Rushdie's cross-pollinations:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Buch |
| Sprache: | Englisch |
| Veröffentlicht: |
Newcastle upon Tyne
Cambridge Scholars Publisher
2022
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| Schlagwörter: | |
| Links: | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033202915&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033202915&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| Umfang: | xviii, 112 Seiten 21 cm |
| ISBN: | 1527577201 9781527577206 |
Internformat
MARC
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Acknowledgements..................................................................................viii Foreword.................................................................................................... ix The Author’s Preface to this Edition........................................................xv I. Rushdie’s Sorcery with Language............................................................ 1 1.1. Finding a Voice................................................................................1 1.2. “We are translated men”.................................................................. 2 1.3. “Chutnification”............................................................................... 3 1.4. Palimpsest, “Palimpstine,” Moorish Arabesques and the Iconic Text.................................................................................................. 7 1.5. “ORPHEUS - ROCK’N’ROLL - YES! ! !”................................... 10 1.6. After “Disorientation”................................................................... 14 1.7. The Enchantress ofFlorence......................................................... 15 1.8. The Translated Man’s Languages from “Chutnification” through “Disorientation” to Seduction........................................... 17 1.9. Rushdie’s Reflections on Midnight’s Children and the Question of Language 40 Years after Its Original Publication.................... 18 II. Rushdie’s Joyce.................................................................................... 21 III. Meddling with the Muddling Rushdie
Affair.................................... 32 III. 1. Famous Infamous 20th Century Books........................................32 111.2. Why Was The Satanic Verses Such a Bomb?........................... 33 111.3. Muslim Reactions to “What’s in a Name”..................................34 111.4. Fatwa: Political Ploy or Act of Religious Piety?...................... 36 111.5. “Extraterritorial action” and Rushdie’s Response.....................37 111.6. Western Reactions...................................................................... 40 111.7. The Satanic Verses and “The Clash of Civilizations”............... 41 111.8. Rushdie and India in 2012..........................................................42 111.9. Is the fatwa still in force today?..................................................43
VI Contents IV. Body, Sensuousness, Eros and the New Aesthetic Order from Schiller to Rushdie............................................................................ 44 IV. 1. The Perils of the Modem Age and the Aesthetic Reshaping of Civilization................................................................................. 44 IV.2. Orpheus and Narcissus; Eros and Creation............................... 45 IV.3. The Body, Sexuality and Eros.................................................. 46 IV.4. Eroticism, Death, Fusion, Dissolution and Transgression......... 47 IV.5. Nineteenth-Century Aestheticised Eroticism and Homoeroticism........................................................................48 IV.6. Body, Eros and Eroticism in Rushdie’s Novels........................ 49 IV.7. Rushdie’s Ghostly Bodies...........................................................52 IV.8. Rushdie’s Eroticised Geography.................................................53 IV.9. Sorcery and Aestheticised Eros..................................................54 IV.10. Conclusion................................................................................ 56 V. Liquid Bridges in Rushdie’s Writing....................................................57 V.l. Frontiers Visible and Invisible and Their Transgression............ 57 V.2. Our “Liquid Modernity”: “Dissemination,” Migrancy, “Patterns of Repeat Migration” and the “Transnation”................. 58 V.3. The Bridges of Memory and Translation and Their Fissures, Gaps and
Cracks............................................................................. 60 V.4. “The Journeying Itself Was Home”.............................................62 V.5. “To Cross a Frontier is to Be Transformed”.............................. 65 V.6. Coda............................................................................................. 67 VI. Rushdie’s Postmodernist Twist...........................................................69 VI.1. Rushdie’s Eclectic Writing and Postmodernism........................ 69 VI.2. Non-mimetic Narrative Mode: Myth, Dream, Fiction and Hybridity................................................................................. 71 VI.3. Rushdie’s Ludic and Oppositional Postmodernism................... 73 VI.4. Narcissism: Self-reflexiveness, Self-referentiality and the Role of the Reader.................................... 74 VI.5. Conclusion.................................................................................. 78
Rushdie’s Cross-Pollinations vii VII. Rushdie’s Postcolonial Satire............................................................79 VILI. Mikhail Bakhtin’s Carnival, Contemporary Theory and Criticism.................................................................................. 79 VII.2. Bakhtin’s Carnival and Satire and Rushdie’s Postcolonial Fiction.............................................................................................80 VII.3. Rushdie’s Camivalesque: the Body, Time and Space............. 81 VH.4. Bombay “Once Upon a Time”................................................... 83 VII.5. New York - “New Rome” and Carnival................................. 86 VII.6. Conclusions............................................................................... 88 VIII. From Rushdie’s Novel of Disorientation to his New York Novels, of which the latest is Quichotte................................................................. 89 VIII. 1. Losing the East in The Ground Beneath Her Feet................. 89 VIII.2. Fury, a Novel for the New Millennium.................................. 90 VIII.3. A World of Simulacra and Spectacle.......................................92 VIII.4. The “Unfettered Republic of the Tongue” in Rushdie’s “Nicely Polished Looking-Glass”..................................................95 VIII.5. Quichotte, a New York Novel Celebrating a Rich Old Cultural Heritage and a New TV and Internet Culture................. 96 VIII.6. Quichotte and Rushdie’s Global Novel....................................99 VIII.7. Quichotte Longlisted for the
Booker Prize........................... 104 VIII.8. Afterthought with More Notes on Rushdie’s Global Novel.. 105 Bibliography 108
This book is a literary journey through Salman Rushdie’s cross-pollinated gardens, showing that the metaphor of reading as a quest is essential to Rushdie’s writing. It invites scholars and students interested in postcolonialism, postmodernism, transculturalism and the global novel to explore the many facets of Rushdie’s novels and collections of essays. The journey starts from Rushdie’s sorcery with language, and it continues with his appraisal of Joyce s legacy. The reader will also find an analysis of the dark season of the fatica, as well as the lush sensuality of the body and aestheticized Eros in The Moors Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown and The Enchantress of Florence. The book further explores the liquid bridges, the postmodernist twist and postcolonial satire in Rushdie s fiction. After providing a sense of Rushdie’s novel of disorientation՛՛ and New York, the book finishes by exploring Rushdie’s Quichotte, published in 2019. an epitome of the global novel that revisits and translates Cervantes s Don Quijote de la Mancha for readers addicted to TV and the Internet.
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| id | DE-604.BV047819579 |
| illustrated | Not Illustrated |
| indexdate | 2024-12-20T19:29:19Z |
| institution | BVB |
| isbn | 1527577201 9781527577206 |
| language | English |
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| owner_facet | DE-384 |
| physical | xviii, 112 Seiten 21 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Cambridge Scholars Publisher |
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| spellingShingle | Bădulescu, Dana Rushdie's cross-pollinations Rushdie, Salman 1947- (DE-588)118873520 gnd |
| subject_GND | (DE-588)118873520 |
| title | Rushdie's cross-pollinations |
| title_auth | Rushdie's cross-pollinations |
| title_exact_search | Rushdie's cross-pollinations |
| title_full | Rushdie's cross-pollinations by Dana Bădulescu |
| title_fullStr | Rushdie's cross-pollinations by Dana Bădulescu |
| title_full_unstemmed | Rushdie's cross-pollinations by Dana Bădulescu |
| title_short | Rushdie's cross-pollinations |
| title_sort | rushdie s cross pollinations |
| topic | Rushdie, Salman 1947- (DE-588)118873520 gnd |
| topic_facet | Rushdie, Salman 1947- |
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