Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Ann Arbor
University of Michigan Press
2018
|
| Schlagwörter: | |
| Links: | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1712536 |
| Abstract: | This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more |
| Umfang: | 1 Online-Ressource |
| ISBN: | 0472073729 0472123440 0472901028 0813592178 9780472073726 9780472123445 9780472901029 9780813592176 |
| Zugangsbedingungen: | Open Access |
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| 505 | 8 | |a Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary | |
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| contents | Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary |
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| spellingShingle | Early film culture in Hong Kong, Taiwan, and Republican China kaleidoscopic histories Introduction -- Part I. Revising historiography : early film culture in Hong Kong, Taiwan, and Guangzhou -- 1. Translating Yingxi : Chinese film genealogy and early cinema in Hong Kong -- 2. Magic lantern shows and screen modernity in colonial Taiwan -- 3. From an imported novelty to an indigenized practices : Hong Kong cinema in the 1920s -- 4. Enlightenment, propaganda, and image creation : a descriptive analysis of the usage of film by the Taiwan education society and the colonial government before 1937 -- 5. 'Guangzhou Film' and Guangzhou urban culture -- 6. The way of the Platinum Dragon : Xue Juexian and the sound of politics in 1930s Cantonese cinema-- Part II. Intermediaries, cinephiles, and film literati -- 7. Toward the opposite side of 'vulgarity' the birth of cinema as a 'healthful entertainment' and the Shanghai YMCA -- 8. Movie matchmakers : the intermediatries between Hollywood and China in the early twentieth century -- 9. The silver star group : a first attempt at theorizing wenyi in the 1920s -- 10. Forming the movie field : film literati in Republican China -- 11. Rhythmic movement, metaphoric sound, and transcultural transmediality : Liu Na'ou and The man who has a camera (1933) -- Chinese and Japanese glossary ART General Electronic, holographic & video art Motion picture industry Motion pictures PERFORMING ARTS Reference The arts: general issues Motion picture industry China History Motion picture industry China Hong Kong History Motion picture industry Taiwan History Motion pictures China History Motion pictures China Hong Kong History Motion pictures Taiwan History Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4025822-1 (DE-588)4017875-4 (DE-588)4009937-4 (DE-588)4143413-4 |
| title | Early film culture in Hong Kong, Taiwan, and Republican China kaleidoscopic histories |
| title_auth | Early film culture in Hong Kong, Taiwan, and Republican China kaleidoscopic histories |
| title_exact_search | Early film culture in Hong Kong, Taiwan, and Republican China kaleidoscopic histories |
| title_full | Early film culture in Hong Kong, Taiwan, and Republican China kaleidoscopic histories edited by Emilie Yueh-yu Yeh |
| title_fullStr | Early film culture in Hong Kong, Taiwan, and Republican China kaleidoscopic histories edited by Emilie Yueh-yu Yeh |
| title_full_unstemmed | Early film culture in Hong Kong, Taiwan, and Republican China kaleidoscopic histories edited by Emilie Yueh-yu Yeh |
| title_short | Early film culture in Hong Kong, Taiwan, and Republican China |
| title_sort | early film culture in hong kong taiwan and republican china kaleidoscopic histories |
| title_sub | kaleidoscopic histories |
| topic | ART General Electronic, holographic & video art Motion picture industry Motion pictures PERFORMING ARTS Reference The arts: general issues Motion picture industry China History Motion picture industry China Hong Kong History Motion picture industry Taiwan History Motion pictures China History Motion pictures China Hong Kong History Motion pictures Taiwan History Film (DE-588)4017102-4 gnd |
| topic_facet | ART Electronic, holographic & video art Motion picture industry Motion pictures PERFORMING ARTS The arts: general issues Motion picture industry China History Motion picture industry China Hong Kong History Motion picture industry Taiwan History Motion pictures China History Motion pictures China Hong Kong History Motion pictures Taiwan History Film Hongkong Taiwan China Aufsatzsammlung |
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