Re-imagining the 'Dark Continent' in fin de siècle Literature:
Maps the fin de siècle mission to open up the 'Dark Continent'Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Edinburgh Critical Studies in Victorian Culture : ECSVC
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780748647163 https://doi.org/10.1515/9780748647163 https://doi.org/10.1515/9780748647163 https://doi.org/10.1515/9780748647163 https://doi.org/10.1515/9780748647163 https://doi.org/10.1515/9780748647163 https://doi.org/10.1515/9780748647163 https://doi.org/10.1515/9780748647163 |
| Zusammenfassung: | Maps the fin de siècle mission to open up the 'Dark Continent'Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena.Key Features: Opens up the 'dark continent' and its literary, historical and theoretical manifestationsArgues for an anticipation of a modernist aesthetic suggesting an unexplored relation between fin de siècle sensation literature, in particular mesmeric fiction, and psychoanalysisDiverges from established colonial histories by drawing on an archive of special and neglected material |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) |
| Umfang: | 1 Online-Ressource (256 pages) |
| ISBN: | 9780748647163 |
| DOI: | 10.1515/9780748647163 |
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| 520 | |a Maps the fin de siècle mission to open up the 'Dark Continent'Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena.Key Features: Opens up the 'dark continent' and its literary, historical and theoretical manifestationsArgues for an anticipation of a modernist aesthetic suggesting an unexplored relation between fin de siècle sensation literature, in particular mesmeric fiction, and psychoanalysisDiverges from established colonial histories by drawing on an archive of special and neglected material | ||
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| spelling | McLaughlan, Robbie Verfasser aut Re-imagining the 'Dark Continent' in fin de siècle Literature Robbie McLaughlan Edinburgh Edinburgh University Press [2022] © 2012 1 Online-Ressource (256 pages) txt rdacontent c rdamedia cr rdacarrier Edinburgh Critical Studies in Victorian Culture : ECSVC Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2022) Maps the fin de siècle mission to open up the 'Dark Continent'Although nineteenth-century map-makers imposed topographic definition upon a perceived geographical void, writers of Adventure fiction, and other colonial writers, continued to nourish the idea of a cartographic absence in their work. This study explores the effects of this epistemological blankness in fin de siècle literature, and its impact upon early Modernist culture, through the emerging discipline of psychoanalysis and the debt that Freud owed to African exploration. The chapters examine: representations of Black Africa in missionary writing and Rider Haggard's narratives on Africa; cartographic tradition in Conrad's Heart of Darkness and Jung's Memories, Dreams, Reflections; and mesmeric fiction, such as Richard Marsh's The Beetle, Robert Buchanan's The Charlatan and George du Maurier's Trilby. As Robbie McLaughlan demonstrates, it was the late Victorian 'best-seller' which merged an arcane Central African imagery with an interest in psychic phenomena.Key Features: Opens up the 'dark continent' and its literary, historical and theoretical manifestationsArgues for an anticipation of a modernist aesthetic suggesting an unexplored relation between fin de siècle sensation literature, in particular mesmeric fiction, and psychoanalysisDiverges from established colonial histories by drawing on an archive of special and neglected material In English Literary Studies LITERARY CRITICISM / General bisacsh Adventure and adventurers in literature African literature History and criticism English literature 19th century History and criticism Popular culture History 19th century https://doi.org/10.1515/9780748647163 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | McLaughlan, Robbie Re-imagining the 'Dark Continent' in fin de siècle Literature Literary Studies LITERARY CRITICISM / General bisacsh Adventure and adventurers in literature African literature History and criticism English literature 19th century History and criticism Popular culture History 19th century |
| title | Re-imagining the 'Dark Continent' in fin de siècle Literature |
| title_auth | Re-imagining the 'Dark Continent' in fin de siècle Literature |
| title_exact_search | Re-imagining the 'Dark Continent' in fin de siècle Literature |
| title_full | Re-imagining the 'Dark Continent' in fin de siècle Literature Robbie McLaughlan |
| title_fullStr | Re-imagining the 'Dark Continent' in fin de siècle Literature Robbie McLaughlan |
| title_full_unstemmed | Re-imagining the 'Dark Continent' in fin de siècle Literature Robbie McLaughlan |
| title_short | Re-imagining the 'Dark Continent' in fin de siècle Literature |
| title_sort | re imagining the dark continent in fin de siecle literature |
| topic | Literary Studies LITERARY CRITICISM / General bisacsh Adventure and adventurers in literature African literature History and criticism English literature 19th century History and criticism Popular culture History 19th century |
| topic_facet | Literary Studies LITERARY CRITICISM / General Adventure and adventurers in literature African literature History and criticism English literature 19th century History and criticism Popular culture History 19th century |
| url | https://doi.org/10.1515/9780748647163 |
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