Backstage strategies: how a private collection becomes a (non) museum collection : the example of Possidónio da Silva (1806-1896)
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
2019
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| Umfang: | Illustrationen |
| ISBN: | 978-2-35031-741-0 |
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| 773 | 0 | 8 | |t La Belle Époque des collectionneurs d'antiques en Europe, 1850-1914 / sous la direction de Dietrich Boschung, Cécile Colonna, Néguine Mathieux et Francois Queyrel ; contributeurs: Morgan Belzic, Clara Bernard, Dietrich Boschung, Cécile Colonna, Virginie Dupuy et Muriel Rouaud, Edhem Eldem, Olga Gorskaya, Claudine Jacquet et Marie-Laure Le Brazidec, Karolina Kaderka, Paola La Torre, Yannick Le Pape, Joanna Martin, Ana Cristina Martins, Andras Marton, Néguine Mathieux, Maria Medvedeva, Andi Mihalache, Sophie Montel et Marion Vincent, Flavia Morandini, Soline Morinière, Anna Maria Pastorino, Paulette Pelletier-Hornby, Elisabete Pereira, Léa Pétard et Yves Coativy, Karina Pronitcheva, François Queyrel, Sophie Schvalberg, Daniel J. Sherman, Susanna Stüssi Garcia, Annie Verbanck-Piérard, Rossana Vitiello et John Vouskelatos |d Paris, 2019 |g Seite 171-180 |k Histoire et archéologie |w (DE-604)BV048306979 |z 978-2-35031-741-0 |
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| spelling | Martins, Ana Cristina 1989- Verfasser (DE-588)1177907747 aut Backstage strategies how a private collection becomes a (non) museum collection : the example of Possidónio da Silva (1806-1896) Ana Cristina Martins 2019 Illustrationen txt rdacontent n rdamedia nc rdacarrier pages:171-180 La Belle Époque des collectionneurs d'antiques en Europe, 1850-1914 / sous la direction de Dietrich Boschung, Cécile Colonna, Néguine Mathieux et Francois Queyrel ; contributeurs: Morgan Belzic, Clara Bernard, Dietrich Boschung, Cécile Colonna, Virginie Dupuy et Muriel Rouaud, Edhem Eldem, Olga Gorskaya, Claudine Jacquet et Marie-Laure Le Brazidec, Karolina Kaderka, Paola La Torre, Yannick Le Pape, Joanna Martin, Ana Cristina Martins, Andras Marton, Néguine Mathieux, Maria Medvedeva, Andi Mihalache, Sophie Montel et Marion Vincent, Flavia Morandini, Soline Morinière, Anna Maria Pastorino, Paulette Pelletier-Hornby, Elisabete Pereira, Léa Pétard et Yves Coativy, Karina Pronitcheva, François Queyrel, Sophie Schvalberg, Daniel J. Sherman, Susanna Stüssi Garcia, Annie Verbanck-Piérard, Rossana Vitiello et John Vouskelatos Paris, 2019 Seite 171-180 Histoire et archéologie (DE-604)BV048306979 978-2-35031-741-0 |
| spellingShingle | Martins, Ana Cristina 1989- Backstage strategies how a private collection becomes a (non) museum collection : the example of Possidónio da Silva (1806-1896) |
| title | Backstage strategies how a private collection becomes a (non) museum collection : the example of Possidónio da Silva (1806-1896) |
| title_auth | Backstage strategies how a private collection becomes a (non) museum collection : the example of Possidónio da Silva (1806-1896) |
| title_exact_search | Backstage strategies how a private collection becomes a (non) museum collection : the example of Possidónio da Silva (1806-1896) |
| title_full | Backstage strategies how a private collection becomes a (non) museum collection : the example of Possidónio da Silva (1806-1896) Ana Cristina Martins |
| title_fullStr | Backstage strategies how a private collection becomes a (non) museum collection : the example of Possidónio da Silva (1806-1896) Ana Cristina Martins |
| title_full_unstemmed | Backstage strategies how a private collection becomes a (non) museum collection : the example of Possidónio da Silva (1806-1896) Ana Cristina Martins |
| title_short | Backstage strategies |
| title_sort | backstage strategies how a private collection becomes a non museum collection the example of possidonio da silva 1806 1896 |
| title_sub | how a private collection becomes a (non) museum collection : the example of Possidónio da Silva (1806-1896) |
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