Gespeichert in:
| Beteilige Person: | |
|---|---|
| Weitere beteiligte Personen: | , |
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2021
|
| Schriftenreihe: | Variorum collected studies
|
| Schlagwörter: | |
| Zusammenfassung: | These essays of Sarah Carpenter have been selected to reflect her career’s close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her central theme through a range of genres, including morality plays, the interlude, court entertainments, international political spectacle, and the public ‘performances’ of natural and maintained fools. As a scholar who also has experience of acting and of production, Carpenter is particularly sensitive to the implications of location for creating meaning and generating audience reaction. The essays are focused on a relatively short time-span of 120 years, from the late fifteenth to the turn of the seventeenth century, and thus nuance a period traditionally divided between the late medieval and the early-modern, and between Catholicism and Protestantism. Carpenter shows how the dynamics of theatrical engagement in which the roles of audience and performer are frequently mixed or even reversed offer a more creative route to understanding how the individual and society respond to change. (CS1090) |
| Umfang: | viii, 233 Seiten |
| ISBN: | 9780367517236 9780367219642 |
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| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:39:20Z |
| institution | BVB |
| isbn | 9780367517236 9780367219642 |
| language | English |
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| physical | viii, 233 Seiten |
| publishDate | 2021 |
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| spelling | Carpenter, Sarah ca. 20./21. Jh. Verfasser (DE-588)1193206790 aut Early performance: courts and audiences shifting paradigms in early English drama studies Sarah Carpenter ; edited by John J McGavin and Greg Walker London ; New York Routledge, Taylor & Francis Group 2021 viii, 233 Seiten txt rdacontent n rdamedia nc rdacarrier Variorum collected studies These essays of Sarah Carpenter have been selected to reflect her career’s close focus on the relationship of performance and audience. They are drawn from the last 25 years of her writing, and this has enabled the editors to organise them not chronologically but rather to develop her central theme through a range of genres, including morality plays, the interlude, court entertainments, international political spectacle, and the public ‘performances’ of natural and maintained fools. As a scholar who also has experience of acting and of production, Carpenter is particularly sensitive to the implications of location for creating meaning and generating audience reaction. The essays are focused on a relatively short time-span of 120 years, from the late fifteenth to the turn of the seventeenth century, and thus nuance a period traditionally divided between the late medieval and the early-modern, and between Catholicism and Protestantism. Carpenter shows how the dynamics of theatrical engagement in which the roles of audience and performer are frequently mixed or even reversed offer a more creative route to understanding how the individual and society respond to change. (CS1090) Geschichte 1500-1620 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Großbritannien (DE-588)4022153-2 gnd rswk-swf Großbritannien (DE-588)4022153-2 g Theater (DE-588)4059702-7 s Geschichte 1500-1620 z DE-604 McGavin, John J. 1950- (DE-588)173434460 edt Walker, Greg 1959- (DE-588)1023002515 edt Erscheint auch als Online-Ausgabe 978-0-429-26904-2 |
| spellingShingle | Carpenter, Sarah ca. 20./21. Jh Early performance: courts and audiences shifting paradigms in early English drama studies Theater (DE-588)4059702-7 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4022153-2 |
| title | Early performance: courts and audiences shifting paradigms in early English drama studies |
| title_auth | Early performance: courts and audiences shifting paradigms in early English drama studies |
| title_exact_search | Early performance: courts and audiences shifting paradigms in early English drama studies |
| title_full | Early performance: courts and audiences shifting paradigms in early English drama studies Sarah Carpenter ; edited by John J McGavin and Greg Walker |
| title_fullStr | Early performance: courts and audiences shifting paradigms in early English drama studies Sarah Carpenter ; edited by John J McGavin and Greg Walker |
| title_full_unstemmed | Early performance: courts and audiences shifting paradigms in early English drama studies Sarah Carpenter ; edited by John J McGavin and Greg Walker |
| title_short | Early performance: courts and audiences |
| title_sort | early performance courts and audiences shifting paradigms in early english drama studies |
| title_sub | shifting paradigms in early English drama studies |
| topic | Theater (DE-588)4059702-7 gnd |
| topic_facet | Theater Großbritannien |
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