Partners in suspense: critical essays on Bernard Herrmann and Alfred Hitchcock
'For a decade from 1955, Alfred Hitchcock worked almost exclusively with one composer: Bernard Herrmann. From <i>The Trouble with Harry</i> to the bitter spat surrounding <i>Torn Curtain</i>, the partnership gave us some of cinema's most memorable musical moments, t...
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2016
©2016 |
| Links: | https://dx.doi.org/10.7765/9781526107718 |
| Zusammenfassung: | 'For a decade from 1955, Alfred Hitchcock worked almost exclusively with one composer: Bernard Herrmann. From <i>The Trouble with Harry</i> to the bitter spat surrounding <i>Torn Curtain</i>, the partnership gave us some of cinema's most memorable musical moments, taught us to stay out of the shower, away from heights and never to spend time in corn fields. Consequently, fascination with their work and relationship endures fifty years later. This volume of new, spellbinding essays explores their tense working relationship as well as their legacy, from crashing cymbals to the sound of <i>The Birds</i>. This book brings together new work and perspectives on the relationship between Hitchcock and Herrmann. Featuring essays by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, it examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom. Examining key works, including <i>The Man Who Knew Too Much</i>, <i>Psycho</i>, <i>Marnie</i> and <i>Vertigo</i>, the collection explores approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films. <i>Partners in suspense</i> examines the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the essays in the collection examine the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways such a partnership inspires later work' --Back cover |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | 1 online resource (xii, 223 pages) illustrations; digital, PDF file(s) |
| Zielpublikum: | [See 'Market' or 'Audience' column on the spreadsheet, eg. 'Students and academics in IR, security studies, politics'.] |
| ISBN: | 9781526107718 |
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| 245 | 1 | 0 | |a Partners in suspense |b critical essays on Bernard Herrmann and Alfred Hitchcock |c edited by Steven Rawle and K.J. Donnelly |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2016 | |
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Introduction / K. J. Donnelly and Steven Rawle --1. Bernard Herrman -- Hitchcock's secret sharer / Jack Sullivan --2. Hitchcock, music and the mathematics of editing / Charles Barr --3. The anatomy of aural suspense in <i>Rope </i>and <i>Vertigo </i> / Kevin Clifton --4. The therapeutic power of music in Hitchcock's films / Sidney Gottlieb --5. A Lacanian take on Herrmann/Hitchcock / Royal S. Brown --6. Portentous arrangements: Bernard Herrmann and <i>The Man Who Knew Too Much</i> / Murray Pomerance --7. On the road with Hitchcock and Herrmann: sound, music and the car journey in <i>Vertigo</i> (1958) and <i>Psycho</i>(1960) / Pasquale Iannone --8. A dance to the music of Herrmann: a figurative dance suite / David Cooper --9. The sound of <i>The Birds</i> / Richard Allen --10. Musical romanticism v. the sexual aberrations of the criminal female: <i>Marnie</i> (1964) / K. J. Donnelly --11. The murder of Gromek: theme and variations / Tomas Williams --12. Mending the <i>Torn Curtain</i | |
| 520 | |a 'For a decade from 1955, Alfred Hitchcock worked almost exclusively with one composer: Bernard Herrmann. From <i>The Trouble with Harry</i> to the bitter spat surrounding <i>Torn Curtain</i>, the partnership gave us some of cinema's most memorable musical moments, taught us to stay out of the shower, away from heights and never to spend time in corn fields. Consequently, fascination with their work and relationship endures fifty years later. This volume of new, spellbinding essays explores their tense working relationship as well as their legacy, from crashing cymbals to the sound of <i>The Birds</i>. This book brings together new work and perspectives on the relationship between Hitchcock and Herrmann. Featuring essays by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, it examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom. Examining key works, including <i>The Man Who Knew Too Much</i>, <i>Psycho</i>, <i>Marnie</i> and <i>Vertigo</i>, the collection explores approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films. <i>Partners in suspense</i> examines the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the essays in the collection examine the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways such a partnership inspires later work' --Back cover | ||
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| 700 | 1 | |a Rawle, Steven |4 edt | |
| 700 | 1 | |a Donnelly, K. J. |4 edt | |
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Datensatz im Suchindex
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| author2 | Rawle, Steven Donnelly, K. J. |
| author2_role | edt edt |
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| author_facet | Rawle, Steven Donnelly, K. J. |
| building | Verbundindex |
| bvnumber | BV048724580 |
| contents | Introduction / K. J. Donnelly and Steven Rawle --1. Bernard Herrman -- Hitchcock's secret sharer / Jack Sullivan --2. Hitchcock, music and the mathematics of editing / Charles Barr --3. The anatomy of aural suspense in <i>Rope </i>and <i>Vertigo </i> / Kevin Clifton --4. The therapeutic power of music in Hitchcock's films / Sidney Gottlieb --5. A Lacanian take on Herrmann/Hitchcock / Royal S. Brown --6. Portentous arrangements: Bernard Herrmann and <i>The Man Who Knew Too Much</i> / Murray Pomerance --7. On the road with Hitchcock and Herrmann: sound, music and the car journey in <i>Vertigo</i> (1958) and <i>Psycho</i>(1960) / Pasquale Iannone --8. A dance to the music of Herrmann: a figurative dance suite / David Cooper --9. The sound of <i>The Birds</i> / Richard Allen --10. Musical romanticism v. the sexual aberrations of the criminal female: <i>Marnie</i> (1964) / K. J. Donnelly --11. The murder of Gromek: theme and variations / Tomas Williams --12. Mending the <i>Torn Curtain</i |
| ctrlnum | (DE-599)BVBBV048724580 |
| format | Electronic eBook |
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| id | DE-604.BV048724580 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T20:09:22Z |
| institution | BVB |
| isbn | 9781526107718 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668761 |
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| physical | 1 online resource (xii, 223 pages) illustrations; digital, PDF file(s) |
| publishDate | 2016 |
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| publisher | Manchester University Press |
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| spelling | Partners in suspense critical essays on Bernard Herrmann and Alfred Hitchcock edited by Steven Rawle and K.J. Donnelly Manchester, UK Manchester University Press 2016 ©2016 1 online resource (xii, 223 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction / K. J. Donnelly and Steven Rawle --1. Bernard Herrman -- Hitchcock's secret sharer / Jack Sullivan --2. Hitchcock, music and the mathematics of editing / Charles Barr --3. The anatomy of aural suspense in <i>Rope </i>and <i>Vertigo </i> / Kevin Clifton --4. The therapeutic power of music in Hitchcock's films / Sidney Gottlieb --5. A Lacanian take on Herrmann/Hitchcock / Royal S. Brown --6. Portentous arrangements: Bernard Herrmann and <i>The Man Who Knew Too Much</i> / Murray Pomerance --7. On the road with Hitchcock and Herrmann: sound, music and the car journey in <i>Vertigo</i> (1958) and <i>Psycho</i>(1960) / Pasquale Iannone --8. A dance to the music of Herrmann: a figurative dance suite / David Cooper --9. The sound of <i>The Birds</i> / Richard Allen --10. Musical romanticism v. the sexual aberrations of the criminal female: <i>Marnie</i> (1964) / K. J. Donnelly --11. The murder of Gromek: theme and variations / Tomas Williams --12. Mending the <i>Torn Curtain</i 'For a decade from 1955, Alfred Hitchcock worked almost exclusively with one composer: Bernard Herrmann. From <i>The Trouble with Harry</i> to the bitter spat surrounding <i>Torn Curtain</i>, the partnership gave us some of cinema's most memorable musical moments, taught us to stay out of the shower, away from heights and never to spend time in corn fields. Consequently, fascination with their work and relationship endures fifty years later. This volume of new, spellbinding essays explores their tense working relationship as well as their legacy, from crashing cymbals to the sound of <i>The Birds</i>. This book brings together new work and perspectives on the relationship between Hitchcock and Herrmann. Featuring essays by leading scholars of Hitchcock's work, including Richard Allen, Charles Barr, Murray Pomerance, Sidney Gottlieb and Jack Sullivan, it examines the working relationship between the pair and the contribution that Herrmann's work brings to Hitchcock's idiom. Examining key works, including <i>The Man Who Knew Too Much</i>, <i>Psycho</i>, <i>Marnie</i> and <i>Vertigo</i>, the collection explores approaches to sound, music, collaborative authorship and the distinctive contribution that Herrmann's work with Hitchcock brought to this body of films. <i>Partners in suspense</i> examines the significance, meanings, histories and enduring legacies of one of film history's most important partnerships. By engaging with the collaborative work of Hitchcock and Herrmann, the essays in the collection examine the ways in which film directors and composers collaborate, how this collaboration is experienced in the film text, and the ways such a partnership inspires later work' --Back cover [See 'Market' or 'Audience' column on the spreadsheet, eg. 'Students and academics in IR, security studies, politics'.] Rawle, Steven edt Donnelly, K. J. edt Manchester University Press Sonstige oth |
| spellingShingle | Partners in suspense critical essays on Bernard Herrmann and Alfred Hitchcock Introduction / K. J. Donnelly and Steven Rawle --1. Bernard Herrman -- Hitchcock's secret sharer / Jack Sullivan --2. Hitchcock, music and the mathematics of editing / Charles Barr --3. The anatomy of aural suspense in <i>Rope </i>and <i>Vertigo </i> / Kevin Clifton --4. The therapeutic power of music in Hitchcock's films / Sidney Gottlieb --5. A Lacanian take on Herrmann/Hitchcock / Royal S. Brown --6. Portentous arrangements: Bernard Herrmann and <i>The Man Who Knew Too Much</i> / Murray Pomerance --7. On the road with Hitchcock and Herrmann: sound, music and the car journey in <i>Vertigo</i> (1958) and <i>Psycho</i>(1960) / Pasquale Iannone --8. A dance to the music of Herrmann: a figurative dance suite / David Cooper --9. The sound of <i>The Birds</i> / Richard Allen --10. Musical romanticism v. the sexual aberrations of the criminal female: <i>Marnie</i> (1964) / K. J. Donnelly --11. The murder of Gromek: theme and variations / Tomas Williams --12. Mending the <i>Torn Curtain</i |
| title | Partners in suspense critical essays on Bernard Herrmann and Alfred Hitchcock |
| title_auth | Partners in suspense critical essays on Bernard Herrmann and Alfred Hitchcock |
| title_exact_search | Partners in suspense critical essays on Bernard Herrmann and Alfred Hitchcock |
| title_full | Partners in suspense critical essays on Bernard Herrmann and Alfred Hitchcock edited by Steven Rawle and K.J. Donnelly |
| title_fullStr | Partners in suspense critical essays on Bernard Herrmann and Alfred Hitchcock edited by Steven Rawle and K.J. Donnelly |
| title_full_unstemmed | Partners in suspense critical essays on Bernard Herrmann and Alfred Hitchcock edited by Steven Rawle and K.J. Donnelly |
| title_short | Partners in suspense |
| title_sort | partners in suspense critical essays on bernard herrmann and alfred hitchcock |
| title_sub | critical essays on Bernard Herrmann and Alfred Hitchcock |
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