Poetry in the Mind: The Cognition of Contemporary Poetic Style
Demonstrates how a broad range of cognitive approaches can enhance our analysis and understanding of poetry Offers practical analyses of a range of 21st century poems including Crates by Jo Bell, Evening by Simon Armitage, 1801 by Sinead Morrissey, Hearsay by John Burnside, Song of a Stone by Alice...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9781474420716 https://doi.org/10.1515/9781474420716 https://doi.org/10.1515/9781474420716 https://doi.org/10.1515/9781474420716 https://doi.org/10.1515/9781474420716 https://doi.org/10.1515/9781474420716 https://doi.org/10.1515/9781474420716 https://doi.org/10.1515/9781474420716 |
| Zusammenfassung: | Demonstrates how a broad range of cognitive approaches can enhance our analysis and understanding of poetry Offers practical analyses of a range of 21st century poems including Crates by Jo Bell, Evening by Simon Armitage, 1801 by Sinead Morrissey, Hearsay by John Burnside, Song of a Stone by Alice Oswald and End Timesby Kate Tempest Examines cutting edge concepts in cognition, such as world-building, conceptual integration, embodiment, and distributed cognitionDevelops our understanding of key notions in poetics such as poetic metre, performance, metaphor and intertextualityJoanna Gavins presents some of the newest and most influential ideas in cognitive psychology and cognitive linguistics through clearly explained, practical analyses of the work of some of the most popular and celebrated poets currently writing in the British Isles. Through analysis of works by Jo Bell, Simon Armitage, Sinead Morrissey, John Burnside, Alice Oswald and Kate Tempest she demonstrates the practical use of cognitive frameworks as a means of understanding poetry and its effects. Gavins examines cutting edge concepts in cognition including world-building, conceptual integration, embodiment, and distributed cognition and develops our understanding of key notions in poetics such as poetic metre, performance, metaphor and intertextuality. Each chapter of the book addresses a central poetic notion or feature of poetic style from an innovative cognitive perspective, shedding new light on established ideas about poetic creativity and language |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) |
| Umfang: | 1 Online-Ressource (192 pages) |
| ISBN: | 9781474420716 |
| DOI: | 10.1515/9781474420716 |
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| 520 | |a Demonstrates how a broad range of cognitive approaches can enhance our analysis and understanding of poetry Offers practical analyses of a range of 21st century poems including Crates by Jo Bell, Evening by Simon Armitage, 1801 by Sinead Morrissey, Hearsay by John Burnside, Song of a Stone by Alice Oswald and End Timesby Kate Tempest Examines cutting edge concepts in cognition, such as world-building, conceptual integration, embodiment, and distributed cognitionDevelops our understanding of key notions in poetics such as poetic metre, performance, metaphor and intertextualityJoanna Gavins presents some of the newest and most influential ideas in cognitive psychology and cognitive linguistics through clearly explained, practical analyses of the work of some of the most popular and celebrated poets currently writing in the British Isles. Through analysis of works by Jo Bell, Simon Armitage, Sinead Morrissey, John Burnside, Alice Oswald and Kate Tempest she demonstrates the practical use of cognitive frameworks as a means of understanding poetry and its effects. Gavins examines cutting edge concepts in cognition including world-building, conceptual integration, embodiment, and distributed cognition and develops our understanding of key notions in poetics such as poetic metre, performance, metaphor and intertextuality. Each chapter of the book addresses a central poetic notion or feature of poetic style from an innovative cognitive perspective, shedding new light on established ideas about poetic creativity and language | ||
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Datensatz im Suchindex
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| isbn | 9781474420716 |
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| spelling | Gavins, Joanna Verfasser aut Poetry in the Mind The Cognition of Contemporary Poetic Style Joanna Gavins Edinburgh Edinburgh University Press [2022] © 2020 1 Online-Ressource (192 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022) Demonstrates how a broad range of cognitive approaches can enhance our analysis and understanding of poetry Offers practical analyses of a range of 21st century poems including Crates by Jo Bell, Evening by Simon Armitage, 1801 by Sinead Morrissey, Hearsay by John Burnside, Song of a Stone by Alice Oswald and End Timesby Kate Tempest Examines cutting edge concepts in cognition, such as world-building, conceptual integration, embodiment, and distributed cognitionDevelops our understanding of key notions in poetics such as poetic metre, performance, metaphor and intertextualityJoanna Gavins presents some of the newest and most influential ideas in cognitive psychology and cognitive linguistics through clearly explained, practical analyses of the work of some of the most popular and celebrated poets currently writing in the British Isles. Through analysis of works by Jo Bell, Simon Armitage, Sinead Morrissey, John Burnside, Alice Oswald and Kate Tempest she demonstrates the practical use of cognitive frameworks as a means of understanding poetry and its effects. Gavins examines cutting edge concepts in cognition including world-building, conceptual integration, embodiment, and distributed cognition and develops our understanding of key notions in poetics such as poetic metre, performance, metaphor and intertextuality. Each chapter of the book addresses a central poetic notion or feature of poetic style from an innovative cognitive perspective, shedding new light on established ideas about poetic creativity and language In English Language & Linguistics LANGUAGE ARTS & DISCIPLINES / Linguistics / General bisacsh Cognitive grammar English poetry 21st century History and criticism Poetics Psychological aspects https://doi.org/10.1515/9781474420716 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gavins, Joanna Poetry in the Mind The Cognition of Contemporary Poetic Style Language & Linguistics LANGUAGE ARTS & DISCIPLINES / Linguistics / General bisacsh Cognitive grammar English poetry 21st century History and criticism Poetics Psychological aspects |
| title | Poetry in the Mind The Cognition of Contemporary Poetic Style |
| title_auth | Poetry in the Mind The Cognition of Contemporary Poetic Style |
| title_exact_search | Poetry in the Mind The Cognition of Contemporary Poetic Style |
| title_full | Poetry in the Mind The Cognition of Contemporary Poetic Style Joanna Gavins |
| title_fullStr | Poetry in the Mind The Cognition of Contemporary Poetic Style Joanna Gavins |
| title_full_unstemmed | Poetry in the Mind The Cognition of Contemporary Poetic Style Joanna Gavins |
| title_short | Poetry in the Mind |
| title_sort | poetry in the mind the cognition of contemporary poetic style |
| title_sub | The Cognition of Contemporary Poetic Style |
| topic | Language & Linguistics LANGUAGE ARTS & DISCIPLINES / Linguistics / General bisacsh Cognitive grammar English poetry 21st century History and criticism Poetics Psychological aspects |
| topic_facet | Language & Linguistics LANGUAGE ARTS & DISCIPLINES / Linguistics / General Cognitive grammar English poetry 21st century History and criticism Poetics Psychological aspects |
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