Saved in:
| Other Authors: | , , , , |
|---|---|
| Format: | Video Software |
| Language: | Undetermined |
| Published: |
London
Artificial Eye
[o.J.]
|
| Series: | The Hal Harley Collection
3 |
| Subjects: | |
| Summary: | Corporate America has become Big Brother, complete with Orwellian doublespeak and a media indistinguishable from its corporate sponsor. Battling this new corporate world order are a ragtag collection of "counterrevolutionaries" who aren't out to overthrow as much as defy the power. Shot in hi-def video and transferred to film with strobing images and video smears not merely intact but embraced, it looks like a fuzzy memory of things to come. It feels that way too. Hartley's soft spot for offbeat romances is trumped by irony and sloganeering dialogue ("We are the revolution because the revolution is good for business"). But when the illusions and poses are stripped away, he gives his lonely narrator an ending worthy of his loss. [www.seattlepi.com] |
| Physical Description: | [DVD] (84 Min.) dolby digital 5.1 |
Staff View
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| 264 | 1 | |a London |b Artificial Eye |c [o.J.] | |
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| 490 | 0 | |a The Hal Harley Collection |v 3 | |
| 520 | 8 | |a Corporate America has become Big Brother, complete with Orwellian doublespeak and a media indistinguishable from its corporate sponsor. Battling this new corporate world order are a ragtag collection of "counterrevolutionaries" who aren't out to overthrow as much as defy the power. Shot in hi-def video and transferred to film with strobing images and video smears not merely intact but embraced, it looks like a fuzzy memory of things to come. It feels that way too. Hartley's soft spot for offbeat romances is trumped by irony and sloganeering dialogue ("We are the revolution because the revolution is good for business"). But when the illusions and poses are stripped away, he gives his lonely narrator an ending worthy of his loss. [www.seattlepi.com] | |
| 546 | |a engl. | ||
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| 700 | 1 | |a Abracos, Tatiana |4 act | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034660304 | |
Record in the Search Index
| _version_ | 1818991355478671360 |
|---|---|
| any_adam_object | |
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| author2_role | drt cng act act act |
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| author_facet | Hartley, Hal Cawley, Sarah Sage, Bill Lloyd, Sabrina Abracos, Tatiana |
| building | Verbundindex |
| bvnumber | BV048716123 |
| ctrlnum | (DE-599)BVBBV048716123 |
| format | Video Software |
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| genre | DVD-Video gnd-carrier |
| genre_facet | DVD-Video |
| id | DE-604.BV048716123 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T20:08:57Z |
| institution | BVB |
| language | Undetermined |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034660304 |
| open_access_boolean | |
| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | [DVD] (84 Min.) dolby digital 5.1 |
| publishDateSort | 0000 |
| publisher | Artificial Eye |
| record_format | marc |
| series2 | The Hal Harley Collection |
| spelling | The Girl from Monday The Girl from Monday Director: Hal Hartley. Director of Photography: Sarah Cawley. Cast: Bill Sage ; Sabrina Lloyd ; Tatiana Abracos London Artificial Eye [o.J.] [DVD] (84 Min.) dolby digital 5.1 tdi rdacontent v rdamedia vd rdacarrier The Hal Harley Collection 3 Corporate America has become Big Brother, complete with Orwellian doublespeak and a media indistinguishable from its corporate sponsor. Battling this new corporate world order are a ragtag collection of "counterrevolutionaries" who aren't out to overthrow as much as defy the power. Shot in hi-def video and transferred to film with strobing images and video smears not merely intact but embraced, it looks like a fuzzy memory of things to come. It feels that way too. Hartley's soft spot for offbeat romances is trumped by irony and sloganeering dialogue ("We are the revolution because the revolution is good for business"). But when the illusions and poses are stripped away, he gives his lonely narrator an ending worthy of his loss. [www.seattlepi.com] engl. DVD-Video gnd-carrier Hartley, Hal drt Cawley, Sarah cng Sage, Bill act Lloyd, Sabrina act Abracos, Tatiana act |
| spellingShingle | The Girl from Monday |
| title | The Girl from Monday |
| title_alt | The Girl from Monday |
| title_auth | The Girl from Monday |
| title_exact_search | The Girl from Monday |
| title_full | The Girl from Monday Director: Hal Hartley. Director of Photography: Sarah Cawley. Cast: Bill Sage ; Sabrina Lloyd ; Tatiana Abracos |
| title_fullStr | The Girl from Monday Director: Hal Hartley. Director of Photography: Sarah Cawley. Cast: Bill Sage ; Sabrina Lloyd ; Tatiana Abracos |
| title_full_unstemmed | The Girl from Monday Director: Hal Hartley. Director of Photography: Sarah Cawley. Cast: Bill Sage ; Sabrina Lloyd ; Tatiana Abracos |
| title_short | The Girl from Monday |
| title_sort | the girl from monday |
| topic_facet | DVD-Video |
| work_keys_str_mv | UT thegirlfrommonday AT hartleyhal thegirlfrommonday AT cawleysarah thegirlfrommonday AT sagebill thegirlfrommonday AT lloydsabrina thegirlfrommonday AT abracostatiana thegirlfrommonday |