Music and the forms of life:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oakland, California
University of California Press
[2022]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033885089&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "Inventors in the age of the Enlightenment created lifelike androids capable of playing music on real instruments. The Android's Flute examines the link between such simulated life and music, which began in the era's scientific literature and extended into a series of famous musical works by Haydn, Mozart, and Beethoven. Music invented auditory metaphors for the scientific elements of life--drive, pulse, sensibility, irritability, even metabolism--investigated the affinities and antagonisms between life and mechanism, and explored questions of whether and how mechanisms can come to life. The resulting changes in the conception of both life and music had wide cultural resonance at the time and have continued to evolve since. A critical part of that evolution was a nineteenth-century shift in focus from moving androids to the projection of life in motion, culminating in the invention of cinema. Weaving together cultural and musical practices, Lawrence Kramer traces these developments through a collection of case studies ranging from classical symphonies to modernist projections of waltzing specters by Mahler and Ravel to a novel linking Bach's Goldberg Variations to the genetic code" |
| Umfang: | vii, 194 Seiten Notenbeispiele |
| ISBN: | 9780520389113 9780520389106 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048507975 | ||
| 003 | DE-604 | ||
| 005 | 20230131 | ||
| 007 | t| | ||
| 008 | 221012s2022 xx gl|| |||| 00||| eng d | ||
| 020 | |a 9780520389113 |q pbk |9 978-0-520-38911-3 | ||
| 020 | |a 9780520389106 |q hbk |9 978-0-520-38910-6 | ||
| 035 | |a (OCoLC)1346424098 | ||
| 035 | |a (DE-599)BVBBV048507975 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-11 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 084 | |a LR 56805 |0 (DE-625)109811:13533 |2 rvk | ||
| 100 | 1 | |a Kramer, Lawrence |d 1946- |e Verfasser |0 (DE-588)120902877 |4 aut | |
| 245 | 1 | 0 | |a Music and the forms of life |c Lawrence Kramer |
| 264 | 1 | |a Oakland, California |b University of California Press |c [2022] | |
| 300 | |a vii, 194 Seiten |b Notenbeispiele | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Introduction : music and the life of statues -- From clockwork to pulsation I : intensity and drive -- From clockwork to pulsation II : action and feeling -- From clockwork to pulsation III : metabolism -- Overtures : Wellington's victory and live action -- "Dear Listener"...music and the invention of subjectivity -- Waltzing specters : life, perception, and Ravel's "La Valse" -- The musical biome -- Epilogue : sound and the forms of life | |
| 520 | 3 | |a "Inventors in the age of the Enlightenment created lifelike androids capable of playing music on real instruments. The Android's Flute examines the link between such simulated life and music, which began in the era's scientific literature and extended into a series of famous musical works by Haydn, Mozart, and Beethoven. Music invented auditory metaphors for the scientific elements of life--drive, pulse, sensibility, irritability, even metabolism--investigated the affinities and antagonisms between life and mechanism, and explored questions of whether and how mechanisms can come to life. The resulting changes in the conception of both life and music had wide cultural resonance at the time and have continued to evolve since. A critical part of that evolution was a nineteenth-century shift in focus from moving androids to the projection of life in motion, culminating in the invention of cinema. Weaving together cultural and musical practices, Lawrence Kramer traces these developments through a collection of case studies ranging from classical symphonies to modernist projections of waltzing specters by Mahler and Ravel to a novel linking Bach's Goldberg Variations to the genetic code" | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Lebensform |0 (DE-588)4034863-5 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Simulation |0 (DE-588)4055072-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Technischer Fortschritt |0 (DE-588)4059252-2 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Music / Philosophy and aesthetics / History / 19th century | |
| 653 | 0 | |a Music and technology / History / 19th century | |
| 653 | 0 | |a Musique / Philosophie et esthétique / Histoire / 19e siècle | |
| 653 | 0 | |a Musique et technologie / Histoire / 19e siècle | |
| 653 | 0 | |a Music and technology | |
| 653 | 0 | |a Music / Philosophy and aesthetics | |
| 653 | 4 | |a 1800-1899 | |
| 653 | 6 | |a History | |
| 689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 1 | |a Lebensform |0 (DE-588)4034863-5 |D s |
| 689 | 0 | 2 | |a Simulation |0 (DE-588)4055072-2 |D s |
| 689 | 0 | 3 | |a Technischer Fortschritt |0 (DE-588)4059252-2 |D s |
| 689 | 0 | 4 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe, ebk. |z 978-0-520-38912-0 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033885089&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20230131 | |
| 942 | 1 | 1 | |c 780.2 |e 22/bsb |
| 942 | 1 | 1 | |c 780.9 |e 22/bsb |
| 942 | 1 | 1 | |c 780.1 |e 22/bsb |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033885089 | |
Datensatz im Suchindex
| _version_ | 1819381523264045056 |
|---|---|
| adam_text | CONTENTS List of Musical Examples and Figures vii Introduction: Music and the Life of Statues i i · From Clockwork to Pulsation I: Intensity and Drive 13 a · From Clockwork to Pulsation II: Action and Feeling 33 3 · From Clockwork to Pulsation III: Metabolism 51 4 · 1812 Overtures: Wellingtons Victory and Live Action 78 5 · “Dear Listener” ... : Music and the Invention of Subjectivity too 6 · Waltzing Specters: Life, Perception, and Ravel’s “La Valse” 123 7 · The Musical Biome 144 Epilogue: Sound and the Forms of Life 166 Notes 171 Index 19i
|
| any_adam_object | 1 |
| author | Kramer, Lawrence 1946- |
| author_GND | (DE-588)120902877 |
| author_facet | Kramer, Lawrence 1946- |
| author_role | aut |
| author_sort | Kramer, Lawrence 1946- |
| author_variant | l k lk |
| building | Verbundindex |
| bvnumber | BV048507975 |
| classification_rvk | LR 56805 |
| contents | Introduction : music and the life of statues -- From clockwork to pulsation I : intensity and drive -- From clockwork to pulsation II : action and feeling -- From clockwork to pulsation III : metabolism -- Overtures : Wellington's victory and live action -- "Dear Listener"...music and the invention of subjectivity -- Waltzing specters : life, perception, and Ravel's "La Valse" -- The musical biome -- Epilogue : sound and the forms of life |
| ctrlnum | (OCoLC)1346424098 (DE-599)BVBBV048507975 |
| discipline | Musikwissenschaft |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04042nam a2200613 c 4500</leader><controlfield tag="001">BV048507975</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230131 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">221012s2022 xx gl|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520389113</subfield><subfield code="q">pbk</subfield><subfield code="9">978-0-520-38911-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520389106</subfield><subfield code="q">hbk</subfield><subfield code="9">978-0-520-38910-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1346424098</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048507975</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 56805</subfield><subfield code="0">(DE-625)109811:13533</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kramer, Lawrence</subfield><subfield code="d">1946-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)120902877</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music and the forms of life</subfield><subfield code="c">Lawrence Kramer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland, California</subfield><subfield code="b">University of California Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">vii, 194 Seiten</subfield><subfield code="b">Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Introduction : music and the life of statues -- From clockwork to pulsation I : intensity and drive -- From clockwork to pulsation II : action and feeling -- From clockwork to pulsation III : metabolism -- Overtures : Wellington's victory and live action -- "Dear Listener"...music and the invention of subjectivity -- Waltzing specters : life, perception, and Ravel's "La Valse" -- The musical biome -- Epilogue : sound and the forms of life</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Inventors in the age of the Enlightenment created lifelike androids capable of playing music on real instruments. The Android's Flute examines the link between such simulated life and music, which began in the era's scientific literature and extended into a series of famous musical works by Haydn, Mozart, and Beethoven. Music invented auditory metaphors for the scientific elements of life--drive, pulse, sensibility, irritability, even metabolism--investigated the affinities and antagonisms between life and mechanism, and explored questions of whether and how mechanisms can come to life. The resulting changes in the conception of both life and music had wide cultural resonance at the time and have continued to evolve since. A critical part of that evolution was a nineteenth-century shift in focus from moving androids to the projection of life in motion, culminating in the invention of cinema. Weaving together cultural and musical practices, Lawrence Kramer traces these developments through a collection of case studies ranging from classical symphonies to modernist projections of waltzing specters by Mahler and Ravel to a novel linking Bach's Goldberg Variations to the genetic code"</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Lebensform</subfield><subfield code="0">(DE-588)4034863-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Simulation</subfield><subfield code="0">(DE-588)4055072-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Technischer Fortschritt</subfield><subfield code="0">(DE-588)4059252-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Philosophy and aesthetics / History / 19th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music and technology / History / 19th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musique / Philosophie et esthétique / Histoire / 19e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musique et technologie / Histoire / 19e siècle</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music and technology</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music / Philosophy and aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1800-1899</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">History</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Lebensform</subfield><subfield code="0">(DE-588)4034863-5</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Simulation</subfield><subfield code="0">(DE-588)4055072-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Technischer Fortschritt</subfield><subfield code="0">(DE-588)4059252-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe, ebk.</subfield><subfield code="z">978-0-520-38912-0</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033885089&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230131</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.9</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.1</subfield><subfield code="e">22/bsb</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033885089</subfield></datafield></record></collection> |
| id | DE-604.BV048507975 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:46:59Z |
| institution | BVB |
| isbn | 9780520389113 9780520389106 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033885089 |
| oclc_num | 1346424098 |
| open_access_boolean | |
| owner | DE-12 DE-11 |
| owner_facet | DE-12 DE-11 |
| physical | vii, 194 Seiten Notenbeispiele |
| psigel | BSB_NED_20230131 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | University of California Press |
| record_format | marc |
| spellingShingle | Kramer, Lawrence 1946- Music and the forms of life Introduction : music and the life of statues -- From clockwork to pulsation I : intensity and drive -- From clockwork to pulsation II : action and feeling -- From clockwork to pulsation III : metabolism -- Overtures : Wellington's victory and live action -- "Dear Listener"...music and the invention of subjectivity -- Waltzing specters : life, perception, and Ravel's "La Valse" -- The musical biome -- Epilogue : sound and the forms of life Musik (DE-588)4040802-4 gnd Lebensform (DE-588)4034863-5 gnd Simulation (DE-588)4055072-2 gnd Technischer Fortschritt (DE-588)4059252-2 gnd |
| subject_GND | (DE-588)4040802-4 (DE-588)4034863-5 (DE-588)4055072-2 (DE-588)4059252-2 |
| title | Music and the forms of life |
| title_auth | Music and the forms of life |
| title_exact_search | Music and the forms of life |
| title_full | Music and the forms of life Lawrence Kramer |
| title_fullStr | Music and the forms of life Lawrence Kramer |
| title_full_unstemmed | Music and the forms of life Lawrence Kramer |
| title_short | Music and the forms of life |
| title_sort | music and the forms of life |
| topic | Musik (DE-588)4040802-4 gnd Lebensform (DE-588)4034863-5 gnd Simulation (DE-588)4055072-2 gnd Technischer Fortschritt (DE-588)4059252-2 gnd |
| topic_facet | Musik Lebensform Simulation Technischer Fortschritt |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033885089&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kramerlawrence musicandtheformsoflife |