Political motive, directorial access, and an opportunity for the art trade: how two paintings from the Munich Pinakothek made their way to the US
Gespeichert in:
Beteilige Person: | |
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Format: | Elektronisch Paper |
Sprache: | Englisch |
Veröffentlicht: |
2022-06-08
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Schlagwörter: | |
Links: | https://www.fokum-jams.org/index.php/jams/article/view/136 https://doi.org/10.23690/jams.v6i1.136 |
Abstract: | The art dealer firm of Julius Böhler, with offices and affiliated companies in Munich, Lucerne, Berlin, and New York, was a major art dealership in the German-speaking world in the first half of the twentieth century. Its business records, which have been the subject of extended research at the Munich Central Institute for Art History since 2019, demonstrate, among other trade activities, the close working relationship with the director of the Bavarian State Painting Collections Ernst Buchner (1892-1962). They cooperated in numerous exchanges due to the difficulty in obtaining foreign currency for sale transactions. Museum works, some from the Royal Bavarian Collections, thus entered the art trade and are today part of public collections abroad. The article examines the practice of exchanges driven partly by political motives during the National Socialist era and gives an insight into the close cooperation between museums and the art trade in the first decades of the twentieth century, and traces the path of two Old Masters to the present as examples of such transactions |
Umfang: | 1 Online-Ressource (17 Seiten) 10 Illustrationen |
ISSN: | 2511-7602 |
DOI: | 10.23690/jams.v6i1.136 |
Internformat
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520 | 3 | |a The art dealer firm of Julius Böhler, with offices and affiliated companies in Munich, Lucerne, Berlin, and New York, was a major art dealership in the German-speaking world in the first half of the twentieth century. Its business records, which have been the subject of extended research at the Munich Central Institute for Art History since 2019, demonstrate, among other trade activities, the close working relationship with the director of the Bavarian State Painting Collections Ernst Buchner (1892-1962). They cooperated in numerous exchanges due to the difficulty in obtaining foreign currency for sale transactions. Museum works, some from the Royal Bavarian Collections, thus entered the art trade and are today part of public collections abroad. The article examines the practice of exchanges driven partly by political motives during the National Socialist era and gives an insight into the close cooperation between museums and the art trade in the first decades of the twentieth century, and traces the path of two Old Masters to the present as examples of such transactions | |
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author | Jooss, Birgit 1965- |
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spelling | Jooss, Birgit 1965- Verfasser (DE-588)173003494 aut Political motive, directorial access, and an opportunity for the art trade how two paintings from the Munich Pinakothek made their way to the US Birgit Jooss, Zentralinstitut für Kunstgeschichte 2022-06-08 1 Online-Ressource (17 Seiten) 10 Illustrationen txt rdacontent c rdamedia cr rdacarrier The art dealer firm of Julius Böhler, with offices and affiliated companies in Munich, Lucerne, Berlin, and New York, was a major art dealership in the German-speaking world in the first half of the twentieth century. Its business records, which have been the subject of extended research at the Munich Central Institute for Art History since 2019, demonstrate, among other trade activities, the close working relationship with the director of the Bavarian State Painting Collections Ernst Buchner (1892-1962). They cooperated in numerous exchanges due to the difficulty in obtaining foreign currency for sale transactions. Museum works, some from the Royal Bavarian Collections, thus entered the art trade and are today part of public collections abroad. The article examines the practice of exchanges driven partly by political motives during the National Socialist era and gives an insight into the close cooperation between museums and the art trade in the first decades of the twentieth century, and traces the path of two Old Masters to the present as examples of such transactions Böhler, Julius 1860-1934 (DE-588)116218754 gnd rswk-swf Buchner, Ernst 1892-1962 (DE-588)104047712 gnd rswk-swf Bayerische Staatsgemäldesammlungen (DE-588)2005380-0 gnd rswk-swf Kunstmarkt (DE-588)4120630-7 gnd rswk-swf Kunsthandel (DE-588)4033647-5 gnd rswk-swf Kunstpolitik (DE-588)4033667-0 gnd rswk-swf Nationalsozialismus (DE-588)4041316-0 gnd rswk-swf Böhler, Julius 1860-1934 (DE-588)116218754 p Buchner, Ernst 1892-1962 (DE-588)104047712 p Bayerische Staatsgemäldesammlungen (DE-588)2005380-0 b Kunsthandel (DE-588)4033647-5 s Kunstmarkt (DE-588)4120630-7 s Kunstpolitik (DE-588)4033667-0 s Nationalsozialismus (DE-588)4041316-0 s DE-604 volume:6 number:1 year:2022 Journal for art market studies Berlin, 2022 Volume 6, number 1 (2022) (DE-604)BV044041269 2511-7602 (DE-600)2884071-9 https://www.fokum-jams.org/index.php/jams/article/view/136 Verlag kostenfrei Volltext https://doi.org/10.23690/jams.v6i1.136 Resolving-System kostenfrei Volltext |
spellingShingle | Jooss, Birgit 1965- Political motive, directorial access, and an opportunity for the art trade how two paintings from the Munich Pinakothek made their way to the US Böhler, Julius 1860-1934 (DE-588)116218754 gnd Buchner, Ernst 1892-1962 (DE-588)104047712 gnd Bayerische Staatsgemäldesammlungen (DE-588)2005380-0 gnd Kunstmarkt (DE-588)4120630-7 gnd Kunsthandel (DE-588)4033647-5 gnd Kunstpolitik (DE-588)4033667-0 gnd Nationalsozialismus (DE-588)4041316-0 gnd |
subject_GND | (DE-588)116218754 (DE-588)104047712 (DE-588)2005380-0 (DE-588)4120630-7 (DE-588)4033647-5 (DE-588)4033667-0 (DE-588)4041316-0 |
title | Political motive, directorial access, and an opportunity for the art trade how two paintings from the Munich Pinakothek made their way to the US |
title_auth | Political motive, directorial access, and an opportunity for the art trade how two paintings from the Munich Pinakothek made their way to the US |
title_exact_search | Political motive, directorial access, and an opportunity for the art trade how two paintings from the Munich Pinakothek made their way to the US |
title_full | Political motive, directorial access, and an opportunity for the art trade how two paintings from the Munich Pinakothek made their way to the US Birgit Jooss, Zentralinstitut für Kunstgeschichte |
title_fullStr | Political motive, directorial access, and an opportunity for the art trade how two paintings from the Munich Pinakothek made their way to the US Birgit Jooss, Zentralinstitut für Kunstgeschichte |
title_full_unstemmed | Political motive, directorial access, and an opportunity for the art trade how two paintings from the Munich Pinakothek made their way to the US Birgit Jooss, Zentralinstitut für Kunstgeschichte |
title_short | Political motive, directorial access, and an opportunity for the art trade |
title_sort | political motive directorial access and an opportunity for the art trade how two paintings from the munich pinakothek made their way to the us |
title_sub | how two paintings from the Munich Pinakothek made their way to the US |
topic | Böhler, Julius 1860-1934 (DE-588)116218754 gnd Buchner, Ernst 1892-1962 (DE-588)104047712 gnd Bayerische Staatsgemäldesammlungen (DE-588)2005380-0 gnd Kunstmarkt (DE-588)4120630-7 gnd Kunsthandel (DE-588)4033647-5 gnd Kunstpolitik (DE-588)4033667-0 gnd Nationalsozialismus (DE-588)4041316-0 gnd |
topic_facet | Böhler, Julius 1860-1934 Buchner, Ernst 1892-1962 Bayerische Staatsgemäldesammlungen Kunstmarkt Kunsthandel Kunstpolitik Nationalsozialismus |
url | https://www.fokum-jams.org/index.php/jams/article/view/136 https://doi.org/10.23690/jams.v6i1.136 |
work_keys_str_mv | AT joossbirgit politicalmotivedirectorialaccessandanopportunityforthearttradehowtwopaintingsfromthemunichpinakothekmadetheirwaytotheus |