The idea of the book and the creation of literature:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Oxford, United Kingdom
Oxford University Press
2023
|
| Ausgabe: | First edition |
| Schriftenreihe: | Oxford textual perspectives
|
| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033663967&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xv, 196 Seiten Illustrationen |
| ISBN: | 9780192871589 9780192871534 |
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Datensatz im Suchindex
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| adam_text | OXFORD TEXTUAL PERSPECTIVES GENERAL EDITORS: ELAINE TREHARNE AND GREG WALKER Oxford Textual Perspectives is a series of informative and provocative studies focused upon literary texts (conceived of in the broadest sense f that term) and the technologies, cultures, and communities that produce, inform, and receive them. It provides fresh interpretations offundamental works and of the vital and challenging issues emerging in English literary studies. By engaging with the materiality of the literary text, its production, and reception history, andfrequently testing and exploring the boundaries of the notion of text itself, the volumes in the series questionfamiliarframeworks and provide innovative interpretations of both canonical and kss well-known works. The Idea if the Book and the Creation of Literature explores the intersection of literary history and the history of the book. For several millennia, books have been the material embodiment of knowledge and culture, and an essential embodiment for any kind of knowledge involving texts. Texts, however, do not need to be books—they are not even necessarily written. The oldest poems were composed to be recited, arid only written down centuries later. Much of the most famous poetry of the English Renaissance was composed in manuscript form to circulate among a small social circle. Plays began as scripts for performance. What happens to a play when it becomes a book, or to a collection of poems circulated among friends when it becomes a volume of sonnets? How do essays, plays, poems, and stories become works? How is an author
imagined? In this new addition to the Oxford Textual Perspectives series, Stephen Oigel considers the idea of the book not simply as a container for written work, but as an essential element in its creation.
|
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| illustrated | Illustrated |
| indexdate | 2024-12-20T19:40:46Z |
| institution | BVB |
| isbn | 9780192871589 9780192871534 |
| language | English |
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| physical | xv, 196 Seiten Illustrationen |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Oxford University Press |
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| series2 | Oxford textual perspectives |
| spellingShingle | Orgel, Stephen 1933- The idea of the book and the creation of literature Literatur (DE-588)4035964-5 gnd Buch (DE-588)4008570-3 gnd |
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| title | The idea of the book and the creation of literature |
| title_auth | The idea of the book and the creation of literature |
| title_exact_search | The idea of the book and the creation of literature |
| title_full | The idea of the book and the creation of literature Stephen Orgel |
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| title_full_unstemmed | The idea of the book and the creation of literature Stephen Orgel |
| title_short | The idea of the book and the creation of literature |
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| topic | Literatur (DE-588)4035964-5 gnd Buch (DE-588)4008570-3 gnd |
| topic_facet | Literatur Buch |
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