The idea of Italy: photography and the British imagination, 1840-1900
Gespeichert in:
| Weitere beteiligte Personen: | , |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
New Haven
Yale Center for British Art
[2022]
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033667483&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Abstract: | The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings "The Idea of Italy: Photography and the British Imagination, 1840-1900, examines the ways in which the new medium of photography influenced the British experience, appreciation, and perception of Italy in the mid-nineteenth century. Full-size plates-including many previously unpublished images-feature the work of both famous and little-known photographers, including Robert Macpherson, Calvert Richard Jones, George Wilson Bridges, Julia Margaret Cameron, Lady Anne Brassey, and James Craig Annan. Setting photography within a long history of image making that begins with the eighteenth-century Grand Tour, transformed by the inventions of William Henry Fox Talbot and Louis Daguerre, the sixteen essays in this volume explore photography as a vehicle for visual translation and cultural exchange. Maria Antonella Pelizzari is a professor in the Department of Art and Art History at Hunter College and the Graduate Center, City University of New York. Scott Wilcox is the former deputy director for collections of the Yale Center for British Art"-- |
| Beschreibung: | Includes bibliographical references and index |
| Umfang: | 287 Seiten Illustrationen 28,5 cm |
| ISBN: | 9780300263831 |
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| 520 | 3 | |a "The Idea of Italy: Photography and the British Imagination, 1840-1900, examines the ways in which the new medium of photography influenced the British experience, appreciation, and perception of Italy in the mid-nineteenth century. Full-size plates-including many previously unpublished images-feature the work of both famous and little-known photographers, including Robert Macpherson, Calvert Richard Jones, George Wilson Bridges, Julia Margaret Cameron, Lady Anne Brassey, and James Craig Annan. Setting photography within a long history of image making that begins with the eighteenth-century Grand Tour, transformed by the inventions of William Henry Fox Talbot and Louis Daguerre, the sixteen essays in this volume explore photography as a vehicle for visual translation and cultural exchange. Maria Antonella Pelizzari is a professor in the Department of Art and Art History at Hunter College and the Graduate Center, City University of New York. Scott Wilcox is the former deputy director for collections of the Yale Center for British Art"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS в Director’s Foreword 8 Acknowledgments 10 PART ONE 18 Introduction The Legacy of the Grand Tour Out of the Eighteenth Century Scott Wilcox PLATES 1-3 PART TWO 28 Tracing Early Encounters Following the Paper Trail: British Calotypists in Italy Beth Saunders 48 The Italian Origins of British Photography Chitra Ramalingam PLATES 4-17 PART THREE 68 Photography as Narrative and Souvenir Staging the Tourist Site: Photography, Performance, and the British Encounter Maria Antonella Pelizzari 88 “Wild Grandeur and Shadowy Fears”: Picturing Danger in the Italian South Jordan Bear 96 Vision, History, and the Tauchnitz Editions of George Eliot’s Romola Victoria Mills 102 Julia Margaret Cameron’s ‘Journey” to Italy Patrizia Di Bello PLATES 18-34 PART FOUR 120 Documenting and Disseminating Art Art Breaks Away: Access and Appreciation in the Photography of Italian Art Anthony Hamber 136 “With the Help of the Daguerreotype”: John Ruskin and Italian Architecture Stephen Bann ■ ŕ
142 Collecting Italy: Henry Cole, Photography, and the South Kensington Museum Ella Ravilious 148 The Arundel Society and Pietro Dovizielli’s Photography Maria Francesca Bonetti 154 The Parker Collection: Beyond the Illustration of Roman Archaeology Jean-Philippe Garric PLATES 35-43 PART FIVE 170 Becoming a Nation “The Passion for That Cause”: The British Public and the Risorgimento Lucy Riali 188 Friends and Foes: Religion, Revolution, and Cartes de Visite John A. Davis PLATES 44-50 PART SIX 202 Endings and Beginnings “AVast Museum and Picture Gallery”: Photographs of Italy in Fin-de-Siècle Britain Anne McCauley 228 Everyday Italians in Modern Italy: The Photographs of Agnes and Dora Bulwer Martina Caruso PLATES 51-58 241 Photographers Biographies 254 Glossary ofPhotographic Terms 256 Chronology 262 Bibliography 278 Index 286 Photography Credits 287 Contributors
|
| any_adam_object | 1 |
| author2 | Pelizzari, Maria Antonella Wilcox, Scott 1952- |
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| callnumber-first | T - Technology |
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| callnumber-search | TR57 |
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| callnumber-subject | TR - Photography |
| classification_rvk | AP 99030 AP 95540 |
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| dewey-full | 770.941 |
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| dewey-ones | 770 - Photography, computer art, cinematography |
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| dewey-search | 770.941 |
| dewey-sort | 3770.941 |
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| discipline | Kunstgeschichte Allgemeines |
| era | Geschichte 1840-1900 gnd |
| era_facet | Geschichte 1840-1900 |
| format | Book |
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| spellingShingle | The idea of Italy photography and the British imagination, 1840-1900 Italien Motiv (DE-588)4123455-8 gnd Reisefotografie (DE-588)7558059-7 gnd Fotografie (DE-588)4045895-7 gnd Italienbild (DE-588)4027834-7 gnd |
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| title | The idea of Italy photography and the British imagination, 1840-1900 |
| title_auth | The idea of Italy photography and the British imagination, 1840-1900 |
| title_exact_search | The idea of Italy photography and the British imagination, 1840-1900 |
| title_full | The idea of Italy photography and the British imagination, 1840-1900 edited by Maria Antonella Pelizzari, Scott Wilcox |
| title_fullStr | The idea of Italy photography and the British imagination, 1840-1900 edited by Maria Antonella Pelizzari, Scott Wilcox |
| title_full_unstemmed | The idea of Italy photography and the British imagination, 1840-1900 edited by Maria Antonella Pelizzari, Scott Wilcox |
| title_short | The idea of Italy |
| title_sort | the idea of italy photography and the british imagination 1840 1900 |
| title_sub | photography and the British imagination, 1840-1900 |
| topic | Italien Motiv (DE-588)4123455-8 gnd Reisefotografie (DE-588)7558059-7 gnd Fotografie (DE-588)4045895-7 gnd Italienbild (DE-588)4027834-7 gnd |
| topic_facet | Italien Motiv Reisefotografie Fotografie Italienbild Großbritannien Aufsatzsammlung |
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