Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2002]
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780748665914 https://doi.org/10.1515/9780748665914 https://doi.org/10.1515/9780748665914 https://doi.org/10.1515/9780748665914 https://doi.org/10.1515/9780748665914 https://doi.org/10.1515/9780748665914 https://doi.org/10.1515/9780748665914 https://doi.org/10.1515/9780748665914 https://doi.org/10.1515/9780748665914 |
| Zusammenfassung: | Film theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten.Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds. While much film theory has looked at desire in terms of (visual and spectator) pleasure, Barbara Kennedy suggests, in this provocative new study, that these different perceptions of 'body' are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness.Film is visceral, vital and dynamic, and wider frameworks of understanding are needed to explain these aesthetic resonances. Deleuze and Cinema asks: how can we begin to understand the cinematic experience as one of material capture, processuality and movement - as opposed to a spectator/text relationship - where desire and pleasure are part of a complex 'aesthetics of sensation'?Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon the book offers a new and creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and 'becoming-woman' - and contemporary film studies |
| Umfang: | 1 Online-Ressource (240 pages) |
| ISBN: | 9780748665914 |
| DOI: | 10.1515/9780748665914 |
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| 520 | |a Film theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten.Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds. While much film theory has looked at desire in terms of (visual and spectator) pleasure, Barbara Kennedy suggests, in this provocative new study, that these different perceptions of 'body' are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness.Film is visceral, vital and dynamic, and wider frameworks of understanding are needed to explain these aesthetic resonances. Deleuze and Cinema asks: how can we begin to understand the cinematic experience as one of material capture, processuality and movement - as opposed to a spectator/text relationship - where desire and pleasure are part of a complex 'aesthetics of sensation'?Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon the book offers a new and creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and 'becoming-woman' - and contemporary film studies | ||
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Datensatz im Suchindex
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|---|---|
| adam_text | |
| any_adam_object | |
| author | Kennedy, Barbara M. |
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| discipline | Allgemeines Philosophie |
| doi_str_mv | 10.1515/9780748665914 |
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| illustrated | Not Illustrated |
| indexdate | 2025-02-18T19:13:44Z |
| institution | BVB |
| isbn | 9780748665914 |
| language | English |
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| spelling | Kennedy, Barbara M. Verfasser (DE-588)133255913 aut Deleuze and cinema the aesthetics of sensation Barbara M. Kennedy Edinburgh Edinburgh University Press [2002] © 2002 1 Online-Ressource (240 pages) txt rdacontent c rdamedia cr rdacarrier Film theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten.Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds. While much film theory has looked at desire in terms of (visual and spectator) pleasure, Barbara Kennedy suggests, in this provocative new study, that these different perceptions of 'body' are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness.Film is visceral, vital and dynamic, and wider frameworks of understanding are needed to explain these aesthetic resonances. Deleuze and Cinema asks: how can we begin to understand the cinematic experience as one of material capture, processuality and movement - as opposed to a spectator/text relationship - where desire and pleasure are part of a complex 'aesthetics of sensation'?Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon the book offers a new and creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and 'becoming-woman' - and contemporary film studies Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd rswk-swf Philosophy PERFORMING ARTS / Film & Video / History & Criticism bisacsh Filmtheorie (DE-588)4071216-3 gnd rswk-swf Deleuze, Gilles 1925-1995 (DE-588)118524534 p Filmtheorie (DE-588)4071216-3 s DE-604 Erscheint auch als Druck-Ausgabe, Paperback 2002 0-7486-1726-4 https://doi.org/10.1515/9780748665914 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kennedy, Barbara M. Deleuze and cinema the aesthetics of sensation Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Philosophy PERFORMING ARTS / Film & Video / History & Criticism bisacsh Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)118524534 (DE-588)4071216-3 |
| title | Deleuze and cinema the aesthetics of sensation |
| title_auth | Deleuze and cinema the aesthetics of sensation |
| title_exact_search | Deleuze and cinema the aesthetics of sensation |
| title_full | Deleuze and cinema the aesthetics of sensation Barbara M. Kennedy |
| title_fullStr | Deleuze and cinema the aesthetics of sensation Barbara M. Kennedy |
| title_full_unstemmed | Deleuze and cinema the aesthetics of sensation Barbara M. Kennedy |
| title_short | Deleuze and cinema |
| title_sort | deleuze and cinema the aesthetics of sensation |
| title_sub | the aesthetics of sensation |
| topic | Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Philosophy PERFORMING ARTS / Film & Video / History & Criticism bisacsh Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Deleuze, Gilles 1925-1995 Philosophy PERFORMING ARTS / Film & Video / History & Criticism Filmtheorie |
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