Hegemonic mimicry: Korean popular culture of the twenty-first century
In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television, which is also known as hallyu-from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adapt...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Durham ; London
Duke University Press
2021
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9781478021803?locatt=mode:legacy https://doi.org/10.1515/9781478021803 https://doi.org/10.1515/9781478021803 https://doi.org/10.1515/9781478021803 https://doi.org/10.1515/9781478021803 https://doi.org/10.1515/9781478021803 https://doi.org/10.1215/9781478021803 https://doi.org/10.1515/9781478021803 https://doi.org/10.1515/9781478021803 https://doi.org/10.1515/9781478021803 https://doi.org/10.1515/9781478021803 |
| Zusammenfassung: | In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television, which is also known as hallyu-from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly "minor" culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity |
| Umfang: | 1 Online-Ressource (xviii, 303 Seiten) Illustrationen |
| ISBN: | 9781478021803 |
| DOI: | 10.1515/9781478021803 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV047811780 | ||
| 003 | DE-604 | ||
| 005 | 20241203 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220202s2021 xx a||| o|||| 00||| eng d | ||
| 020 | |a 9781478021803 |9 978-1-4780-2180-3 | ||
| 024 | 7 | |a 10.1515/9781478021803 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781478021803 | ||
| 035 | |a (ZDB-23-DSL)9781478021803 | ||
| 035 | |a (OCoLC)1296333070 | ||
| 035 | |a (DE-599)BVBBV047811780 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-739 |a DE-12 |a DE-473 |a DE-706 |a DE-11 |a DE-188 | ||
| 082 | 0 | |a 306.095195 |2 23 | |
| 100 | 1 | |a Kim, Kyŏng-hyŏn |d 1969- |e Verfasser |0 (DE-588)1020431512 |4 aut | |
| 245 | 1 | 0 | |a Hegemonic mimicry |b Korean popular culture of the twenty-first century |c Kyung Hyun Kim |
| 264 | 1 | |a Durham ; London |b Duke University Press |c 2021 | |
| 264 | 4 | |c © 2021 | |
| 300 | |a 1 Online-Ressource (xviii, 303 Seiten) |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 520 | |a In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television, which is also known as hallyu-from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly "minor" culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity | ||
| 650 | 7 | |a SOCIAL SCIENCE / Popular Culture |2 bisacsh | |
| 650 | 4 | |a Glocalization |z Korea (South) | |
| 650 | 4 | |a Glocalization |z Korea (South) | |
| 650 | 4 | |a K-pop (Subculture) | |
| 650 | 4 | |a K-pop (Subculture) | |
| 650 | 4 | |a Mass media and culture |z Korea (South) | |
| 650 | 4 | |a Mass media and culture |z Korea (South) | |
| 650 | 4 | |a Popular culture and globalization | |
| 650 | 4 | |a Popular culture |z Korea (South) |x History |y 21st century | |
| 650 | 4 | |a Popular music |z Korea (South) | |
| 650 | 4 | |a Popular music |z Korea (South) | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, paperback |z 978-1-4780-1449-2 |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe, hardback |z 978-1-4780-1358-7 |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781478021803 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 912 | |a ZDB-23-DSL | ||
| 912 | |a ZDB-198-DUP | ||
| 940 | 1 | |q ZDB-23-DSL21 | |
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033195276 | |
| 966 | e | |u https://doi.org/10.1515/9781478021803?locatt=mode:legacy |l DE-12 |p ZDB-23-DSL |q BSB_DSL_DukeUniversityPress |x Aggregator |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781478021803 |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781478021803 |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781478021803 |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781478021803 |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781478021803 |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1215/9781478021803 |l DE-188 |p ZDB-198-DUP |q ZDB-198-DUP 2021 |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781478021803 |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781478021803 |l DE-706 |p ZDB-23-DSL |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9781478021803 |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1824423664502702080 |
|---|---|
| adam_text | |
| any_adam_object | |
| author | Kim, Kyŏng-hyŏn 1969- |
| author_GND | (DE-588)1020431512 |
| author_facet | Kim, Kyŏng-hyŏn 1969- |
| author_role | aut |
| author_sort | Kim, Kyŏng-hyŏn 1969- |
| author_variant | k h k khk |
| building | Verbundindex |
| bvnumber | BV047811780 |
| collection | ZDB-23-DGG ZDB-23-DSL ZDB-198-DUP |
| ctrlnum | (ZDB-23-DGG)9781478021803 (ZDB-23-DSL)9781478021803 (OCoLC)1296333070 (DE-599)BVBBV047811780 |
| dewey-full | 306.095195 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 306 - Culture and institutions |
| dewey-raw | 306.095195 |
| dewey-search | 306.095195 |
| dewey-sort | 3306.095195 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| doi_str_mv | 10.1515/9781478021803 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV047811780</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241203</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220202s2021 xx a||| o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781478021803</subfield><subfield code="9">978-1-4780-2180-3</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781478021803</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781478021803</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DSL)9781478021803</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1296333070</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047811780</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-706</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">306.095195</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kim, Kyŏng-hyŏn</subfield><subfield code="d">1969-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1020431512</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hegemonic mimicry</subfield><subfield code="b">Korean popular culture of the twenty-first century</subfield><subfield code="c">Kyung Hyun Kim</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham ; London</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">2021</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xviii, 303 Seiten)</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television, which is also known as hallyu-from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly "minor" culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">SOCIAL SCIENCE / Popular Culture</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Glocalization</subfield><subfield code="z">Korea (South)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Glocalization</subfield><subfield code="z">Korea (South)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">K-pop (Subculture)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">K-pop (Subculture)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mass media and culture</subfield><subfield code="z">Korea (South)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mass media and culture</subfield><subfield code="z">Korea (South)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular culture and globalization</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular culture</subfield><subfield code="z">Korea (South)</subfield><subfield code="x">History</subfield><subfield code="y">21st century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music</subfield><subfield code="z">Korea (South)</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music</subfield><subfield code="z">Korea (South)</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, paperback</subfield><subfield code="z">978-1-4780-1449-2</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe, hardback</subfield><subfield code="z">978-1-4780-1358-7</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781478021803</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DSL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-198-DUP</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">ZDB-23-DSL21</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033195276</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478021803?locatt=mode:legacy</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DSL</subfield><subfield code="q">BSB_DSL_DukeUniversityPress</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478021803</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478021803</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478021803</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478021803</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478021803</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1215/9781478021803</subfield><subfield code="l">DE-188</subfield><subfield code="p">ZDB-198-DUP</subfield><subfield code="q">ZDB-198-DUP 2021</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478021803</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478021803</subfield><subfield code="l">DE-706</subfield><subfield code="p">ZDB-23-DSL</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781478021803</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047811780 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T19:13:11Z |
| institution | BVB |
| isbn | 9781478021803 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033195276 |
| oclc_num | 1296333070 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-12 DE-473 DE-BY-UBG DE-706 DE-11 DE-188 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-12 DE-473 DE-BY-UBG DE-706 DE-11 DE-188 |
| physical | 1 Online-Ressource (xviii, 303 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DSL ZDB-198-DUP ZDB-23-DSL21 ZDB-23-DSL BSB_DSL_DukeUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-198-DUP ZDB-198-DUP 2021 ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Kim, Kyŏng-hyŏn 1969- Verfasser (DE-588)1020431512 aut Hegemonic mimicry Korean popular culture of the twenty-first century Kyung Hyun Kim Durham ; London Duke University Press 2021 © 2021 1 Online-Ressource (xviii, 303 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier In Hegemonic Mimicry, Kyung Hyun Kim considers the recent global success of Korean popular culture-the Korean wave of pop music, cinema, and television, which is also known as hallyu-from a transnational and transcultural perspective. Using the concept of mimicry to think through hallyu's adaptation of American sensibilities and genres, he shows how the commercialization of Korean popular culture has upended the familiar dynamic of major-to-minor cultural influence, enabling hallyu to become a dominant global cultural phenomenon. At the same time, its worldwide popularity has rendered its Koreanness opaque. Kim argues that Korean cultural subjectivity over the past two decades is one steeped in ethnic rather than national identity. Explaining how South Korea leaped over the linguistic and cultural walls surrounding a supposedly "minor" culture to achieve global ascendance, Kim positions K-pop, Korean cinema and television serials, and even electronics as transformative acts of reappropriation that have created a hegemonic global ethnic identity SOCIAL SCIENCE / Popular Culture bisacsh Glocalization Korea (South) K-pop (Subculture) Mass media and culture Korea (South) Popular culture and globalization Popular culture Korea (South) History 21st century Popular music Korea (South) Erscheint auch als Druck-Ausgabe, paperback 978-1-4780-1449-2 Erscheint auch als Druck-Ausgabe, hardback 978-1-4780-1358-7 https://doi.org/10.1515/9781478021803 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kim, Kyŏng-hyŏn 1969- Hegemonic mimicry Korean popular culture of the twenty-first century SOCIAL SCIENCE / Popular Culture bisacsh Glocalization Korea (South) K-pop (Subculture) Mass media and culture Korea (South) Popular culture and globalization Popular culture Korea (South) History 21st century Popular music Korea (South) |
| title | Hegemonic mimicry Korean popular culture of the twenty-first century |
| title_auth | Hegemonic mimicry Korean popular culture of the twenty-first century |
| title_exact_search | Hegemonic mimicry Korean popular culture of the twenty-first century |
| title_full | Hegemonic mimicry Korean popular culture of the twenty-first century Kyung Hyun Kim |
| title_fullStr | Hegemonic mimicry Korean popular culture of the twenty-first century Kyung Hyun Kim |
| title_full_unstemmed | Hegemonic mimicry Korean popular culture of the twenty-first century Kyung Hyun Kim |
| title_short | Hegemonic mimicry |
| title_sort | hegemonic mimicry korean popular culture of the twenty first century |
| title_sub | Korean popular culture of the twenty-first century |
| topic | SOCIAL SCIENCE / Popular Culture bisacsh Glocalization Korea (South) K-pop (Subculture) Mass media and culture Korea (South) Popular culture and globalization Popular culture Korea (South) History 21st century Popular music Korea (South) |
| topic_facet | SOCIAL SCIENCE / Popular Culture Glocalization Korea (South) K-pop (Subculture) Mass media and culture Korea (South) Popular culture and globalization Popular culture Korea (South) History 21st century Popular music Korea (South) |
| url | https://doi.org/10.1515/9781478021803 |
| work_keys_str_mv | AT kimkyonghyon hegemonicmimicrykoreanpopularcultureofthetwentyfirstcentury |