Music in the disruptive era:
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Turnhout
Brepols
2022
|
| Schriftenreihe: | Music, science and technology
volume 4 |
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033798740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | "Music in the Disruptive Era" contains fifteen essays assessing the impact of today’s revolutionary digital technologies on the ways audiences and industry professionals perceive, compose, consume, research, and communicate about music. After an initial assessment of "the Disruptive Era" in a series of six snapshots offering a summary and review of some of the technological challenges (and opportunities) confronting both music producers and consumers, a group of international scholars considers the impact of the digital era in three major areas. First, there is the revolution in data storage and retrieval, with online archives and other digital resources making an unprecedented volume and diversity of information available to scholars and researchers for the first time - all from the convenience of a home desktop. Second, three essays assess some of the myriad ways in which composers and music industry professionals have been influenced by the potentialities and discontinuities of the current age to find creative inspiration, attract new audiences, and reimagine traditional musical idioms. Finally, on the cutting edge of the digital divide, scholarly contributors examine two of the countless new genres birthed by the advent of the latest technological innovations: specifically, the "meme" and the "video loop." (Verlag) |
| Umfang: | xii, 272 Seiten Illustrationen |
| ISBN: | 9782503600796 |
Internformat
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV048420429 | ||
| 003 | DE-604 | ||
| 005 | 20220831 | ||
| 007 | t| | ||
| 008 | 220824s2022 be a||| |||| 00||| eng d | ||
| 020 | |a 9782503600796 |q hbk |9 978-2-503-60079-6 | ||
| 035 | |a (OCoLC)1344263042 | ||
| 035 | |a (DE-599)KXP1807540693 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 044 | |a be |c XA-BE | ||
| 049 | |a DE-12 |a DE-19 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 245 | 1 | 0 | |a Music in the disruptive era |c edited by David Hurwitz and Pedro Ordóñez Eslava |
| 264 | 1 | |a Turnhout |b Brepols |c 2022 | |
| 300 | |a xii, 272 Seiten |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Music, science and technology |v volume 4 | |
| 520 | 3 | |a "Music in the Disruptive Era" contains fifteen essays assessing the impact of today’s revolutionary digital technologies on the ways audiences and industry professionals perceive, compose, consume, research, and communicate about music. After an initial assessment of "the Disruptive Era" in a series of six snapshots offering a summary and review of some of the technological challenges (and opportunities) confronting both music producers and consumers, a group of international scholars considers the impact of the digital era in three major areas. First, there is the revolution in data storage and retrieval, with online archives and other digital resources making an unprecedented volume and diversity of information available to scholars and researchers for the first time - all from the convenience of a home desktop. Second, three essays assess some of the myriad ways in which composers and music industry professionals have been influenced by the potentialities and discontinuities of the current age to find creative inspiration, attract new audiences, and reimagine traditional musical idioms. Finally, on the cutting edge of the digital divide, scholarly contributors examine two of the countless new genres birthed by the advent of the latest technological innovations: specifically, the "meme" and the "video loop." (Verlag) | |
| 650 | 0 | 7 | |a Innovation |0 (DE-588)4027089-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Datenspeicherung |0 (DE-588)4332175-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Neue Technologie |0 (DE-588)4194462-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musik |0 (DE-588)4040802-4 |2 gnd |9 rswk-swf |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a Musik |0 (DE-588)4040802-4 |D s |
| 689 | 0 | 1 | |a Innovation |0 (DE-588)4027089-0 |D s |
| 689 | 0 | 2 | |a Neue Technologie |0 (DE-588)4194462-8 |D s |
| 689 | 0 | 3 | |a Datenspeicherung |0 (DE-588)4332175-6 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Hurwitz, David |d 1961- |0 (DE-588)137433832 |4 edt | |
| 700 | 1 | |a Ordóñez Eslava, Pedro |0 (DE-588)1026299063 |4 edt | |
| 830 | 0 | |a Music, science and technology |v volume 4 |w (DE-604)BV046158723 |9 4 | |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033798740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |n oe | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033798740 | |
Datensatz im Suchindex
| _version_ | 1819304715178999808 |
|---|---|
| adam_text | Contents David Hurwitz ֊ Pedro Ordóñez Eslava Preface ix The Disruptive Era Cande Sánchez-Olmos - Eduardo Viñuela The End of the Amateur Music Video Dream (as We Expected It) : From YouTube to TikTok 3 Christine Hine Audiences and Self-Calibration in a Digital Society 23 Corinnna Herr Classical Musicians on YouTube: Online Performance Practice and the Digital Divide 43 Pedro Buil Tercero Disruptive Technology in the Music Industry: Format Crisis and Consumption Habits in Spain in the Digital Age 63 Simon Nugent The Inception of ‘Time’: Film Music and Participatory Culture in the Digital Age 75
Sources and the Digital Nico Schüler Online Research Methods for Rediscovering Forgotten Composers: Using Online Databases and Archives 97 Michael Klaper ֊ Thomas Radecke The Weimar Playbill Database, 1754-1990: Scientifically Disseminating Historical Sources of Music- and Theatre-Ephemera Material Online 113 Andreas Helles Pedersen On Digital Music History: A Contemplation on Digital Archives and Musical Experience 127 Creation and Musical Performance Joseph Jackson Adapting Music Business to the Digital Age: Grime Music, YouTube Algorithms and New Network Cultures 147 Violetta Kostka Pawel Szymański and His Transformation of Musical Conventions 161 Pedro Ordóñez Eslava Disrupting the duende, from the cuarto to the Web 4.0 175 New Genres Joana Freitas «Meme Is a New Music Genre»: On the Role of Production, Transformation and Circulation of Music in the Digital Culture of Internet Memes 199
Marjolein Wellink The Immaterial Record Sleeve: Engaging the Listener with Spotify’s ‘Canvas’ Video Loop 219 Jonas Wolf ‘Meme Music’? Forms and Formats of Hypermemetics Re-Composition 235 Abstracts and Biographies 257 Index of Names 267
|
| any_adam_object | 1 |
| author2 | Hurwitz, David 1961- Ordóñez Eslava, Pedro |
| author2_role | edt edt |
| author2_variant | d h dh e p o ep epo |
| author_GND | (DE-588)137433832 (DE-588)1026299063 |
| author_facet | Hurwitz, David 1961- Ordóñez Eslava, Pedro |
| building | Verbundindex |
| bvnumber | BV048420429 |
| ctrlnum | (OCoLC)1344263042 (DE-599)KXP1807540693 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03225nam a2200469 cb4500</leader><controlfield tag="001">BV048420429</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220831 </controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">220824s2022 be a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9782503600796</subfield><subfield code="q">hbk</subfield><subfield code="9">978-2-503-60079-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344263042</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1807540693</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">be</subfield><subfield code="c">XA-BE</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-19</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Music in the disruptive era</subfield><subfield code="c">edited by David Hurwitz and Pedro Ordóñez Eslava</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Turnhout</subfield><subfield code="b">Brepols</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 272 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Music, science and technology</subfield><subfield code="v">volume 4</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Music in the Disruptive Era" contains fifteen essays assessing the impact of today’s revolutionary digital technologies on the ways audiences and industry professionals perceive, compose, consume, research, and communicate about music. After an initial assessment of "the Disruptive Era" in a series of six snapshots offering a summary and review of some of the technological challenges (and opportunities) confronting both music producers and consumers, a group of international scholars considers the impact of the digital era in three major areas. First, there is the revolution in data storage and retrieval, with online archives and other digital resources making an unprecedented volume and diversity of information available to scholars and researchers for the first time - all from the convenience of a home desktop. Second, three essays assess some of the myriad ways in which composers and music industry professionals have been influenced by the potentialities and discontinuities of the current age to find creative inspiration, attract new audiences, and reimagine traditional musical idioms. Finally, on the cutting edge of the digital divide, scholarly contributors examine two of the countless new genres birthed by the advent of the latest technological innovations: specifically, the "meme" and the "video loop." (Verlag)</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Innovation</subfield><subfield code="0">(DE-588)4027089-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Datenspeicherung</subfield><subfield code="0">(DE-588)4332175-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Neue Technologie</subfield><subfield code="0">(DE-588)4194462-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musik</subfield><subfield code="0">(DE-588)4040802-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Innovation</subfield><subfield code="0">(DE-588)4027089-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Neue Technologie</subfield><subfield code="0">(DE-588)4194462-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Datenspeicherung</subfield><subfield code="0">(DE-588)4332175-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Hurwitz, David</subfield><subfield code="d">1961-</subfield><subfield code="0">(DE-588)137433832</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ordóñez Eslava, Pedro</subfield><subfield code="0">(DE-588)1026299063</subfield><subfield code="4">edt</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Music, science and technology</subfield><subfield code="v">volume 4</subfield><subfield code="w">(DE-604)BV046158723</subfield><subfield code="9">4</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033798740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033798740</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| id | DE-604.BV048420429 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:44:32Z |
| institution | BVB |
| isbn | 9782503600796 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033798740 |
| oclc_num | 1344263042 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM |
| owner_facet | DE-12 DE-19 DE-BY-UBM |
| physical | xii, 272 Seiten Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Brepols |
| record_format | marc |
| series | Music, science and technology |
| series2 | Music, science and technology |
| spellingShingle | Music in the disruptive era Music, science and technology Innovation (DE-588)4027089-0 gnd Datenspeicherung (DE-588)4332175-6 gnd Neue Technologie (DE-588)4194462-8 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)4027089-0 (DE-588)4332175-6 (DE-588)4194462-8 (DE-588)4040802-4 (DE-588)4143413-4 |
| title | Music in the disruptive era |
| title_auth | Music in the disruptive era |
| title_exact_search | Music in the disruptive era |
| title_full | Music in the disruptive era edited by David Hurwitz and Pedro Ordóñez Eslava |
| title_fullStr | Music in the disruptive era edited by David Hurwitz and Pedro Ordóñez Eslava |
| title_full_unstemmed | Music in the disruptive era edited by David Hurwitz and Pedro Ordóñez Eslava |
| title_short | Music in the disruptive era |
| title_sort | music in the disruptive era |
| topic | Innovation (DE-588)4027089-0 gnd Datenspeicherung (DE-588)4332175-6 gnd Neue Technologie (DE-588)4194462-8 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Innovation Datenspeicherung Neue Technologie Musik Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033798740&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV046158723 |
| work_keys_str_mv | AT hurwitzdavid musicinthedisruptiveera AT ordonezeslavapedro musicinthedisruptiveera |