What the ballad knows: the ballad genre, memory culture, and German nationalism
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New York, NY
Oxford University Press
[2022]
|
| Schriftenreihe: | New cultural history of music series
|
| Schlagwörter: | |
| Abstract: | "The German ballad was an unusual poetic genre: supposedly inspired by a treasure trove of authorless poems that had for centuries circulated among the common people, the ballad attained popularity in the form of deeply ironic poems written by some of Germany's most canonic authors. Supposedly a celebration of the oral culture of the German Volk, the ballad instead circulated through the emerging channels of nineteenth century culture industry: from anthologies and picture books via the exploding market for song settings, from the opera house to the vaudeville stage, the ballad hewed to its medieval pretence while sounding surprisingly modern. This book traces the strange trajectory of this poetic genre from its origins in the late 18th century to its political appropriations in the 20th. Throughout, the ballad and its path across a wide variety of milieus and media told a surprising and contradictory story of the German nation. What The Ballad Knows shows that, even though the ballad arrived in Germany as a literary genre, it very quickly came to make its home in between different genres and even different media - to the point that laypeople were as likely to encounter it in a concert hall, a classroom, an art museum or a choral rehearsal as they were to encounter it in a book. When cultural conservatives in the early 20th century sought to claim the ballad as a straightforward and serious vehicle of German nationalism, they ignored just how complex the ballad's relationship to the nation had been, and what complexities within nationalism the form had managed to highlight through the decades"-- |
| Umfang: | viii, 286 Seiten Illustrationen |
| ISBN: | 9780190885496 |
Internformat
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| 245 | 1 | 0 | |a What the ballad knows |b the ballad genre, memory culture, and German nationalism |c Adrian Daub |
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| 264 | 4 | |c © 2022 | |
| 300 | |a viii, 286 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a New cultural history of music series | |
| 505 | 8 | |a Introduction. What the Ballad Knows -- The Ballad's Years of Travel : The Musenalmanach for 1798, Orality, and the Ballad Form -- The Ballad, The Voice and the Echoes of War -- Balladic Consciousness : The Ballad on the Opera Stage -- Memorizing Ballads : Pedagogy, Tradition and the Open Secret -- The Ballad and the Family -- The Ballad and Its Narratives -- The Ballad, the Public and Gendered Community -- The Ballad and the Sea : Regionalism, Mourning and the Modern National Imaginary -- Epilogue. The Ballad as Record | |
| 520 | 3 | |a "The German ballad was an unusual poetic genre: supposedly inspired by a treasure trove of authorless poems that had for centuries circulated among the common people, the ballad attained popularity in the form of deeply ironic poems written by some of Germany's most canonic authors. Supposedly a celebration of the oral culture of the German Volk, the ballad instead circulated through the emerging channels of nineteenth century culture industry: from anthologies and picture books via the exploding market for song settings, from the opera house to the vaudeville stage, the ballad hewed to its medieval pretence while sounding surprisingly modern. This book traces the strange trajectory of this poetic genre from its origins in the late 18th century to its political appropriations in the 20th. Throughout, the ballad and its path across a wide variety of milieus and media told a surprising and contradictory story of the German nation. What The Ballad Knows shows that, even though the ballad arrived in Germany as a literary genre, it very quickly came to make its home in between different genres and even different media - to the point that laypeople were as likely to encounter it in a concert hall, a classroom, an art museum or a choral rehearsal as they were to encounter it in a book. When cultural conservatives in the early 20th century sought to claim the ballad as a straightforward and serious vehicle of German nationalism, they ignored just how complex the ballad's relationship to the nation had been, and what complexities within nationalism the form had managed to highlight through the decades"-- | |
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| 653 | 0 | |a Ballads, German | |
| 653 | 0 | |a National characteristics, German, in literature | |
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| 653 | 6 | |a Literary criticism | |
| 653 | 6 | |a Literary criticism | |
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Datensatz im Suchindex
| _version_ | 1818989979612741632 |
|---|---|
| any_adam_object | |
| author | Daub, Adrian 1980- |
| author_GND | (DE-588)105419856X |
| author_facet | Daub, Adrian 1980- |
| author_role | aut |
| author_sort | Daub, Adrian 1980- |
| author_variant | a d ad |
| building | Verbundindex |
| bvnumber | BV048511457 |
| classification_rvk | GE 5512 |
| contents | Introduction. What the Ballad Knows -- The Ballad's Years of Travel : The Musenalmanach for 1798, Orality, and the Ballad Form -- The Ballad, The Voice and the Echoes of War -- Balladic Consciousness : The Ballad on the Opera Stage -- Memorizing Ballads : Pedagogy, Tradition and the Open Secret -- The Ballad and the Family -- The Ballad and Its Narratives -- The Ballad, the Public and Gendered Community -- The Ballad and the Sea : Regionalism, Mourning and the Modern National Imaginary -- Epilogue. The Ballad as Record |
| ctrlnum | (OCoLC)1342559051 (DE-599)BVBBV048511457 |
| discipline | Germanistik / Niederlandistik / Skandinavistik |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| id | DE-604.BV048511457 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:47:05Z |
| institution | BVB |
| isbn | 9780190885496 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033888497 |
| oclc_num | 1342559051 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM DE-20 DE-29 |
| owner_facet | DE-12 DE-19 DE-BY-UBM DE-20 DE-29 |
| physical | viii, 286 Seiten Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Oxford University Press |
| record_format | marc |
| series2 | New cultural history of music series |
| spelling | Daub, Adrian 1980- Verfasser (DE-588)105419856X aut What the ballad knows the ballad genre, memory culture, and German nationalism Adrian Daub New York, NY Oxford University Press [2022] © 2022 viii, 286 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier New cultural history of music series Introduction. What the Ballad Knows -- The Ballad's Years of Travel : The Musenalmanach for 1798, Orality, and the Ballad Form -- The Ballad, The Voice and the Echoes of War -- Balladic Consciousness : The Ballad on the Opera Stage -- Memorizing Ballads : Pedagogy, Tradition and the Open Secret -- The Ballad and the Family -- The Ballad and Its Narratives -- The Ballad, the Public and Gendered Community -- The Ballad and the Sea : Regionalism, Mourning and the Modern National Imaginary -- Epilogue. The Ballad as Record "The German ballad was an unusual poetic genre: supposedly inspired by a treasure trove of authorless poems that had for centuries circulated among the common people, the ballad attained popularity in the form of deeply ironic poems written by some of Germany's most canonic authors. Supposedly a celebration of the oral culture of the German Volk, the ballad instead circulated through the emerging channels of nineteenth century culture industry: from anthologies and picture books via the exploding market for song settings, from the opera house to the vaudeville stage, the ballad hewed to its medieval pretence while sounding surprisingly modern. This book traces the strange trajectory of this poetic genre from its origins in the late 18th century to its political appropriations in the 20th. Throughout, the ballad and its path across a wide variety of milieus and media told a surprising and contradictory story of the German nation. What The Ballad Knows shows that, even though the ballad arrived in Germany as a literary genre, it very quickly came to make its home in between different genres and even different media - to the point that laypeople were as likely to encounter it in a concert hall, a classroom, an art museum or a choral rehearsal as they were to encounter it in a book. When cultural conservatives in the early 20th century sought to claim the ballad as a straightforward and serious vehicle of German nationalism, they ignored just how complex the ballad's relationship to the nation had been, and what complexities within nationalism the form had managed to highlight through the decades"-- Geschichte gnd rswk-swf Ballade (DE-588)4004343-5 gnd rswk-swf Deutsch (DE-588)4113292-0 gnd rswk-swf Ballads, German / History and criticism National characteristics, German, in literature Ballads, German Criticism, interpretation, etc Literary criticism Critiques littéraires Deutsch (DE-588)4113292-0 s Ballade (DE-588)4004343-5 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe, ePub 9780190885519 |
| spellingShingle | Daub, Adrian 1980- What the ballad knows the ballad genre, memory culture, and German nationalism Introduction. What the Ballad Knows -- The Ballad's Years of Travel : The Musenalmanach for 1798, Orality, and the Ballad Form -- The Ballad, The Voice and the Echoes of War -- Balladic Consciousness : The Ballad on the Opera Stage -- Memorizing Ballads : Pedagogy, Tradition and the Open Secret -- The Ballad and the Family -- The Ballad and Its Narratives -- The Ballad, the Public and Gendered Community -- The Ballad and the Sea : Regionalism, Mourning and the Modern National Imaginary -- Epilogue. The Ballad as Record Ballade (DE-588)4004343-5 gnd Deutsch (DE-588)4113292-0 gnd |
| subject_GND | (DE-588)4004343-5 (DE-588)4113292-0 |
| title | What the ballad knows the ballad genre, memory culture, and German nationalism |
| title_auth | What the ballad knows the ballad genre, memory culture, and German nationalism |
| title_exact_search | What the ballad knows the ballad genre, memory culture, and German nationalism |
| title_full | What the ballad knows the ballad genre, memory culture, and German nationalism Adrian Daub |
| title_fullStr | What the ballad knows the ballad genre, memory culture, and German nationalism Adrian Daub |
| title_full_unstemmed | What the ballad knows the ballad genre, memory culture, and German nationalism Adrian Daub |
| title_short | What the ballad knows |
| title_sort | what the ballad knows the ballad genre memory culture and german nationalism |
| title_sub | the ballad genre, memory culture, and German nationalism |
| topic | Ballade (DE-588)4004343-5 gnd Deutsch (DE-588)4113292-0 gnd |
| topic_facet | Ballade Deutsch |
| work_keys_str_mv | AT daubadrian whattheballadknowstheballadgenrememorycultureandgermannationalism |