The lure of the image: epistemic fantasies of the moving camera
Gespeichert in:
Beteilige Person: | |
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Format: | Buch |
Sprache: | Englisch |
Veröffentlicht: |
Oakland, California
University of California Press
[2021]
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Schlagwörter: | |
Abstract: | "The Lure of the Image shows how camera movement, a long-neglected topic of study, challenges key assumptions underlying debates within cinema and media studies. Taking up the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera-and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick, and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, an account that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style"-- |
Umfang: | xii, 290 pages illustrations (black and white) 24 cm |
ISBN: | 9780520344259 0520344251 9780520344273 0520344278 |
Internformat
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505 | 8 | |a Talking about the moving camera -- The lure of the image -- Where are we? -- Object lessons : the variable dynamics of point of view -- Max Ophuls and the limits of virtuosity -- The curious ironist : Terrence Malick and the drama of perspective -- Beyond the camera | |
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Datensatz im Suchindex
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any_adam_object | |
author | Morgan, Daniel 1977- |
author_GND | (DE-588)1031598634 |
author_facet | Morgan, Daniel 1977- |
author_role | aut |
author_sort | Morgan, Daniel 1977- |
author_variant | d m dm |
building | Verbundindex |
bvnumber | BV047835080 |
contents | Talking about the moving camera -- The lure of the image -- Where are we? -- Object lessons : the variable dynamics of point of view -- Max Ophuls and the limits of virtuosity -- The curious ironist : Terrence Malick and the drama of perspective -- Beyond the camera |
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id | DE-604.BV047835080 |
illustrated | Illustrated |
indexdate | 2024-12-20T19:29:44Z |
institution | BVB |
isbn | 9780520344259 0520344251 9780520344273 0520344278 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033218270 |
open_access_boolean | |
owner | DE-M472 |
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physical | xii, 290 pages illustrations (black and white) 24 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | University of California Press |
record_format | marc |
spelling | Morgan, Daniel 1977- Verfasser (DE-588)1031598634 aut The lure of the image epistemic fantasies of the moving camera Daniel Morgan Oakland, California University of California Press [2021] xii, 290 pages illustrations (black and white) 24 cm txt rdacontent n rdamedia nc rdacarrier Talking about the moving camera -- The lure of the image -- Where are we? -- Object lessons : the variable dynamics of point of view -- Max Ophuls and the limits of virtuosity -- The curious ironist : Terrence Malick and the drama of perspective -- Beyond the camera "The Lure of the Image shows how camera movement, a long-neglected topic of study, challenges key assumptions underlying debates within cinema and media studies. Taking up the shifting intersection of point of view and camera position, Daniel Morgan draws on a range of theoretical arguments and detailed analyses across cinemas to reimagine the relation between spectator and camera-and between camera and film world. With sustained accounts of how the camera moves in films by Fritz Lang, Guru Dutt, Max Ophuls, and Terrence Malick, and in contemporary digital technologies, The Lure of the Image exposes the persistent fantasy that we move with the camera within the world of the film and examines the ways filmmakers have exploited this fantasy. In so doing, Morgan provides a more flexible account of camera movement, an account that enables a fuller understanding of the political and ethical stakes entailed by this key component of cinematic style"-- Geschichte gnd rswk-swf Filmkamera (DE-588)4154362-2 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Motion pictures / Production and direction Motion pictures / Aesthetics Cinematography Film (DE-588)4017102-4 s Filmkamera (DE-588)4154362-2 s Geschichte z DE-604 Online version Morgan, Daniel, 1977- The lure of the image Oakland, California : University of California Press, [2021] 9780520975446 |
spellingShingle | Morgan, Daniel 1977- The lure of the image epistemic fantasies of the moving camera Talking about the moving camera -- The lure of the image -- Where are we? -- Object lessons : the variable dynamics of point of view -- Max Ophuls and the limits of virtuosity -- The curious ironist : Terrence Malick and the drama of perspective -- Beyond the camera Filmkamera (DE-588)4154362-2 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4154362-2 (DE-588)4017102-4 |
title | The lure of the image epistemic fantasies of the moving camera |
title_auth | The lure of the image epistemic fantasies of the moving camera |
title_exact_search | The lure of the image epistemic fantasies of the moving camera |
title_full | The lure of the image epistemic fantasies of the moving camera Daniel Morgan |
title_fullStr | The lure of the image epistemic fantasies of the moving camera Daniel Morgan |
title_full_unstemmed | The lure of the image epistemic fantasies of the moving camera Daniel Morgan |
title_short | The lure of the image |
title_sort | the lure of the image epistemic fantasies of the moving camera |
title_sub | epistemic fantasies of the moving camera |
topic | Filmkamera (DE-588)4154362-2 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Filmkamera Film |
work_keys_str_mv | AT morgandaniel thelureoftheimageepistemicfantasiesofthemovingcamera |