What the ballad knows: the ballad genre, memory culture, and German nationalism
The German ballad was an unusual poetic genre: supposedly inspired by a treasure trove of authorless poems that had for centuries circulated among the common people, the ballad attained popularity in the form of deeply ironic poems written by some of Germany's most canonic authors. Supposedly a...
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| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
2022
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| Edition: | First Edition |
| Series: | Oxford Academic
|
| Subjects: | |
| Links: | https://doi.org/10.1093/oso/9780190885496.001.0001 https://doi.org/10.1093/oso/9780190885496.001.0001 |
| Summary: | The German ballad was an unusual poetic genre: supposedly inspired by a treasure trove of authorless poems that had for centuries circulated among the common people, the ballad attained popularity in the form of deeply ironic poems written by some of Germany's most canonic authors. Supposedly a celebration of the oral culture of the German Volk, the ballad instead circulated through the emerging channels of nineteenth-century culture industry: from anthologies and picture books via the exploding market for song settings, from the opera house to the vaudeville stage, the ballad hewed to its medieval pretense while sounding surprisingly modern. This book traces the strange trajectory of this poetic genre from its origins in the late eighteenth century to its political appropriations in the twentieth. Throughout, the ballad and its path across a wide variety of milieus and media told a surprising and contradictory story of the German nation. What the Ballad Knows shows that, even though the ballad arrived in Germany as a literary genre, it very quickly came to make its home in between different genres and even different media-to the point that laypeople were as likely to encounter it in a concert hall, a classroom, an art museum, or a choral rehearsal as they were to encounter it in a book. When cultural conservatives in the early twentieth century sought to claim the ballad as a straightforward and serious vehicle of German nationalism, they ignored just how complex the ballad's relationship to the nation had been, and what complexities within nationalism the form had managed to highlight through the decades |
| Item Description: | Includes bibliographical references and index Contents: Acknowledgments - Introduction: What the Ballad Knows - 1. he Ballad's Years of Travel: The Musenalmanach for 1798, Orality, and the Ballad Form - 2. he Ballad, the Voice, and the Echoes of War - 3. alladic Consciousness: The Ballad on the Opera Stage - 4. emorizing Ballads: Pedagogy, Tradition, and the Open Secret - 5. he Ballad and the Family - 6. he Ballad and Its Narratives - 7. he Ballad, the Public, and Gendered Community - 8. he Ballad and the Sea: Regionalism, Mourning, and the Modern National Imaginary - Epilogue: The Ballad as Record - Index |
| Physical Description: | 1 Online-Ressource (294 Seiten) Illustrationen |
| ISBN: | 9780190885526 |
| DOI: | 10.1093/oso/9780190885496.001.0001 |
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| spelling | Daub, Adrian 1980- (DE-588)105419856X aut What the ballad knows the ballad genre, memory culture, and German nationalism Adrian Daub First Edition 2022 1 Online-Ressource (294 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Oxford Academic Includes bibliographical references and index Contents: Acknowledgments - Introduction: What the Ballad Knows - 1. he Ballad's Years of Travel: The Musenalmanach for 1798, Orality, and the Ballad Form - 2. he Ballad, the Voice, and the Echoes of War - 3. alladic Consciousness: The Ballad on the Opera Stage - 4. emorizing Ballads: Pedagogy, Tradition, and the Open Secret - 5. he Ballad and the Family - 6. he Ballad and Its Narratives - 7. he Ballad, the Public, and Gendered Community - 8. he Ballad and the Sea: Regionalism, Mourning, and the Modern National Imaginary - Epilogue: The Ballad as Record - Index The German ballad was an unusual poetic genre: supposedly inspired by a treasure trove of authorless poems that had for centuries circulated among the common people, the ballad attained popularity in the form of deeply ironic poems written by some of Germany's most canonic authors. Supposedly a celebration of the oral culture of the German Volk, the ballad instead circulated through the emerging channels of nineteenth-century culture industry: from anthologies and picture books via the exploding market for song settings, from the opera house to the vaudeville stage, the ballad hewed to its medieval pretense while sounding surprisingly modern. This book traces the strange trajectory of this poetic genre from its origins in the late eighteenth century to its political appropriations in the twentieth. Throughout, the ballad and its path across a wide variety of milieus and media told a surprising and contradictory story of the German nation. What the Ballad Knows shows that, even though the ballad arrived in Germany as a literary genre, it very quickly came to make its home in between different genres and even different media-to the point that laypeople were as likely to encounter it in a concert hall, a classroom, an art museum, or a choral rehearsal as they were to encounter it in a book. When cultural conservatives in the early twentieth century sought to claim the ballad as a straightforward and serious vehicle of German nationalism, they ignored just how complex the ballad's relationship to the nation had been, and what complexities within nationalism the form had managed to highlight through the decades Geschichte gnd rswk-swf Ballads / German History and criticism Deutsch (DE-588)4113292-0 gnd rswk-swf Ballade (DE-588)4004343-5 gnd rswk-swf Deutsch (DE-588)4113292-0 s Ballade (DE-588)4004343-5 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe 978-0-19-088549-6 https://doi.org/10.1093/oso/9780190885496.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Daub, Adrian 1980- What the ballad knows the ballad genre, memory culture, and German nationalism Ballads / German History and criticism Deutsch (DE-588)4113292-0 gnd Ballade (DE-588)4004343-5 gnd |
| subject_GND | (DE-588)4113292-0 (DE-588)4004343-5 |
| title | What the ballad knows the ballad genre, memory culture, and German nationalism |
| title_auth | What the ballad knows the ballad genre, memory culture, and German nationalism |
| title_exact_search | What the ballad knows the ballad genre, memory culture, and German nationalism |
| title_full | What the ballad knows the ballad genre, memory culture, and German nationalism Adrian Daub |
| title_fullStr | What the ballad knows the ballad genre, memory culture, and German nationalism Adrian Daub |
| title_full_unstemmed | What the ballad knows the ballad genre, memory culture, and German nationalism Adrian Daub |
| title_short | What the ballad knows |
| title_sort | what the ballad knows the ballad genre memory culture and german nationalism |
| title_sub | the ballad genre, memory culture, and German nationalism |
| topic | Ballads / German History and criticism Deutsch (DE-588)4113292-0 gnd Ballade (DE-588)4004343-5 gnd |
| topic_facet | Ballads / German History and criticism Deutsch Ballade |
| url | https://doi.org/10.1093/oso/9780190885496.001.0001 |
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