Van Dyck and the making of English portraiture:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London
Paul Mellon Centre for Studies in British Art
2022
|
| Schlagwörter: | |
| Abstract: | As a courtier, figure of fashion, and object of erotic fascination, Anthony van Dyck (1599-1641) transformed the professional identities available to English artists. By making his portrait sittings into a form of courtly spectacle, Van Dyck inspired poets and playwrights at the same time that he offended guardians of traditional hierarchies. A self-consciously Van Dyckian lineage of artists, many of them women, extends from his lifetime to the end of the eighteenth century and beyond.0 Recovering the often surprising responses of both writers and painters to Van Dyck's portraits, this book provides an alternative perspective on English art's historical self-consciousness. Built around a series of close readings of artworks and texts ranging from poems and plays to early biographies and studio gossip, it traces the reception of Van Dyck's art on the part of artists like Mary Beale, William Hogarth, and Richard and Maria Cosway to bestow a historical specificity on the frequent claim that Van Dyck founded an English school of portraiture |
| Umfang: | IX, 246 Seiten Illustrationen, Porträts (farbig) 27,7 cm |
| ISBN: | 9781913107345 |
Internformat
MARC
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| 520 | 3 | |a As a courtier, figure of fashion, and object of erotic fascination, Anthony van Dyck (1599-1641) transformed the professional identities available to English artists. By making his portrait sittings into a form of courtly spectacle, Van Dyck inspired poets and playwrights at the same time that he offended guardians of traditional hierarchies. A self-consciously Van Dyckian lineage of artists, many of them women, extends from his lifetime to the end of the eighteenth century and beyond.0 Recovering the often surprising responses of both writers and painters to Van Dyck's portraits, this book provides an alternative perspective on English art's historical self-consciousness. Built around a series of close readings of artworks and texts ranging from poems and plays to early biographies and studio gossip, it traces the reception of Van Dyck's art on the part of artists like Mary Beale, William Hogarth, and Richard and Maria Cosway to bestow a historical specificity on the frequent claim that Van Dyck founded an English school of portraiture | |
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| 651 | 7 | |a England |0 (DE-588)4014770-8 |2 gnd |9 rswk-swf | |
| 653 | 1 | |a Van Dyck, Anthony / 1599-1641 / https://isni.org/isni/0000000121222452 | |
| 653 | 1 | |a Van Dyck, Anthony / 1599-1641 / Influence | |
| 653 | 0 | |a Portrait painting, English | |
| 653 | 1 | |a Van Dyck, Anthony / 1599-1641 | |
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Datensatz im Suchindex
| _version_ | 1818989983058362368 |
|---|---|
| any_adam_object | |
| author | Eaker, Adam |
| author_GND | (DE-588)109622996X (DE-588)118528386 |
| author_facet | Eaker, Adam |
| author_role | aut |
| author_sort | Eaker, Adam |
| author_variant | a e ae |
| building | Verbundindex |
| bvnumber | BV048513410 |
| classification_rvk | LO 62960 LI 27810 |
| ctrlnum | (OCoLC)1348871730 (DE-599)BVBBV048513410 |
| discipline | Kunstgeschichte |
| era | Geschichte 1630-1800 gnd |
| era_facet | Geschichte 1630-1800 |
| format | Book |
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| geographic_facet | England |
| id | DE-604.BV048513410 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:47:08Z |
| institution | BVB |
| isbn | 9781913107345 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033890392 |
| oclc_num | 1348871730 |
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| physical | IX, 246 Seiten Illustrationen, Porträts (farbig) 27,7 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Paul Mellon Centre for Studies in British Art |
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| spelling | Eaker, Adam Verfasser (DE-588)109622996X aut Van Dyck and the making of English portraiture Adam Eaker London Paul Mellon Centre for Studies in British Art 2022 New Haven ; London Yale University Press IX, 246 Seiten Illustrationen, Porträts (farbig) 27,7 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier As a courtier, figure of fashion, and object of erotic fascination, Anthony van Dyck (1599-1641) transformed the professional identities available to English artists. By making his portrait sittings into a form of courtly spectacle, Van Dyck inspired poets and playwrights at the same time that he offended guardians of traditional hierarchies. A self-consciously Van Dyckian lineage of artists, many of them women, extends from his lifetime to the end of the eighteenth century and beyond.0 Recovering the often surprising responses of both writers and painters to Van Dyck's portraits, this book provides an alternative perspective on English art's historical self-consciousness. Built around a series of close readings of artworks and texts ranging from poems and plays to early biographies and studio gossip, it traces the reception of Van Dyck's art on the part of artists like Mary Beale, William Hogarth, and Richard and Maria Cosway to bestow a historical specificity on the frequent claim that Van Dyck founded an English school of portraiture Dyck, Anton van 1599-1641 (DE-588)118528386 gnd rswk-swf Geschichte 1630-1800 gnd rswk-swf Arbeitstechnik (DE-588)4002786-7 gnd rswk-swf Soziale Stellung (DE-588)4181935-4 gnd rswk-swf Kunstproduktion (DE-588)4166043-2 gnd rswk-swf Bildnismalerei (DE-588)4145426-1 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf England (DE-588)4014770-8 gnd rswk-swf Van Dyck, Anthony / 1599-1641 / https://isni.org/isni/0000000121222452 Van Dyck, Anthony / 1599-1641 / Influence Portrait painting, English Van Dyck, Anthony / 1599-1641 Influence (Literary, artistic, etc.) Dyck, Anton van 1599-1641 (DE-588)118528386 p Bildnismalerei (DE-588)4145426-1 s Arbeitstechnik (DE-588)4002786-7 s Kunstproduktion (DE-588)4166043-2 s Soziale Stellung (DE-588)4181935-4 s Rezeption (DE-588)4049716-1 s England (DE-588)4014770-8 g Geschichte 1630-1800 z DE-604 Dyck, Anton van 1599-1641 (DE-588)118528386 art |
| spellingShingle | Eaker, Adam Van Dyck and the making of English portraiture Dyck, Anton van 1599-1641 (DE-588)118528386 gnd Arbeitstechnik (DE-588)4002786-7 gnd Soziale Stellung (DE-588)4181935-4 gnd Kunstproduktion (DE-588)4166043-2 gnd Bildnismalerei (DE-588)4145426-1 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)118528386 (DE-588)4002786-7 (DE-588)4181935-4 (DE-588)4166043-2 (DE-588)4145426-1 (DE-588)4049716-1 (DE-588)4014770-8 |
| title | Van Dyck and the making of English portraiture |
| title_auth | Van Dyck and the making of English portraiture |
| title_exact_search | Van Dyck and the making of English portraiture |
| title_full | Van Dyck and the making of English portraiture Adam Eaker |
| title_fullStr | Van Dyck and the making of English portraiture Adam Eaker |
| title_full_unstemmed | Van Dyck and the making of English portraiture Adam Eaker |
| title_short | Van Dyck and the making of English portraiture |
| title_sort | van dyck and the making of english portraiture |
| topic | Dyck, Anton van 1599-1641 (DE-588)118528386 gnd Arbeitstechnik (DE-588)4002786-7 gnd Soziale Stellung (DE-588)4181935-4 gnd Kunstproduktion (DE-588)4166043-2 gnd Bildnismalerei (DE-588)4145426-1 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Dyck, Anton van 1599-1641 Arbeitstechnik Soziale Stellung Kunstproduktion Bildnismalerei Rezeption England |
| work_keys_str_mv | AT eakeradam vandyckandthemakingofenglishportraiture AT dyckantonvan vandyckandthemakingofenglishportraiture |