Art and the french commune: imagining Paris after war and revolution
In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and i...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Princeton, NJ
Princeton University Press
[2022]
|
| Series: | Princeton series in 19th century art, culture, and society
Band 2 |
| Subjects: | |
| Links: | https://doi.org/10.1515/9780691239705?locatt=mode:legacy https://doi.org/10.1515/9780691239705?locatt=mode:legacy https://doi.org/10.1515/9780691239705?locatt=mode:legacy https://doi.org/10.1515/9780691239705?locatt=mode:legacy https://doi.org/10.1515/9780691239705?locatt=mode:legacy https://doi.org/10.1515/9780691239705?locatt=mode:legacy https://doi.org/10.1515/9780691239705?locatt=mode:legacy https://doi.org/10.1515/9780691239705?locatt=mode:legacy https://doi.org/10.1515/9780691239705?locatt=mode:legacy |
| Summary: | In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) |
| Physical Description: | 1 Online-Ressource (256 pages) 162 halftones |
| ISBN: | 9780691239705 |
| DOI: | 10.1515/9780691239705 |
Staff View
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) | ||
| 520 | |a In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism | ||
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| isbn | 9780691239705 |
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| spelling | Boime, Albert 1933-2008 Verfasser (DE-588)123736560 aut Art and the french commune imagining Paris after war and revolution Albert Boime Princeton, NJ Princeton University Press [2022] © 1995 1 Online-Ressource (256 pages) 162 halftones txt rdacontent c rdamedia cr rdacarrier Princeton series in 19th century art, culture, and society Band 2 Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Mai 2022) In this bold exploration of the political forces that shaped Impressionism, Albert Boime proposes that at the heart of the modern is a "guilty secret"--the need of the dominant, mainly bourgeois, classes in Paris to expunge from historical memory the haunting nightmare of the Commune and its socialist ideology. The Commune of 1871 emerged after the Prussian war when the Paris militia chased the central government to Versailles, enabling the working class and its allies to seize control of the capital. Eventually violence engulfed the city as traditional liberals and moderates joined forces with reactionaries to restore Paris to "order"--the bourgeois order. Here Boime examines the rise of Impressionism in relation to the efforts of the reinstated conservative government to "rebuild" Paris, to return it to its Haussmannian appearance and erase all reminders of socialist threat. Boime contends that an organized Impressionist movement owed its initiating impulse to its complicity with the state's program. The exuberant street scenes, spaces of leisure and entertainment, sunlit parks and gardens, the entire concourse of movement as filtered through an atmosphere of scintillating light and color all constitute an effort to reclaim Paris visually and symbolically for the bourgeoisie. Amply documented, richly illustrated, and compellingly argued, Boime's thesis serves as a challenge to all cultural historians interested in the rise of modernism In English ART / History / General bisacsh https://doi.org/10.1515/9780691239705?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Boime, Albert 1933-2008 Art and the french commune imagining Paris after war and revolution ART / History / General bisacsh |
| title | Art and the french commune imagining Paris after war and revolution |
| title_auth | Art and the french commune imagining Paris after war and revolution |
| title_exact_search | Art and the french commune imagining Paris after war and revolution |
| title_full | Art and the french commune imagining Paris after war and revolution Albert Boime |
| title_fullStr | Art and the french commune imagining Paris after war and revolution Albert Boime |
| title_full_unstemmed | Art and the french commune imagining Paris after war and revolution Albert Boime |
| title_short | Art and the french commune |
| title_sort | art and the french commune imagining paris after war and revolution |
| title_sub | imagining Paris after war and revolution |
| topic | ART / History / General bisacsh |
| topic_facet | ART / History / General |
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