Comics Versus Art:
On the surface, the relationship between comics and the 'high' arts once seemed simple; comic books and strips could be mined for inspiration, but were not themselves considered legitimate art objects. Though this traditional distinction has begun to erode, the worlds of comics and art con...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Toronto
University of Toronto Press
[2022]
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| Schlagwörter: | |
| Links: | https://doi.org/10.3138/9781442696266 https://doi.org/10.3138/9781442696266 https://doi.org/10.3138/9781442696266 https://doi.org/10.3138/9781442696266 https://doi.org/10.3138/9781442696266 https://doi.org/10.3138/9781442696266 https://doi.org/10.3138/9781442696266 https://doi.org/10.3138/9781442696266 |
| Zusammenfassung: | On the surface, the relationship between comics and the 'high' arts once seemed simple; comic books and strips could be mined for inspiration, but were not themselves considered legitimate art objects. Though this traditional distinction has begun to erode, the worlds of comics and art continue to occupy vastly different social spaces.Comics Versus Art examines the relationship between comics and the most important institutions of the art world, including museums, auction houses, and the art press. Bart Beaty's analysis centres around two questions: why were comics excluded from the history of art for most of the twentieth century, and what does it mean that comics production is now more closely aligned with the art world? Approaching this relationship for the first time through the lens of the sociology of culture, Beaty advances a completely novel approach to the comics form |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) |
| Umfang: | 1 online resource (288 pages) 10 b&w illustrations |
| ISBN: | 9781442696266 |
| DOI: | 10.3138/9781442696266 |
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | ||
| 520 | |a On the surface, the relationship between comics and the 'high' arts once seemed simple; comic books and strips could be mined for inspiration, but were not themselves considered legitimate art objects. Though this traditional distinction has begun to erode, the worlds of comics and art continue to occupy vastly different social spaces.Comics Versus Art examines the relationship between comics and the most important institutions of the art world, including museums, auction houses, and the art press. Bart Beaty's analysis centres around two questions: why were comics excluded from the history of art for most of the twentieth century, and what does it mean that comics production is now more closely aligned with the art world? Approaching this relationship for the first time through the lens of the sociology of culture, Beaty advances a completely novel approach to the comics form | ||
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| 650 | 4 | |a Comic books, strips, etc |x History and criticism | |
| 650 | 4 | |a Comic books, strips, etc |x History and criticism | |
| 650 | 4 | |a Comic books, strips, etc., in art | |
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Datensatz im Suchindex
| _version_ | 1824423813558829056 |
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| adam_text | |
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| author | Beaty, Bart |
| author_facet | Beaty, Bart |
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| author_sort | Beaty, Bart |
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| bvnumber | BV048364266 |
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| dewey-full | 741.5 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 741 - Drawing and drawings |
| dewey-raw | 741.5 |
| dewey-search | 741.5 |
| dewey-sort | 3741.5 |
| dewey-tens | 740 - Graphic arts and decorative arts |
| discipline | Kunstgeschichte |
| doi_str_mv | 10.3138/9781442696266 |
| format | Electronic eBook |
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| spelling | Beaty, Bart Verfasser aut Comics Versus Art Bart Beaty Toronto University of Toronto Press [2022] © 2012 1 online resource (288 pages) 10 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) On the surface, the relationship between comics and the 'high' arts once seemed simple; comic books and strips could be mined for inspiration, but were not themselves considered legitimate art objects. Though this traditional distinction has begun to erode, the worlds of comics and art continue to occupy vastly different social spaces.Comics Versus Art examines the relationship between comics and the most important institutions of the art world, including museums, auction houses, and the art press. Bart Beaty's analysis centres around two questions: why were comics excluded from the history of art for most of the twentieth century, and what does it mean that comics production is now more closely aligned with the art world? Approaching this relationship for the first time through the lens of the sociology of culture, Beaty advances a completely novel approach to the comics form In English DISCOUNT-C. SOCIAL SCIENCE / General bisacsh Comic books, strips, etc History and criticism Comic books, strips, etc., in art https://doi.org/10.3138/9781442696266 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Beaty, Bart Comics Versus Art DISCOUNT-C. SOCIAL SCIENCE / General bisacsh Comic books, strips, etc History and criticism Comic books, strips, etc., in art |
| title | Comics Versus Art |
| title_auth | Comics Versus Art |
| title_exact_search | Comics Versus Art |
| title_full | Comics Versus Art Bart Beaty |
| title_fullStr | Comics Versus Art Bart Beaty |
| title_full_unstemmed | Comics Versus Art Bart Beaty |
| title_short | Comics Versus Art |
| title_sort | comics versus art |
| topic | DISCOUNT-C. SOCIAL SCIENCE / General bisacsh Comic books, strips, etc History and criticism Comic books, strips, etc., in art |
| topic_facet | DISCOUNT-C. SOCIAL SCIENCE / General Comic books, strips, etc History and criticism Comic books, strips, etc., in art |
| url | https://doi.org/10.3138/9781442696266 |
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