Contour-ism V:
Saved in:
Main Author: | |
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Format: | Electronic Musical Score Book |
Language: | English |
Published: |
Paris
BabelScores
2014
|
Subjects: | |
Links: | http://musik.proxy.fid-lizenzen.de/fid/babel-scores/www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2575&virtuemart_category_id=1 https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2575&virtuemart_category_id=1 |
Item Description: | "Contour-ism" is one of the series that embodies the "ambiguity of sound" that I always emphasize in composing music. It is written with the idea of "Duo" between keyboard instrument (mainly piano) and the other instruments, however, at that time the other instruments always conflict with the pianoat quarter-tone (half intervals of a semitone) by doing so, the sound of the piano, which was thought to be the "fixed sound", sounds distorted. Recognition as to which pitch is correct is lost, and this music progresses while tracing "contour" of each other's sound ambiguously |
Physical Description: | 1 Online-Ressource (1 Partitur (26 Seiten)) |
Staff View
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500 | |a "Contour-ism" is one of the series that embodies the "ambiguity of sound" that I always emphasize in composing music. It is written with the idea of "Duo" between keyboard instrument (mainly piano) and the other instruments, however, at that time the other instruments always conflict with the pianoat quarter-tone (half intervals of a semitone) by doing so, the sound of the piano, which was thought to be the "fixed sound", sounds distorted. Recognition as to which pitch is correct is lost, and this music progresses while tracing "contour" of each other's sound ambiguously | ||
653 | |a Instrumental Music | ||
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Record in the Search Index
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author | Yamamoto, Hiroyuki 1967- |
author_facet | Yamamoto, Hiroyuki 1967- |
author_role | cmp |
author_sort | Yamamoto, Hiroyuki 1967- |
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bvnumber | BV048424945 |
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format | Electronic Musical Score Book |
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id | DE-604.BV048424945 |
illustrated | Not Illustrated |
indexdate | 2024-12-20T19:44:38Z |
institution | BVB |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033803227 |
oclc_num | 1344236397 |
open_access_boolean | |
owner | DE-12 |
owner_facet | DE-12 |
physical | 1 Online-Ressource (1 Partitur (26 Seiten)) |
psigel | ZDB-1-BCM |
publishDate | 2014 |
publishDateSearch | 2014 |
publishDateSort | 2014 |
publisher | BabelScores |
record_format | marc |
spelling | Yamamoto, Hiroyuki 1967- cmp Contour-ism V Hiroyuki Yamamoto Paris BabelScores 2014 1 Online-Ressource (1 Partitur (26 Seiten)) ntm rdacontent c rdamedia cr rdacarrier "Contour-ism" is one of the series that embodies the "ambiguity of sound" that I always emphasize in composing music. It is written with the idea of "Duo" between keyboard instrument (mainly piano) and the other instruments, however, at that time the other instruments always conflict with the pianoat quarter-tone (half intervals of a semitone) by doing so, the sound of the piano, which was thought to be the "fixed sound", sounds distorted. Recognition as to which pitch is correct is lost, and this music progresses while tracing "contour" of each other's sound ambiguously Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2575&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Flute 1 Piano 1 |
spellingShingle | Yamamoto, Hiroyuki 1967- Contour-ism V |
title | Contour-ism V |
title_auth | Contour-ism V |
title_exact_search | Contour-ism V |
title_full | Contour-ism V Hiroyuki Yamamoto |
title_fullStr | Contour-ism V Hiroyuki Yamamoto |
title_full_unstemmed | Contour-ism V Hiroyuki Yamamoto |
title_short | Contour-ism V |
title_sort | contour ism v |
url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2575&virtuemart_category_id=1 |
work_keys_str_mv | AT yamamotohiroyuki contourismv |