Playing for keeps: improvisation in the aftermath
Manifesto / Matana Roberts -- The Exhibition of Vandalizim : Improvising Healing, Politics, and Film in South Africa / Stephanie Vos -- The Rigors of Afro/Canarian Jazz : Sounding Peripheral Vision with Severed Tongues / Mark Lomanno -- "Opening Up a Space that Maybe Wouldn't Exist Otherwi...
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| Weitere beteiligte Personen: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Durham
Duke University Press
2020
|
| Schriftenreihe: | Improvisation, community, and social practice
|
| Schlagwörter: | |
| Zusammenfassung: | Manifesto / Matana Roberts -- The Exhibition of Vandalizim : Improvising Healing, Politics, and Film in South Africa / Stephanie Vos -- The Rigors of Afro/Canarian Jazz : Sounding Peripheral Vision with Severed Tongues / Mark Lomanno -- "Opening Up a Space that Maybe Wouldn't Exist Otherwise" / Holding It Down in the Aftermath / Vijay Iyer, in conversation with Daniel Fischlin and Eric Porter -- Experimental and Improvised Norths : The Sonic Geographies of Tanya Tagaq's Collaborations with Derek Charke and the Kronos Quartet / Kate Galloway -- Nina Simone: CIVIL JAZZ! / Randy DuBurke -- Free Improvised Music in Postwar Beirut : Differential Sounds, Intersectarian Collaborations, and Critical Collective Memory / Rana El Kadi -- Street Concerts and Sexual Harassment in Post-Mubarak Egypt: Ṭarab as Affective Politics / Darci Sprengel -- Improvisation, Grounded Humanity, and Witnessing in Palestine : An Interview with Al Mada's Odeh Turjman and Reem Abdul Hadi-Hadi / Daniel Fischlin -- "Silsulim" (Improvised "Curls") in the Vocal Performance of Israeli Popular Music: Identity, Power, and Politics / Moshe Morad -- Three Moments in Ki Ho'alu (Hawaiian Slack Key Guitar) : Improvising as a Kanaka Maoli (Native Hawaiian) Adaptive Strategy / Kevin Fellezs -- From Pre-Peace to Post-Conflict : The Ethics of (Non-) Listening and Cocreation in a Divided Society / Sara Ramshaw and Paul Stapleton |
| Beschreibung: | Includes bibliographical references and index. - Description based on print version record |
| Umfang: | 1 Online-Ressource (x, 336 pages) illustrations |
| ISBN: | 9781478009122 1478009128 |
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| id | DE-604.BV047850190 |
| illustrated | Illustrated |
| indexdate | 2024-12-20T19:30:08Z |
| institution | BVB |
| isbn | 9781478009122 1478009128 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033233025 |
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| physical | 1 Online-Ressource (x, 336 pages) illustrations |
| psigel | ZDB-198-DUP |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Improvisation, community, and social practice |
| spelling | Playing for keeps improvisation in the aftermath Daniel Fischlin and Eric Porter, editors Durham Duke University Press 2020 1 Online-Ressource (x, 336 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Improvisation, community, and social practice Includes bibliographical references and index. - Description based on print version record Manifesto / Matana Roberts -- The Exhibition of Vandalizim : Improvising Healing, Politics, and Film in South Africa / Stephanie Vos -- The Rigors of Afro/Canarian Jazz : Sounding Peripheral Vision with Severed Tongues / Mark Lomanno -- "Opening Up a Space that Maybe Wouldn't Exist Otherwise" / Holding It Down in the Aftermath / Vijay Iyer, in conversation with Daniel Fischlin and Eric Porter -- Experimental and Improvised Norths : The Sonic Geographies of Tanya Tagaq's Collaborations with Derek Charke and the Kronos Quartet / Kate Galloway -- Nina Simone: CIVIL JAZZ! / Randy DuBurke -- Free Improvised Music in Postwar Beirut : Differential Sounds, Intersectarian Collaborations, and Critical Collective Memory / Rana El Kadi -- Street Concerts and Sexual Harassment in Post-Mubarak Egypt: Ṭarab as Affective Politics / Darci Sprengel -- Improvisation, Grounded Humanity, and Witnessing in Palestine : An Interview with Al Mada's Odeh Turjman and Reem Abdul Hadi-Hadi / Daniel Fischlin -- "Silsulim" (Improvised "Curls") in the Vocal Performance of Israeli Popular Music: Identity, Power, and Politics / Moshe Morad -- Three Moments in Ki Ho'alu (Hawaiian Slack Key Guitar) : Improvising as a Kanaka Maoli (Native Hawaiian) Adaptive Strategy / Kevin Fellezs -- From Pre-Peace to Post-Conflict : The Ethics of (Non-) Listening and Cocreation in a Divided Society / Sara Ramshaw and Paul Stapleton Improvisation (Music) / Political aspects Improvisation (Music) / Social aspects Porter, Eric 1962- edt Erscheint auch als Druck-Ausgabe 9781478006800 |
| spellingShingle | Playing for keeps improvisation in the aftermath Improvisation (Music) / Political aspects Improvisation (Music) / Social aspects |
| title | Playing for keeps improvisation in the aftermath |
| title_auth | Playing for keeps improvisation in the aftermath |
| title_exact_search | Playing for keeps improvisation in the aftermath |
| title_full | Playing for keeps improvisation in the aftermath Daniel Fischlin and Eric Porter, editors |
| title_fullStr | Playing for keeps improvisation in the aftermath Daniel Fischlin and Eric Porter, editors |
| title_full_unstemmed | Playing for keeps improvisation in the aftermath Daniel Fischlin and Eric Porter, editors |
| title_short | Playing for keeps |
| title_sort | playing for keeps improvisation in the aftermath |
| title_sub | improvisation in the aftermath |
| topic | Improvisation (Music) / Political aspects Improvisation (Music) / Social aspects |
| topic_facet | Improvisation (Music) / Political aspects Improvisation (Music) / Social aspects |
| work_keys_str_mv | AT portereric playingforkeepsimprovisationintheaftermath |