Mind the gap: the narrative power of illustrations and drawings:
Saved in:
| Main Author: | |
|---|---|
| Other Authors: | |
| Format: | Book |
| Language: | English |
| Published: |
Salenstein
niggli
2023
|
| Edition: | 1st edition |
| Subjects: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034041941&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Physical Description: | 641 Seiten Illustrationen 22.5 cm x 15.5 cm |
| ISBN: | 9783721210309 3721210301 |
Staff View
MARC
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Table of Contents Hello! The Preface Phenomena of Visual 8 Drawing is Like Speaking Everything that Makes a Picture 86 Perception 14 Traces: Faces Everywhere 88 Staging Exciting: 176 Pictures Child's Play: The Baby Seeing and Unders Schema tanding: Always the Same: Patterns Ths Foundations of First Stop: Center of the and Simplicity Representation Image Getting in Position: is Through Drawing Less is More: Abstractions 90 96 Eye-Catchers: Conciseness On a Research Trip: Seeing and The Spitting Image: Understanding 20 Similarity The Workspace 26 Peer Pressure: Proximity Paper and Format Lines and Strokes The Tricks 32 36 43 # 1 The Shape as a Whole # 2 All the Things that Aren't in Shape: Negative Shape # 44 48 100 106 112 5 Direction and Angle # 6 Symmetry # 7 Transparency 62 Figure Zooming In: Focus 118 202 204 208 It's All About Relationships: Spot on: Light and Shadow Context/Environment All the Pretty Colors: Theory of 120 In the Twinkling of an Eye: Color Optical Illusions Painting is Drawing 124 128 210 218 222 225 The Tools SpeakingofProportions 64 241 130 Both Feet on the Ground: Figure 66 From the Line to the Surface and Ground 69 70 74 76 80 248 Pictures! Everything in Flow 138 Say No!: Negative Spaces 75 CREATE 134 Either or Both: Picture Puzzles Get Rid of It! The Wastebasket 141 251 Drawing in Style: The Style Parting Ways: Separating Figure A Sketch is a Drawing. and and Ground Turns into a Picture 146 In Opposition: Contrasts 148 High Voltage: Symmetry and Tension Warming Up 158 278 Sticking with It 280 Now for Real: Sketches Meaning Express to Impress 284
The Book of Books 290 The Cut: Space The Cut: Time 162 Quick and Dirty 163 Frame of Mind: Great Cinema: Field Size Blindly 166 Breaking Taboos: Overlaps Right on Track: Direction and Dynamics 171 282 298 Turn a Blind Eye: Drawing The Cutout 165 168 262 270 As It Stands: Location and 160 256 260 Speaking Through the Pen SketchingOut 154 Surface3: Surface as Space 6 Subjective Point of View Paint # Absolute Shade 198 Me, Myself, and I: Real Drama Design 56 Details and Structure 190 Superglue: The Good 52 4 Aid Lines Gray Spaces Perspective The Entire Palette: Material and # Shaping Lines 188 Viewing-Angle 105 3 Playing Dumb: Designations 178 A Simple Matter: Simplification Doing Headstands: Members Only: Closure: 28 Tools to Get Started 92 302 Source of Inspiration 308
Table of Contents From the Head Finding Figures 424 (Poetic) Pictorial Through the Hand Nature and Character Onto the Paper: Archetypes and Stereotypes 429 Scope for Interpretation Take It Easy: Simplification and Associations Searching and Finding: Finding Abstraction A Little Bit of Semiotics Ideas Cutting a Good Figure: Size and Signs Silhouette Symbols 312 The Process 318 Now's the Time 322 434 442 Giving it a Chance: Searching and Body Language Trying The Gesture 324 526 Narration 426 446 537 Allegories 540 542 Do it Again, Better, The Jumping Jack Principle 454 Linguistic Pictures Differently Animation Picture Pairs 328 457 Happy Accidents: The Hand Experimenting 334 The Face WOW! Evaluating and Facial Expressions Deciding External Features 346 Frameof Mind: Frames 350 468 Scaling 364 Inverting Digital Image Processing Color Layers 396 402 404 406 Negative Multiplication Inverting 407 Directing 408 Gray on Gray 406 The Context 491 584 Change Deformation Signs Symbols 500 598 Entering and Exiting 604 Movement Space 605 512 The Space in Between Comparisons 514 608 609 Picture Text, Text Picture: Movement Phases 610 Text/Picture Relationship Simultaneousness 614 Redundancies 516 522 Appendix Citations 410 594 597 Concomitance 602 508 Pictures are Connotative 400 489 493 What Exactly is a Picture? Visual Perception Keyboard Shortcuts Multiplying 580 Page Separation Moments of Movement Illustration as a Profession Is Illustration Art? 399 The Magic Wand The Design Grid Time In a Picture 588 486 From Passion to Pennies 398 399 The Toolbar 572 578 478 480 The Illustrator 398
File Formats Pictures, Pictures, Illustration? 374 Pictures on the Computer: Pixels 564 566 What Exactly is an 373 Making Collages The (Classic) Comic The Arc of Suspense Bold Pictures 369 556 Pictures without Words 474 356 Again and Again: Copying 550 Sequential Pictures Pictorial Stories 471 Everything Will Be Okay: Making Corrections 542 544 The Reading Direction 458 460 The Name 534 536 Pictograms 452 528 532 620 622 The Second Look 416 Literature Sources Right and Wrong 420 ImageSources Thank you Imprint 628 631 634 635 7 |
| any_adam_object | 1 |
| author | Helmbold, Ute 1958- |
| author2 | Wiest, Anja |
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| bvnumber | BV048667345 |
| classification_rvk | LH 71040 |
| ctrlnum | (OCoLC)1390773278 (DE-599)DNB125604685X |
| discipline | Kunstgeschichte |
| edition | 1st edition |
| format | Book |
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| id | DE-604.BV048667345 |
| illustrated | Illustrated |
| indexdate | 2025-01-11T12:51:27Z |
| institution | BVB |
| isbn | 9783721210309 3721210301 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034041941 |
| oclc_num | 1390773278 |
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| owner_facet | DE-Y2 DE-M347 DE-255 DE-B170 DE-92 DE-898 DE-BY-UBR DE-12 DE-473 DE-BY-UBG |
| physical | 641 Seiten Illustrationen 22.5 cm x 15.5 cm |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | niggli |
| record_format | marc |
| spellingShingle | Helmbold, Ute 1958- Mind the gap: the narrative power of illustrations and drawings Erzählen (DE-588)4132307-5 gnd Illustration (DE-588)4123412-1 gnd Bildtheorie (DE-588)7731060-3 gnd Zeichnung (DE-588)4127900-1 gnd |
| subject_GND | (DE-588)4132307-5 (DE-588)4123412-1 (DE-588)7731060-3 (DE-588)4127900-1 |
| title | Mind the gap: the narrative power of illustrations and drawings |
| title_auth | Mind the gap: the narrative power of illustrations and drawings |
| title_exact_search | Mind the gap: the narrative power of illustrations and drawings |
| title_full | Mind the gap: the narrative power of illustrations and drawings Ute Helmbold ; translation: Anja Wiest |
| title_fullStr | Mind the gap: the narrative power of illustrations and drawings Ute Helmbold ; translation: Anja Wiest |
| title_full_unstemmed | Mind the gap: the narrative power of illustrations and drawings Ute Helmbold ; translation: Anja Wiest |
| title_short | Mind the gap: the narrative power of illustrations and drawings |
| title_sort | mind the gap the narrative power of illustrations and drawings |
| topic | Erzählen (DE-588)4132307-5 gnd Illustration (DE-588)4123412-1 gnd Bildtheorie (DE-588)7731060-3 gnd Zeichnung (DE-588)4127900-1 gnd |
| topic_facet | Erzählen Illustration Bildtheorie Zeichnung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034041941&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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