniakhiv culture, 79 Chichen Itzá pyramid, 80 Chicóme Xóchitl (“Seven Flower”), 13 chiichan (“deer-snake”), 14 Cbilam Balam of Chumayel (Códice Pérez), 35,59,82 Cholula, Pueblo, Mexico, 80 Christmas cards, 34,36n26 circle motif, 1 Clan Mothers: elk-cows as, 7,8,53; embodied in clan totems, 7; female figurines representing, 39 Coatlicue (Aztec Goddess), 4,61,70,79, 80,105 collective unconscious, 3-4,31,33,92, 108 Cora Indians: sacred symbols of, 2,21,70; Tatex as rain Goddess, 80 Cortés, Hernán, 83ո6 Cosmic Tree: deer antlers as branches of, 13; fiinction of, 108; human body identified with, 41; in Middle American Maya cultures, 9,57-61,58,69,69,94, 102,105;
Tamoanchan tree, 57-61,58, 102,104 Coso Patterned Body Anthropomorphs, 16 Coso Rock Art Complex, California, 13, 16,35nl6 Costa Rica: deer with corncobs, gold, 29, 29; female figurines of, 43-45,44,88, 88; female figurine with lattice motif, 88,88; vessel with snake in form of zig zags intercalated with dots, El Bosque culture, 77,78,79 covoquichtli (youth of the tree), 13 Cretan “Linear A” script, 75,75 cross: in embroideries, 99; Goddess with birds, transformed into cross with angels, Poland, 11,13; human body identified with, 41; Mayan cross with plants, sun, and quincunx symbols, Chiapas region, Mexico, 41,42; as motif, 1; and sun/star motifs, 26-28; and weaving, 88 culture hero, 15,21,35nl2 Cybele, 89 Cypro-Minoan script, 75 deer: abundance related to, 4,16,28-29; and agrarian saints, 17; as Animal Master, 16-17; antlers as branches of Cosmic Tree, 13; antlers shed by, 21,28, 29,33,34,35; branched deer antlers symbolizing seven flowers, 13; and celestial hunt, 18-19,20,21,22,23,24; Christ associated with, 29,31; crosslegged deer, 30,31; deer with corncobs, gold, Costa Rica, 29,29; as El Hermano Mayor (“The Big Brother”), 31,34; fertility related to, 4,16,19,28-29,3135,80,108; flags and heraldic symbols associated with, 17; flower as metaphor for, 32; fluid boundary between deer and humans, 13-14,15,16,17-18,
Index · 133 30-31,33-34; four universal directions associated with, 18-19; iconography of, 6; as liminal being, 14,19,30-32; and Madrid Codex, 19,21,22,35,80, 81,82; as mediator identified with Tree of Life, 11,13; in Middle American cultures, 9; Mistress of Animals as, 1415; as motif, 2; naked hunter in front of deer, funerary stele, Eleutherna, Crete, Greece, 33,34·, and net/lattice pattern, 86; and Polish “Srebrnorogi jeleń” tale, 15,24; rain associated with, 80,82; regeneration related to, 4,16,19,28-29, 31-32,33,34,35,108; rock images of deer and people with deer features, 8; in rupestrian art, 8; and Russian name Elena, 15,35nl3; and sacred hunt, 19, 21; sacrificial rituals of, 8; and shaman’s staff, 54; snakes related to, 14,34,35, 82,108; sun identified with, 17,18-19, 21,24,29,34,53,79; tree with deer and birds, center of woven kilim, Anatolia, 9,10,48; veneration of, 7-8 Deer Dancer, 18-19 deer/elk persona, 3 Deer-Goddess cult, 17-18 Deer Mother, 54,73 Deer Woman/Lady, 31-32 designs, cultural appropriation of, 2, 108-109 Dhumavati (Indian crone Goddess), 48 Dniestr-Bug culture, 37 doe, iconography of, 6 doe-elk, iconography of, 6,8 dog, iconography of, 6 doll with fertility symbols, Crete, 87,88 double Goddess figures, 70-73 dragon-like animals, 53 dragon motif, 2 Dresden Codex՛. Cosmic Trees in, 59; deer with God Μ, god of hunting, 32,34; deer with human feet and arms, 31; God К as deer, 19,20; Huk Siip in, 21; representations of deer in, 35; rhomb/ diamond/lozenge motif in, 62; water serpent in, 80 Durán, Diego, 59 earth, as domain of underworld god, 7 Earth
Lord, deer daughter of, 14 Easter eggs: deer as symbol of Christ’s resurrection, 29; Elk-/Deer-Mothers on, 8,73; iconography of animal deities in, 6; images of boat with horse’s head on, 52; and net pattern, 88; rhomb/ diamond/lozenge motif with incurving lines, 65-66,66,73,79; and rozhanitsas (parturition motif), 73; sun symbol (cross) with lace diamonds and deer, Poland, 52,52,88; as symbol of ethnicity, 98; two horses in a cloud, 8, 8,73,79 El Juyo, Spain, deer veneration in, 7-8 elk: Elk-Goddesses of Eurasia, 53; flags and heraldic symbols associated with, 17; Heavenly Elk chase in hunt, 18; and rozhanitsa, 70; Heavenly Elks on Easter eggs, 8,8,97-98,99; Kheglen as Cosmic Elk, 7,18; Mistress of Animals as, 7,14-15,34; in rupestrian art, 8; and Sun-Elk, 18 elk-cows: as Clan Mothers, 7,8,34,53; on shamanic metal plates, 53 Elk-/Deer-Mothers, 8,73 embroideries: calendar represented in, 79; cross in, 99; deer/cervid figure as element of, 85,85·, “fertile field” symbol interpreted as sun, 41; Goddess as plant, flanked by animals, Oaxaca, Mexico, 10,10,48; Goddess as plant with birds and bees, 11,11,48; Goddesses with shrines, trees, and life-giving and death-bringing birds, 46-47,47,48; goddess-flower images on, 11; Goddess poses on, 45-46,48; and Goddess with birds, 48; Goddess with birds, flanked by attendants on horses, Ukraine, 48, 49՛, of Hutsul folk blouse, 53,95-99, 95,96,97-, Hutsul rushnyk (I), 63,63, 99; Hutsul rushnyk (II) with lattice and rhomb motifs, 88,89,99-100; iconography of, 4,6; images of boat with horse’s head on, 52; ofperemitka/ namitka (head wrap),
93,98,107nl3; pillow with quincunx motif, 63, 64՛,
134 · Index quincunx design, Bulgaria, бб, 6А; quincunx design, Poland, 66,68; and rhomb/diamond/lozenge motif, 61, 63,63,64,65,99; and rozhanitsas (parturition motif), 72,99; sirin (siren) or woman-bird on, 46; sleeve decorationsfig4.13,46,95-97,95,96, 97; tripartite cosmos represented in, 52-53,85,88,89,95-98,95,96,97,99 Enet culture, 54 Emits, Enn, 18 Eurasia: animal deities of Neolithic Eurasia, 6-11,13-14; and animal-human conflations, 16; Animal Mother of, 13; and Celestial Hunt, 18; cultures of, 1,5nl; Elk-Goddesses of, 53,80; iconography of image of the universe in, 4; and Mistress ofAnimals, 15; and net pattern, 88; rock art image of deer in front of pregnant woman, 33; role of women in, 24; Sun and Heaven Goddess in, 24,102; women’s head coverings in, 92 Evenk culture: and Bugady Enintyn, 7,53; and feminine gender of sun, 24; and Heavenly Elk chase, 18; and image of the universe, 57; and Mistress of the Universe, 90; and shaman’s tent, 105; traditional designs of, 108; and tripartite cosmos, 54,60 Eye Goddess, anthropomorphic pot, Turkey, 92,93 female figurines: designs on, 41-43; female figurine with body paint, ear spools, and triangular thong with rhomb design, Costa Rica, 43-45,44; female figurine with lattice motif, Guanacaste-Nicoya region, Costa Rica, 88,88; figurine of pregnant woman with corncobs as breasts, Michoacan, Mexico, 43, 43; figurine of pregnant woman with Mayan sapo motif on belly, head, chest, and thighs, Mexico, Pre-Columbian, 43, 43; figurine with diagrams,TrypillianCucuteni civilization, 40-41,41, 45-46, 64,79; figurine with plant growing
from pubic triangle, TrypillianCucuteni civilization, 41,42,45-46,50, 76; headdresses of, 39; poses of, 45-46, 48; seated female figurine with hat and symbolic diagrams, Costa Rica, 44^15, 44; solar signs on, 41-42; and triangle, 41,50,70; ofTrypillian-Cucuteni civilization, 40-41,41,45-46,49-50, 50,51; “Venuses,” 39-40,45-46,89, 90,92,93. See also Mistress of Animals “Fertile Field,” 73 Fierce Feminine Divinities ofEurasia and Latin America (Oleszkiewicz-Peralba), 1 Flidais (Celtic Goddess), 17-18 Florentine Codex, 63,80,83n6,84n25 Flowering Tree, 57-59,58 flowers: Aztec Xochiquetzal, 80; Chicóme Xóchitl (“Seven Flower”), 13; Goddess as flower, rural house, Poland, 11,12; goddess-flower images on Polish paper cut-outs, 11; as metaphor for deer, 32 four universal directions: deer associated with, 18-19; huípiles representing, 100, 102,105; and image of the universe, 18-19,57-61; and rhomb/diamond/ lozenge motif, 61-66,69-70 fox, and headdresses, 54 Fradkin, Ariela, 73,83nl5 Frog Goddess of Death and Regeneration, 72-73 Ggantija temple model, Gozo, Malta, 40, 40 Gilyak myths, 7 Gimbutas, Marija, 5n3 Goddess of Life, Death and Regeneration (triple goddess), 14,40-41,46,55n3 Goddess of Regeneration, 37,39-40 Goddess of the Universe and the Sun, 106 Goddess with birds, 46-49,55n6 Goddess with birds, flanked by attendants on horses, embroidery, Ukraine, 48,49 Goddess with birds, transformed into cross with angels, Poland, 11,13 Golan, Ariel, 5n6,7,15,21,51 Gravettian Era, 92
Index · 135 Great Bear constellation, 7,18 Haida Indians, myth of “The Origin of the Fire,” 13 hair and hairdos: control of, 89-90; in fairy tales, 90; fringes and other fertility symbols on girl’s garment, Anatolia, 90, 91; hair as threshold between internal and external world, 89; Hutsul folk women’s hairdos, 32,93-94,96; power attributed to, 89-92; pubic hair, 90,93; and rites of passage, 91,93; and social status, 92,93; symbolic language of, 89 head coverings: colonial imposition of, 92; continuity of, 93; and Goddess masks, 92,93; and rites of passage, 92,96; for women, 32,90,91,92-93,96 headdresses: antlered cervid headdresses, 16; and bear, 54; and Celestial Hunt, 19; deer heads ornamenting, 8,9,21, 23,24,32; of female figurines, 39; horned headdresses, 16,32,92,96; of Hutsul women, 93-94,94,96, 102; and Kawaiisu Animal Master, 16; Maya ruling class headdresses, 92; of Motynka dolls, 93-94; quincunxes on, 70; spindles in, 86; and sun, 24,25; zoomorphic headdresses and masks, 14 heaven, 6,7,9,18,35n6,108 Heaven Goddess, 24,102 Hinduism, 107nl2 Hirsch, Udo, 66 Hñahñu communities, Hidalgo, Mexico, 29 Hohle Fels, Germany, 39 Hopi, 2, 82 horned Mother of the Universe, 7,13 horned serpents, 14,82 horns: golden-horned reindeer, 18; horned headdresses, 16,32,92,96; iconography of horned figures, 1; regeneration symbolized by, 37 horses: Goddess with birds, flanked by attendants on horses, Ukraine, 48,49; images of boat with horse’s head on embroidery, 52; and Indo-European nomads, 54; Kurgan pastoralists’ cult of the horse, 56nl4; sun and images of pair horses, 26;
transformation from cervids to horses, 8-9 Hostess of Animals and Forest, 34 Huichol Indians: Cosmic Serpent Kuwé Erne, 82; on fluid boundary between humans and animals, 13,15; Goddess of Rain, Na’aliwáemi, 82; Morning Star of, 21,24; Sacred Deer Person of, 21; sacred symbols of, 2; serpents associated with weaving, 86; and sun symbolism, 26 huípiles: feathers adorning, 105,107n20; four universal directions represented by, 100,102,105; head opening of, 102; and image of the universe, 53, 94-95,100,101,102; Mama de las mariposas (“Mother of Butterflies”) design, 102; neckline indicating status of woman, 104; quechquémitl compared to, 105-106; rhomb/diamond/lozenge motif of, 102,105; and sacred concepts of wearers’ worldviews, 4,100,105; Triki huipil with vertical ribbons, 94, 102,104,107nl6; tripartite cosmos represented in, 102,103,105,106; weaving of, 100,102; woman wearer as axis of the world, 100,105,106 human body, tripartite cosmos reflected in, 52 hunting: and Animal Master, 16-17; and celestial hunt, 18-19,20,21,22,23, 24; and deer, 28-29,31,32,33,34; liminality of, 30; and metaphorical transformation of other into self, 14; and Mistress of Animals, 15; as seduction, 16,28,33 Hutsul folk blouse: colors of, 95-97,96, 107nl2; and quincunx motif, 63,63,99; rhomb/diamond/lozenge composition in, 95,96; and sacred concepts of wearers’ worldviews, 4; and transition rituals, 98-99; tripartite cosmos represented in sleeves, 53,95-99,95, 96,97 iashcher (dragon), 53 Ice Age, 7,37,45,46
136 · Index “ikiz idol”—two females holding hands, gold, Alaca Höyük, 70,71 image of the universe: and four directions, 18-19,57-61; and huípiles, 53,94-95, 100,101,102; iconography of, 4; as living being, 53; and quadripartite cosmos, 4,69,85,94-95,106,108; and rhomb/diamond/lozenge motif, 61-66, 69-70; and rozhanitsas (parturition motif), 70-73; and shaman’s drum, 54; and tripartite cosmos, 4,50-51,52,54, 56nl5,57,60,106,108 Inca cultures, 26 Indians of the Plains, 82 Indigenous peoples ofAndean region in South America, 7 Indo-European invasions, 7,54, 74 Iron Age migrations, 17 Isis, 89 Issyk culture, 9 Jacobson, Esther, 8 Jung, Carl, 3,108 Kahlo, Frida, The Little Deer, 31 Kālī, 72,89 Kamchatka culture, 48,55,108 Karanovo culture, 37,38,76,86 Karelia, Russia, Lake Onega rock art of, 6 Kawaiisu (Animal Master), 13,16 Ket culture, 7 Kheglen (Khelgun), as Cosmic Elk, 7,18 Khosedam/Tomam, as Clan Mother, 7 King, Alexander D., 55 kolacz/koravai (bread), 27,28,99 Kolpakova, Alla, 62,72,73 Koryak culture, 55,108 Kotos-Wayrajirca period, Peru, 76 “Kupala’s Fires” ceremony, 97,97,98 Kyrgyz Bugu tribe, 7 Kyrgyz women, domed head cover of, 32 Łada, and rozhanitsas, 73,83nl3 laika (“doll”), Goddess holding birds, Poland, 11,14,45,48,55n6,73 La Malinche/Malinalli, portrayals of, 63, 83n6 La Pileta cave, Spain, 74 lattice: female figurine with lattice motif, Guanacaste-Nicoya region, Costa Rica, 88,88-, Hutsul rushnyk (II) with lattice and rhomb motifs, 88,89,99-100; and Middle American Maya, 88; motif of, 1; and “Old European” civilization, 86 Laugerie-Basse cave, France, 33 Lévi-
Strauss, Claude, 3,108 Lienzo de Tlaxcala, 83n6 liminality, deer as liminal being, 14,19, 30-32 Linearbandkeramik (LBK) culture, 37 Looper, Mathew, 21 López Austin, Alfredo, 105 McKay, J. G., 17 Madrid Codex·, deer and the water serpent, 80,81,82; God Μ in, 19,32; net motif, looms, and weaving, 88,89·, quincunx, 69,69-, representations of deer in, 19, 22,35,80; Slip (Zip) as black hunter, 21,23-, trapped deer, 21,22 Magdalenian culture, France, 46 masculine sky gods, 7 Master of Animals, 34,108 matrilineal clan society, 53-54 Mediterranean Studies Association (MSA), 2 Mellaart, James, 64-65 metal carvings, 6 Mexica mythology, and deer hunt, 32 Miao minority, Guizhou province, China, 24,25,96,104 Middle American Maya: Calcethok, Yucatán vase, 21,31; celestial symbolism of, 21,60; Cosmic Tree in, 9,57-61, 58,69,69,94,102,105; cultural appropriation of designs, 108-109; and deer as mediator, 17; deer associated with sacred hunt, 19,21,31,34-35; deer associated with sacrificial offerings for rain, 19,34; deer as symbol of political status, 29; deer iconography of, 9; and El Dueño de los Animales (The Owner of Animals), 16,21,31,33,34; embroidery of, 4,10; fluid boundary
Index · 137 between humans and animals in, 14; horned figures on ceramic and textile designs, 32; lattice patterns on garments and mantas, 88; Mayan cross with plants, sun, and quincunx symbols, Chiapas region, Mexico, 41,42; MayaQuiché, 82; and night sun, 26; Pejel (“Anything Square”) design, 61-62, 62; plumed Aztec Quetzalcóatl/Mayan Kukulkan, 80; and quincunx motif, 69-70; sacred symbols of, 2; and snake iconography, 76,80,92; and spinning and weaving, 86,88; Sun and Moon as couple, 32; and Tree of Life, 60-61; vase representing ballgame, 19. See also huípiles migrations, 3-4 Miller, Virginia E., 91 Mistresses of the Worlds of the Universe, 53 Mistress ofAll Creation, 3,4 Mistress of Animals: and Baba Yaga tales, 72; beasts flanking, 14-15,37,38-, components transferred to shamans, 55; motif of, 2; as mythical figure, 4, 34,108; origin of, 14-18; she-elk or doe representing, 7,14-15,34 Mistress of Animals and Plants, 10,14,37 Mistress of Heaven and the Sun, 41 Mistress of the Universe, 90 Mixe culture, 15 Mochica ceramic vessel, Lima Peru, “A Captive Deer-Man,” 30 Mochica culture, deer in, 16,30 Monument 14, Cotzumalhuapa, Bilbao, Guatemala, 30 moon: lunar signs on female figurines, 41; Sun and Moon as couple, 32 Moon Goddess, 80 Morris, Earl H., 55n5 Morris, Walter, 107n20 Mother-Beast, 13 Mother Earth, 7 Mother Goddess: she-elk or doe representing, 7; sun as, 24 Mother of Snakes, 82 Motynka dolls, Ukraine, 18,52,93-94 Mound culture, 82 Museum of Anatolian Civilizations, Ankara, 37 mythology: Elk-/Deer-Mothers of, 8; evolution of, 3; on fluid boundary between deer and
humans, 13-14,15; iconography of animal deities in, 6; of Mistress of Animals, 15 Nahua Indians: and deer associated with rain, 82; and El Dueño de los Animales, 16; and four directions, 60-61; Goddesses portrayed with snakes, 79, 86; hair of Goddess Cipactli, 91; Mazacóatl (“Deer Serpent”), 80; myth of creation of the world, 59-60 nahuales (power animals), 3,34,36n27 Nahuatl of Puebla, Mexico: deer antlers as branches of Cosmic Tree, 13; huipilli (“adorned blouse or dress”) of, 100; religious chant for impregnation, 32-33 Nantosuelta (Gaulish Raven-Goddess), 47 National Folk Architecture and Rural Life, Lviv, Ukraine, 27 Native Americans: civilizations of, 1-2; Deer Woman/Lady of, 31-32; “fertile field” symbol interpreted as sun, 41; iconography of animal deities in dances and rituals, 6; Spanish imposition of dress of, 100; and sun diagram, 26; symbolism used by, 2 nature, as feminine, 7 Navajo: sacred symbols of, 2; “saw-tooth edged diamond” motif, 66,67 Nivkh culture, 90 Nykorak, Olena, 98 Oaxaca, Mexico: cultural appropriation of designs from, 2,109; Goddess as plant, flanked by animals, 10,10,48 ochipka (head cap), 93,94 “Old European” civilization: consumption of ritual bread in, 27; displacement of power of Deer-Mother, 54; folk costumes of, 96; geographical composition of, 2,5n3; Neolithic
138 · Index figurines of, 46; Neolithic hunter gatherer and agrarian society of, 37-38; and net/lattice pattern, 86; and rhomb/ diamond/lozenge motif, 63; script, North-west Bulgaria, 74,74 Olmecs, 57,58 paper cut-outs: Goddess as Tree of Life, 11,IP, goddess-flower images on, 11; Goddess with birds, transformed into cross with angels, Poland, 11, 13·, Gwiazda (star), Poland, 27,27; iconography of animal deities in, 6; Laika (“doll”), Goddess holding birds, Poland, 11,14,45,48,55n6,73; and rozhanitsas (parturition motif), 72; tree flanked by three pairs of birds, Poland, 9,9,48 Paraskeva Piatnitsa, Saint, 86 Paris Codex, 21,35 Parturition Goddess, iconography of, 4 patriarchal clan system, establishment of, 53-55 Pawnee Indians, “The Bear-Man” story, 13-14 Pazyryk, Siberia: frozen tomb from, 46; human figures with tattooed arms/legs in, 56nl5 peremitka/namitka (white head wrap), 93, 98,107nl3 plants: embroidered rushnyk, Goddess as plant with birds and bees, Ukraine, 11, 11,48; on fertility dolls and statuettes from Kenya, 55nl2; figurine with plant growing from pubic triangle, TrypillianCucuteni civilization, 41,42,45-46, 50,76; Goddess as plant, flanked by animals, Oaxaca, Mexico, 10,10,48; Goddess as plant, with spread arms and legs, metal incrustation in wood, Poland, 11,12,72; from “Kupala’s Fires” ceremony, 97,97,98; Mayan cross with plants, sun, and quincunx symbols, Chiapas region, Mexico, 41,42 Polytheism, 53 poses of Goddesses, 45-46,48,55n6 Pueblo Indians, 82 Pueblo Mayo of Sonora, Mexico, Deer Dance of, 18 quadripartite cosmos, 4,69,85,94-95, 106,108
quechquémitl, 105-106,106 quincunx: embroidered Hutsul rushnyk (I) with quincunx motif, 63,63,99; in Madrid Codex, 69,69՛, on Mayan crosses, 41,42՛, Mayan diagram Pejel (“Anything Square”) in form of, 62,62·, as model of directions of sacred cosmic order, 69-70; and Nahua Indians, 61; persistence of, 4; pillow with quincunx motif, 63,64՛, plate with quincunx design, Hacılar, Turkey, 67·, quincunx design, Bulgaria, 66, 68; quincunx design, Poland, 66,68 raptor heads, 9 reindeer: and Celestial Hunt, 18; in rupestrian art, 8; sun identified with, 24; as symbol of collective identity, 55 rhomb/diamond/lozenge: and Biombos Cave, South Africa, 76; on Easter eggs, 65-66,66,73,79; in embroideries, 61,63,63,64,65,99; and fertility symbolized by,, 41,41,66; of huípiles, 102,105; in Hutsul folk blouse, 95,96; as image of the universe, 61-66,69-70; meanders within, 61,62; motif of, 1, 2,4; regeneration symbolized by, 37; and sun diagram, 26; types of, 62; in weaving, 63,66,67,88 Rio Yaloch, Guatemala, vase from, 30-31 rock images: and Celestial Hunt, 18; of deer and people with deer features, 8; of deer and pregnant woman, 33; of dragon-like animals chasing light of sun, 53; of Karelia, Russia, 6; of Magdalenian culture, 46 Ross, Ann, 47 round dances, 79,84n24,86 rozhanitsas (parturition motif): double Goddess from Çatal Höyük, 70-71; on Hutsul folk blouse sleeve, 97-98,97; on Hutsul rushnyk (Г), 63,63,99; “Ikiz
Index · 139 idol”—two females holding hands, gold, Alaca Höyük, 70,7í; and image of the universe, 70-73; and Łada, 73,83nl3 rupestrian art, 6,8 rushnyky. colors on, 100; embroidered Hutsul rushnyk (I) with quincunx motif, 63,63,99; embroidered Hutsul rushnyk (II) with lattice and rhomb motifs, 88,89,99-100; embroidered rushnyk, Goddess as plant with birds and bees, 11,11,48; protective and intermediary role of, 98; as ritual object, 98-99,100; and rozhanitsafoirús/hom symbols, 98 Rybakov, B. A., 26,48,52,53,79,98 sacred symbols: of Cora Indians, 2,21, 70; cultural appropriation of designs, 2,108-109; of traditional cultures, 1-2, 108,109 Sacred Tree, original Goddess figure identified with, 10 Sahagún, Bernardino de, 84n25 Samara culture, Volga region, 56nl4 Sami people, 24 San Felipe Pueblo of New Mexico, 31 Santa Fe, NM,2,5n2,109 Santa Klaus, 34 La Santa Muerte (Mexican saint), 55nl0 sargadelas (amulets/necklaces), 86,88, 107n2 Schellhas, Paul, 19 Scytho-Siberian Pazyryk culture, 8,9,35n4 Sesklo culture (northern Greece), 37,46, 75,92,99 shamanism: and Animal Master, 17; drums and drum sticks of, 54; headdresses of, 16,54; patriarchal system incorporating, 4; placement of shaman’s tent, 105; Russian bliashki (shamanic metal plates), 53; and transition of power, 53-55 Sheela na gigs, 76 Shinto religion, 24,32 Siberian shamans’ costumes, paraphernalia, and practices, iconography of animal deities in, 6 Siberian Tuekta culture, headdresses of, 9 snakes: chiichan (“deer-snake”), 14; as creatures of night and underworld, 53; deer related to, 14,34,35,82,108; functions of, 108;
iconography of, 6, 35; meanders representing protective snakes, 41,79,86; Mexican woven fajas representing serpents, 86; in Middle American Maya iconography, 76,80,92; motifs of, 4; plumed Aztec Quetzalcóatl/Mayan Kukulkan, 80; serpent divinities, 80,82; as symbol of water, 76,79,80,82; and TrypillianCucuteni ceramics, 50,51,79; vessel with snake in form of zig-zags intercalated with dots, Costa Rica, El Bosque culture, 77,78,79 Snow Maiden, 2 South Africa, “mud cloths” from, 100 spinning, 85,86 spiral and zig-zag motifs on a gourd, Kenya, 97,97,100 star, motif of, 2,26-28 Star Carr, England, 8 Starcevo-Körös-Criş culture, 38,75,86 sun: butterfly as symbol of, 102,104; crosses with sun/star motifs, 26-28; deer identified with, 17,18-19,21,24, 29,34,53,79; dragon-like animals chasing light of, 53; feminine gender of, 5n6,6,21,24-26,27,108; “fertile field” symbol interpreted as, 41; and kołacze/korowi, 27,28-, masculine gender of, 26; movement of, 79,108; “night sun,” 51-52; solar signs on female figurines, 41-42; solar symbolism and sun diagram, 24-28; Sun and Moon as couple, 32 Sun and Heaven Goddess, 24,102 taiga·, as forest/land, 7,30; sky as heavenly taiga, 7,18 Tamoanchan tree, as concept of the cosmos, 57-61,58,102,104 tattoos, 46,52,56nl5 Thompson, J. Eric, 19,30-31,80 threshold of home, as symbolic boundary, 13
140 · Index time: concept of, 79; passage of, 18,19,51, 58,60,61,105; quincunx representing, 62,62 Totemism, 53-55 Tree of Life: deer with antlers becoming, 11,13; Goddess as, 11,11,48,49,96; as recurrent symbol, 1,4 triangle: and female figurines, 41,50,70; fertility symbolized by, 70,76; figurine with plant growing from pubic triangle, 41,42,45-46,50,76; motif of, 1; pubic triangles, 41,45-46,50,70,75,76,86; regeneration symbolized by, 37; rows of triangles (zig-zags) intercalated with rows of dots, on a wooden rural house, Rawsko-Opoczyński region, Poland, 76, 77,100; statuette with rows of triangles (zig-zags) intercalated with rows of dots, Mexico, Pre-Columbian, 77, 78, 100; vessel with snake in form of zig zags intercalated with dots, Costa Rica, El Bosque culture, 77,78,79՛, and Vinča culture, 70,75-76,86; in weaving, 8 8 tripartite cosmos: on ceramics, 50-51,52, 53,56nl5; conception of, 1,57,60,108; in eastern European folk blouses, 9495; in embroideries, 52-53,85,88,89, 95-98,95,96,97,99; in huípiles, 102, 103,105,106; on shaman’s breastplate, 54,60; andTrypillian-Cucuteni vessels, 50-53,60,72,99,100; in weaving, 52-53,85 Trypillian-Cucuteni civilization: ceramic production of, 49-50; crosses on bottom of vases from the Werteba I assemblage of Bilcze Zlote, 26-27; figurine with diagrams, 40-41,41,4546, 64,79; figurine with plant growing from pubic triangle, 41,42,45-46,50, 76; jar with vulvas, 50,50; prominence of, 38; and rhomb/diamond/lozenge motif, 61; tripartite cosmos represented on ritual vessels, 50-53,60,72,99, 100; tripartite jar with depictions of
atmospheric phenomena, 50-51,51,53, 95,96; tripartite jar with protrusions for nipples and meanders around breasts, 50,50,51,53,79,95 Turner, Victor, 30 Tzutujil Indians, San Pedro La Laguna, Guatemala, 19 Ukraine: embroidered Hutsul rushnyk (I) with quincunx motif, 63,63,99; embroidered Hutsul rushnyk (II) with lattice and rhomb motifs, 88,89, 99-100; embroidered rushnyk, Goddess as plant with birds and bees, 11,11,48; embroidery designs of, 4; Goddess with birds, flanked by attendants on horses, embroidery, Ukraine, 48,49՛, Motynka dolls, 18,52,93-94; and rhomb/diamond/lozenge motifin embroideries, 63; “saw-tooth edged diamond” motif, weaving, 66,67 Urnfield culture, 35n6,48,82 Valdivia culture of Ecuador, 91,107n5 Van der Meer, Annine, 45 Van Gennep, Arnold, 30 Venus of Kostenki (Russia), 39,92 Venus ofVestovice (Czech Republic), 39 Venus of Wilczyce (Poland), 39 Venus of Willendorf (Austria), 39,40, 92 Villacorta, Carlos A., 19 Vinča culture of Serbia: and Bird Goddess, 6,46; frog standing in human posture, 72,83nl2; and Neolithic “Old Europe,” 38; script of, 73-76,83nl5; and triangle, 70,75-76,86; “Venus” head concealed by mask, 92 Virgin Mary, 86,93 voladores ritual, 59-60 vultures: and Bird Goddess, 46-47; as death-bringers, 48-49; and life-death regeneration cycle, 37,39,47 wakas (sacred places and objects), 7 warfare, liminality of, 30 Wari culture, faceneck vessels of, 92 Waynuu culture, 99
Index · 141 weaving: deer/cervid figure as element of, 85, 85; doll with fertility symbols, Crete, 87,88,90; “fertile field” symbol interpreted as sun, 41; Goddess poses in, 46; of huípiles, 100,102; iconography of animal deities in, 6; in Madrid Codex, 88,89; as metaphor for sexuality and reproduction, 85; and net/ lattice pattern, 85-86,88; and rhomb/ diamond/lozenge motif, 63,66,67,88; and rozhanitsas (parturition motif), 72; as sacred feminine action, 4; “saw-tooth edged diamond” motif, Navajo, 66, 67; “saw-tooth edged diamond” motif, Ukraine, 66,67; serpents associated with, 86; Tree of Life flanked by birds in, 48; tripartite cosmos represented in, 52-53,85 women: control of hair, 89-90; head coverings for, 32,90,91,92-93,96; headdresses of Hutsul women, 93-94, 94,96,102; Hutsul folk women’s hairdos, 32,93-94,96; role in Eurasia, 24. See also huípiles·, Hutsul folk blouse wood carvings, 6 Xololpan, Mexico, plate with deer and four directions, 19 Yaqui Indians of Sonora, Mexico, 2,31 Yggdrasil tree, 59 Zaporozhets za Dunayem (Ukrainian National Opera), 46 Zufii, 82 Bayerische Staatsbibliothek München
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| any_adam_object | 1 |
| author | Oleszkiewicz-Peralba, Małgorzata 1954- |
| author_GND | (DE-588)1057392812 (DE-588)105623461X |
| author_facet | Oleszkiewicz-Peralba, Małgorzata 1954- |
| author_role | aut |
| author_sort | Oleszkiewicz-Peralba, Małgorzata 1954- |
| author_variant | m o p mop |
| building | Verbundindex |
| bvnumber | BV048879462 |
| contents | Foreword: Aluna's Threads sing / Alan West-Duran -- Introduction: Worldview -- Cervids and Their Associations -- Goddess Civilizations and Their Symbols -- Image of the Universe -- Weaving and Embroidery: A Semblance of the Cosmos |
| ctrlnum | (OCoLC)1371714053 (DE-599)BVBBV048879462 |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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This continuity is evident in the analysis of popular art, mythology, and rituals of Eastern Europe, as well among the Indigenous peoples across in the Americas. This continuity suggests that these civilizations are historically closely related; they have common symbolic and mythological roots, and these patterns had special significance for the people who produced them. 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| geographic | Eurasien (DE-588)4015685-0 gnd Mesoamerika (DE-588)4038782-3 gnd |
| geographic_facet | Eurasien Mesoamerika |
| id | DE-604.BV048879462 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:54:32Z |
| institution | BVB |
| isbn | 9781800738164 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034144230 |
| oclc_num | 1371714053 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xix, 141 Seiten Illustrationen |
| psigel | BSB_NED_20230810 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Berghahn Books |
| record_format | marc |
| spellingShingle | Oleszkiewicz-Peralba, Małgorzata 1954- Mythology and symbolism of Eurasia and indigenous Americas manifestations in artifacts and rituals Foreword: Aluna's Threads sing / Alan West-Duran -- Introduction: Worldview -- Cervids and Their Associations -- Goddess Civilizations and Their Symbols -- Image of the Universe -- Weaving and Embroidery: A Semblance of the Cosmos Mythologie (DE-588)4041005-5 gnd Symbolismus (DE-588)4184198-0 gnd Kleidung (DE-588)4031011-5 gnd |
| subject_GND | (DE-588)4041005-5 (DE-588)4184198-0 (DE-588)4031011-5 (DE-588)4015685-0 (DE-588)4038782-3 |
| title | Mythology and symbolism of Eurasia and indigenous Americas manifestations in artifacts and rituals |
| title_auth | Mythology and symbolism of Eurasia and indigenous Americas manifestations in artifacts and rituals |
| title_exact_search | Mythology and symbolism of Eurasia and indigenous Americas manifestations in artifacts and rituals |
| title_full | Mythology and symbolism of Eurasia and indigenous Americas manifestations in artifacts and rituals Małgorzata Oleszkiewicz-Peralba ; foreword: Alan West-Durán |
| title_fullStr | Mythology and symbolism of Eurasia and indigenous Americas manifestations in artifacts and rituals Małgorzata Oleszkiewicz-Peralba ; foreword: Alan West-Durán |
| title_full_unstemmed | Mythology and symbolism of Eurasia and indigenous Americas manifestations in artifacts and rituals Małgorzata Oleszkiewicz-Peralba ; foreword: Alan West-Durán |
| title_short | Mythology and symbolism of Eurasia and indigenous Americas |
| title_sort | mythology and symbolism of eurasia and indigenous americas manifestations in artifacts and rituals |
| title_sub | manifestations in artifacts and rituals |
| topic | Mythologie (DE-588)4041005-5 gnd Symbolismus (DE-588)4184198-0 gnd Kleidung (DE-588)4031011-5 gnd |
| topic_facet | Mythologie Symbolismus Kleidung Eurasien Mesoamerika |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034144230&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034144230&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034144230&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
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