A history of western philosophy of music:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2023
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034081751&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). All aspects of the philosophy of music are discussed, including music and the cosmos, music's value, music's relation to the other arts, the problem of opera, the origins of musical genius, music's emotional impact, the moral effects of music, the ontology of musical works, and the relevance of music's historical context. The volume will be valuable for students and scholars in philosophy and musicology, and all who are interested in the ways in which philosophers throughout history have thought about music"-- |
| Umfang: | x, 384 Seiten 24 cm |
| ISBN: | 9781108497848 9781108721936 |
Internformat
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| 245 | 1 | 0 | |a A history of western philosophy of music |c James O. Young (University of Victoria, British Columbia) |
| 264 | 1 | |a Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore |b Cambridge University Press |c 2023 | |
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| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a The Ancient World -- The Middle Ages -- The Early Modern Period: 1500- -- The Modern Period: 1800- -- The Contemporary Period | |
| 520 | 3 | |a "This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). All aspects of the philosophy of music are discussed, including music and the cosmos, music's value, music's relation to the other arts, the problem of opera, the origins of musical genius, music's emotional impact, the moral effects of music, the ontology of musical works, and the relevance of music's historical context. The volume will be valuable for students and scholars in philosophy and musicology, and all who are interested in the ways in which philosophers throughout history have thought about music"-- | |
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| 653 | 0 | |a Music / Philosophy and aesthetics | |
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Datensatz im Suchindex
| _version_ | 1819373847580770304 |
|---|---|
| adam_text | Contents page ix Preface i The Ancient World i. i 1.2 1.3 1.4 1.5 1.6 2 The Middle Ages 35 35 37 44 51 62 64 The Early Modern Period: 1500-1800 66 3.1 3.2 3.3 3.4 3.5 3.6 3.7 3.8 3.9 4 i 4 8 20 31 33 Introduction The Art and Science of Music Music, the Cosmos and the Soul The Value of Musical Experience The Musician Conclusion 2.1 2.2 2.3 2.4 2.5 2.6 3 i Introduction Music and the Imitative Arts Music, the Cosmos and the Soul The Value of Musical Experience The Origins of Musical Genius Conclusion Introduction Origins of Early Modern Philosophy of Music Music and the Fine Arts Music and the Cosmos Emotion and Music The Decline of Imitation and Empiricism in Philosophy of Music The Moral Effects of Music The Musician Conclusion The Modern Period: 18 0 0-19 5 0 4.1 4.2 4.3 4.4 Introduction Music and Metaphysics Content without Metaphysics Musical Content: The Outliers vii 66 69 78 81 82 127 144 148 162 164 164 167 198 214
Contents viii 4-5 4.6 4-7 4.8 4-9 5 The Origins of Music Formalism Music and Morality The Ontology of Music Conclusion The Contemporary Period 5-і 5-2 5-3 5-4 5-5 5.6 5-7 5.8 Introduction Music in Context Music and Emotion Representation in Music The Problem of Opera The Value of Music The Ontology of Musical Works Performance 223 227 И5 247 252 256 256 258 2Ճ6 295 301 304 322 341 Envoi Յ52. Bibliography Index 357 380
|
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| indexdate | 2024-12-20T19:52:43Z |
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| isbn | 9781108497848 9781108721936 |
| language | English |
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| publisher | Cambridge University Press |
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| spellingShingle | Young, James O. 1957- A history of western philosophy of music The Ancient World -- The Middle Ages -- The Early Modern Period: 1500- -- The Modern Period: 1800- -- The Contemporary Period Musikphilosophie (DE-588)4123809-6 gnd |
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| title | A history of western philosophy of music |
| title_auth | A history of western philosophy of music |
| title_exact_search | A history of western philosophy of music |
| title_full | A history of western philosophy of music James O. Young (University of Victoria, British Columbia) |
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| title_full_unstemmed | A history of western philosophy of music James O. Young (University of Victoria, British Columbia) |
| title_short | A history of western philosophy of music |
| title_sort | a history of western philosophy of music |
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| topic_facet | Musikphilosophie Westliche Welt |
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