He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez:
The films of Cuban director Santiago Alvarez exist as a kind of fractured mirror on the last 40 years of American history - a subversive alternate history. In a film career that began only with the triumph of the Cuban Revolution in 1959 and continued until his death in 1998 at the age of 79, Alvare...
Gespeichert in:
| Weitere beteiligte Personen: | , , , |
|---|---|
| Format: | Video Software |
| Sprache: | Nichtbestimmte Sprache |
| Veröffentlicht: |
[s.l.]
ELF
20003
|
| Schlagwörter: | |
| Zusammenfassung: | The films of Cuban director Santiago Alvarez exist as a kind of fractured mirror on the last 40 years of American history - a subversive alternate history. In a film career that began only with the triumph of the Cuban Revolution in 1959 and continued until his death in 1998 at the age of 79, Alvarez created nearly 700 films. Lacking formal training of any sort, Alvarez was appointed head of the fledgling Cubin Film Institute's now legendary newsreel division, Noticiero ICAIC. Under his command for the next 30+ years, the banal and utilitarian newsreel was transformed into a veritable laboratory of radical innovation. Working under extremely tight temporal and material constraints, Alvarez became a master of improvisation. He combined the use of limited found materials - archival footage and photographs - with a dynamic graphic sensibility, bold and unexpected music-image pairings, and a highly contemporary use of rapid fire editing. Fusing the avant-garde with popular culture, he synthesized a film style as revolutionary as the changes sweeping his society. Extreme Low Frequency is proud to present eight stunning works by this overlooked master. [Cover] |
| Umfang: | [2 DVD] (147 Min.) s/w Farbe ; dolby digital stereo |
Internformat
MARC
| LEADER | 00000ngm a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048714894 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 006 | m|||| q||u| |||||| | ||
| 007 | vz|uuuuuu | ||
| 007 | 034659075 007 L vz|uuuuuu | ||
| 007 | co|uuu---uuuuu | ||
| 008 | 231022s2000 cu ||| os vuund d | ||
| 035 | |a (DE-599)BVBBV048714894 | ||
| 040 | |a DE-604 |b ger |e rak | ||
| 041 | |a und | ||
| 044 | |a cu |c XD-CU | ||
| 049 | |a DE-Po75 | ||
| 130 | 0 | |a He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez | |
| 245 | 1 | 0 | |a He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez |c Director: Santiago Álvarez. Director of Photography: Iván Nápoles ; Raúl Pérez Ureta ; Enrique Cárdenas ... |
| 246 | 1 | 3 | |a Now (1965) / Cerro Pelado (1966) / Hanoi, martes 13 [Hanoi, Tuesday the 13th] (1968) / Hasta la victoria siempre [Always Until Victory] (1967) / L.B.J. (1968) / 79 primaveras [79 Springtimes] (1969) / El sueño del pongo [The Pongo's Dream] (1970) / El tigre saltó y mató, pero morirá ... morirá ... [The Tiger Leaped and Killed ...] (1973) |
| 264 | 1 | |a [s.l.] |b ELF |c 20003 | |
| 300 | |a [2 DVD] (147 Min.) |b s/w |c Farbe ; dolby digital stereo | ||
| 336 | |b tdi |2 rdacontent | ||
| 337 | |b v |2 rdamedia | ||
| 338 | |b vd |2 rdacarrier | ||
| 520 | 8 | |a The films of Cuban director Santiago Alvarez exist as a kind of fractured mirror on the last 40 years of American history - a subversive alternate history. In a film career that began only with the triumph of the Cuban Revolution in 1959 and continued until his death in 1998 at the age of 79, Alvarez created nearly 700 films. Lacking formal training of any sort, Alvarez was appointed head of the fledgling Cubin Film Institute's now legendary newsreel division, Noticiero ICAIC. Under his command for the next 30+ years, the banal and utilitarian newsreel was transformed into a veritable laboratory of radical innovation. Working under extremely tight temporal and material constraints, Alvarez became a master of improvisation. He combined the use of limited found materials - archival footage and photographs - with a dynamic graphic sensibility, bold and unexpected music-image pairings, and a highly contemporary use of rapid fire editing. Fusing the avant-garde with popular culture, he synthesized a film style as revolutionary as the changes sweeping his society. Extreme Low Frequency is proud to present eight stunning works by this overlooked master. [Cover] | |
| 546 | |a span. / UT: engl. | ||
| 655 | 7 | |a DVD-Video |2 gnd-carrier | |
| 700 | 1 | |a Alvarez, Santiago |4 drt | |
| 700 | 1 | |a Nápoles, Iván |4 cng | |
| 700 | 1 | |a Perez Ureta, Raúl |4 cng | |
| 700 | 1 | |a Cárdenas, Enrique |4 cng | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-034659075 | |
Datensatz im Suchindex
| _version_ | 1818991351935533056 |
|---|---|
| any_adam_object | |
| author2 | Alvarez, Santiago Nápoles, Iván Perez Ureta, Raúl Cárdenas, Enrique |
| author2_role | drt cng cng cng |
| author2_variant | s a sa i n in u r p ur urp e c ec |
| author_facet | Alvarez, Santiago Nápoles, Iván Perez Ureta, Raúl Cárdenas, Enrique |
| building | Verbundindex |
| bvnumber | BV048714894 |
| ctrlnum | (DE-599)BVBBV048714894 |
| format | Video Software |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02730ngm a2200373 c 4500</leader><controlfield tag="001">BV048714894</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="006">m|||| q||u| ||||||</controlfield><controlfield tag="007">vz|uuuuuu</controlfield><controlfield tag="007">034659075 007 L vz|uuuuuu</controlfield><controlfield tag="007">co|uuu---uuuuu</controlfield><controlfield tag="008">231022s2000 cu ||| os vuund d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048714894</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rak</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">und</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">cu</subfield><subfield code="c">XD-CU</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Po75</subfield></datafield><datafield tag="130" ind1="0" ind2=" "><subfield code="a">He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez</subfield><subfield code="c">Director: Santiago Álvarez. Director of Photography: Iván Nápoles ; Raúl Pérez Ureta ; Enrique Cárdenas ...</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Now (1965) / Cerro Pelado (1966) / Hanoi, martes 13 [Hanoi, Tuesday the 13th] (1968) / Hasta la victoria siempre [Always Until Victory] (1967) / L.B.J. (1968) / 79 primaveras [79 Springtimes] (1969) / El sueño del pongo [The Pongo's Dream] (1970) / El tigre saltó y mató, pero morirá ... morirá ... [The Tiger Leaped and Killed ...] (1973)</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[s.l.]</subfield><subfield code="b">ELF</subfield><subfield code="c">20003</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">[2 DVD] (147 Min.)</subfield><subfield code="b">s/w</subfield><subfield code="c">Farbe ; dolby digital stereo</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">tdi</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">v</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">vd</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="8" ind2=" "><subfield code="a">The films of Cuban director Santiago Alvarez exist as a kind of fractured mirror on the last 40 years of American history - a subversive alternate history. In a film career that began only with the triumph of the Cuban Revolution in 1959 and continued until his death in 1998 at the age of 79, Alvarez created nearly 700 films. Lacking formal training of any sort, Alvarez was appointed head of the fledgling Cubin Film Institute's now legendary newsreel division, Noticiero ICAIC. Under his command for the next 30+ years, the banal and utilitarian newsreel was transformed into a veritable laboratory of radical innovation. Working under extremely tight temporal and material constraints, Alvarez became a master of improvisation. He combined the use of limited found materials - archival footage and photographs - with a dynamic graphic sensibility, bold and unexpected music-image pairings, and a highly contemporary use of rapid fire editing. Fusing the avant-garde with popular culture, he synthesized a film style as revolutionary as the changes sweeping his society. Extreme Low Frequency is proud to present eight stunning works by this overlooked master. [Cover]</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">span. / UT: engl.</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="a">DVD-Video</subfield><subfield code="2">gnd-carrier</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Alvarez, Santiago</subfield><subfield code="4">drt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nápoles, Iván</subfield><subfield code="4">cng</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Perez Ureta, Raúl</subfield><subfield code="4">cng</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Cárdenas, Enrique</subfield><subfield code="4">cng</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034659075</subfield></datafield></record></collection> |
| genre | DVD-Video gnd-carrier |
| genre_facet | DVD-Video |
| id | DE-604.BV048714894 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T20:08:54Z |
| institution | BVB |
| language | Undetermined |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034659075 |
| open_access_boolean | |
| owner | DE-Po75 |
| owner_facet | DE-Po75 |
| physical | [2 DVD] (147 Min.) s/w Farbe ; dolby digital stereo |
| publishDate | 2000 |
| publishDateSearch | 2000 |
| publishDateSort | 2000 |
| publisher | ELF |
| record_format | marc |
| spelling | He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez Director: Santiago Álvarez. Director of Photography: Iván Nápoles ; Raúl Pérez Ureta ; Enrique Cárdenas ... Now (1965) / Cerro Pelado (1966) / Hanoi, martes 13 [Hanoi, Tuesday the 13th] (1968) / Hasta la victoria siempre [Always Until Victory] (1967) / L.B.J. (1968) / 79 primaveras [79 Springtimes] (1969) / El sueño del pongo [The Pongo's Dream] (1970) / El tigre saltó y mató, pero morirá ... morirá ... [The Tiger Leaped and Killed ...] (1973) [s.l.] ELF 20003 [2 DVD] (147 Min.) s/w Farbe ; dolby digital stereo tdi rdacontent v rdamedia vd rdacarrier The films of Cuban director Santiago Alvarez exist as a kind of fractured mirror on the last 40 years of American history - a subversive alternate history. In a film career that began only with the triumph of the Cuban Revolution in 1959 and continued until his death in 1998 at the age of 79, Alvarez created nearly 700 films. Lacking formal training of any sort, Alvarez was appointed head of the fledgling Cubin Film Institute's now legendary newsreel division, Noticiero ICAIC. Under his command for the next 30+ years, the banal and utilitarian newsreel was transformed into a veritable laboratory of radical innovation. Working under extremely tight temporal and material constraints, Alvarez became a master of improvisation. He combined the use of limited found materials - archival footage and photographs - with a dynamic graphic sensibility, bold and unexpected music-image pairings, and a highly contemporary use of rapid fire editing. Fusing the avant-garde with popular culture, he synthesized a film style as revolutionary as the changes sweeping his society. Extreme Low Frequency is proud to present eight stunning works by this overlooked master. [Cover] span. / UT: engl. DVD-Video gnd-carrier Alvarez, Santiago drt Nápoles, Iván cng Perez Ureta, Raúl cng Cárdenas, Enrique cng |
| spellingShingle | He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez |
| title | He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez |
| title_alt | He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez Now (1965) / Cerro Pelado (1966) / Hanoi, martes 13 [Hanoi, Tuesday the 13th] (1968) / Hasta la victoria siempre [Always Until Victory] (1967) / L.B.J. (1968) / 79 primaveras [79 Springtimes] (1969) / El sueño del pongo [The Pongo's Dream] (1970) / El tigre saltó y mató, pero morirá ... morirá ... [The Tiger Leaped and Killed ...] (1973) |
| title_auth | He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez |
| title_exact_search | He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez |
| title_full | He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez Director: Santiago Álvarez. Director of Photography: Iván Nápoles ; Raúl Pérez Ureta ; Enrique Cárdenas ... |
| title_fullStr | He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez Director: Santiago Álvarez. Director of Photography: Iván Nápoles ; Raúl Pérez Ureta ; Enrique Cárdenas ... |
| title_full_unstemmed | He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez Director: Santiago Álvarez. Director of Photography: Iván Nápoles ; Raúl Pérez Ureta ; Enrique Cárdenas ... |
| title_short | He Who Hits First, Hits Twice - The Urgent Cinema of Santiago Álvarez |
| title_sort | he who hits first hits twice the urgent cinema of santiago alvarez |
| topic_facet | DVD-Video |
| work_keys_str_mv | UT hewhohitsfirsthitstwicetheurgentcinemaofsantiagoalvarez AT alvarezsantiago hewhohitsfirsthitstwicetheurgentcinemaofsantiagoalvarez AT napolesivan hewhohitsfirsthitstwicetheurgentcinemaofsantiagoalvarez AT perezuretaraul hewhohitsfirsthitstwicetheurgentcinemaofsantiagoalvarez AT cardenasenrique hewhohitsfirsthitstwicetheurgentcinemaofsantiagoalvarez AT alvarezsantiago now1965cerropelado1966hanoimartes13hanoituesdaythe13th1968hastalavictoriasiemprealwaysuntilvictory1967lbj196879primaveras79springtimes1969elsuenodelpongothepongosdream1970eltigresaltoymatoperomoriramorirathetigerleapedandkilled1973 AT napolesivan now1965cerropelado1966hanoimartes13hanoituesdaythe13th1968hastalavictoriasiemprealwaysuntilvictory1967lbj196879primaveras79springtimes1969elsuenodelpongothepongosdream1970eltigresaltoymatoperomoriramorirathetigerleapedandkilled1973 AT perezuretaraul now1965cerropelado1966hanoimartes13hanoituesdaythe13th1968hastalavictoriasiemprealwaysuntilvictory1967lbj196879primaveras79springtimes1969elsuenodelpongothepongosdream1970eltigresaltoymatoperomoriramorirathetigerleapedandkilled1973 AT cardenasenrique now1965cerropelado1966hanoimartes13hanoituesdaythe13th1968hastalavictoriasiemprealwaysuntilvictory1967lbj196879primaveras79springtimes1969elsuenodelpongothepongosdream1970eltigresaltoymatoperomoriramorirathetigerleapedandkilled1973 |