Richard und die Rahmen: zur Rolle von Figurenbüchern für die Konzeption des Prachtchorbuchs Mus.Hs. 2129 der Österreichischen Nationalbibliothek
Gespeichert in:
Beteilige Person: | |
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Format: | Paper |
Sprache: | Deutsch Englisch |
Veröffentlicht: |
2021
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Schlagwörter: | |
Abstract: | "The luxury choirbook Vienna, Austrian National Library, Mus.Hs. 2129, created for the Munich wedding celebrations of 1568 between the Bavarian Duke Wilhelm V and Renata of Lorraine, is a veritable Gesamtkunstwerk: it contains the epithalamium Gratia sola Dei by Nikolaus Stopius set to music by Orlando di Lasso, and decorated with hundreds of pen drawings by Richard of Genoa. The present article argues that the layout of this exceptional manuscript is determined first and foremost by the frames, and not by the musical notation contained within the frames. Framing devices of various kinds – whether in the inscriptional zones of the miniatures, as figurative borders of the principal miniatures, or as fixed U-shaped borders around the block of music and text – skilfully and effectively stage the various contents. Richard’s work draws on contemporary picture books (so-called Figurenbände) such as Neuwe biblische Figuren (Frankfurt 1565) by Johann Bocksberger and Jost Amman, and an illustrated edition of Ovid’s Metamorphoses (Frankfurt 1563) – designed by Virgil Solis and narrated in verses by Johannes Posthius – from which he borrows textual additions, figurative illustrations, and decorative borders. He does so not merely in a traditional (iconographical, formal, and decorative) way, but also on a discursive level, in reliance on the pictura-poesis tradition: remarkably, as a marginal device, his frames even the passepartouts copied from the 1563 Ovid edition interact meaningfully with the central images. Finally, this essay suggests that both the models used and the monochrome manner of the execution suggest a connection to Archduke Ferdinand II of the Tyrol." |
Beschreibung: | Zusammenfassung in englischer Sprache |
Umfang: | Illustrationen |
ISSN: | 0255-8831 |
Internformat
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520 | 3 | |a "The luxury choirbook Vienna, Austrian National Library, Mus.Hs. 2129, created for the Munich wedding celebrations of 1568 between the Bavarian Duke Wilhelm V and Renata of Lorraine, is a veritable Gesamtkunstwerk: it contains the epithalamium Gratia sola Dei by Nikolaus Stopius set to music by Orlando di Lasso, and decorated with hundreds of pen drawings by Richard of Genoa. The present article argues that the layout of this exceptional manuscript is determined first and foremost by the frames, and not by the musical notation contained within the frames. Framing devices of various kinds – whether in the inscriptional zones of the miniatures, as figurative borders of the principal miniatures, or as fixed U-shaped borders around the block of music and text – skilfully and effectively stage the various contents. Richard’s work draws on contemporary picture books (so-called Figurenbände) such as Neuwe biblische Figuren (Frankfurt 1565) by Johann Bocksberger and Jost Amman, and an illustrated edition of Ovid’s Metamorphoses (Frankfurt 1563) – designed by Virgil Solis and narrated in verses by Johannes Posthius – from which he borrows textual additions, figurative illustrations, and decorative borders. He does so not merely in a traditional (iconographical, formal, and decorative) way, but also on a discursive level, in reliance on the pictura-poesis tradition: remarkably, as a marginal device, his frames even the passepartouts copied from the 1563 Ovid edition interact meaningfully with the central images. Finally, this essay suggests that both the models used and the monochrome manner of the execution suggest a connection to Archduke Ferdinand II of the Tyrol." | |
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Datensatz im Suchindex
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any_adam_object | |
article_link | (DE-604)BV002599309 |
author | Lodes, Birgit 1967- |
author_GND | (DE-588)115717536 |
author_facet | Lodes, Birgit 1967- |
author_role | aut |
author_sort | Lodes, Birgit 1967- |
author_variant | b l bl |
building | Verbundindex |
bvnumber | BV047696068 |
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illustrated | Illustrated |
indexdate | 2024-12-20T19:26:23Z |
institution | BVB |
issn | 0255-8831 |
language | German English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033080059 |
oclc_num | 1262576721 |
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physical | Illustrationen |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
record_format | marc |
spelling | Lodes, Birgit 1967- Verfasser (DE-588)115717536 aut Richard und die Rahmen zur Rolle von Figurenbüchern für die Konzeption des Prachtchorbuchs Mus.Hs. 2129 der Österreichischen Nationalbibliothek Birgit Lodes 2021 Illustrationen txt rdacontent n rdamedia nc rdacarrier Zusammenfassung in englischer Sprache "The luxury choirbook Vienna, Austrian National Library, Mus.Hs. 2129, created for the Munich wedding celebrations of 1568 between the Bavarian Duke Wilhelm V and Renata of Lorraine, is a veritable Gesamtkunstwerk: it contains the epithalamium Gratia sola Dei by Nikolaus Stopius set to music by Orlando di Lasso, and decorated with hundreds of pen drawings by Richard of Genoa. The present article argues that the layout of this exceptional manuscript is determined first and foremost by the frames, and not by the musical notation contained within the frames. Framing devices of various kinds – whether in the inscriptional zones of the miniatures, as figurative borders of the principal miniatures, or as fixed U-shaped borders around the block of music and text – skilfully and effectively stage the various contents. Richard’s work draws on contemporary picture books (so-called Figurenbände) such as Neuwe biblische Figuren (Frankfurt 1565) by Johann Bocksberger and Jost Amman, and an illustrated edition of Ovid’s Metamorphoses (Frankfurt 1563) – designed by Virgil Solis and narrated in verses by Johannes Posthius – from which he borrows textual additions, figurative illustrations, and decorative borders. He does so not merely in a traditional (iconographical, formal, and decorative) way, but also on a discursive level, in reliance on the pictura-poesis tradition: remarkably, as a marginal device, his frames even the passepartouts copied from the 1563 Ovid edition interact meaningfully with the central images. Finally, this essay suggests that both the models used and the monochrome manner of the execution suggest a connection to Archduke Ferdinand II of the Tyrol." Richart (DE-588)136318347 gnd rswk-swf Ferdinand II. Österreich, Erzherzog 1529-1595 (DE-588)119117304 gnd rswk-swf Wilhelm V. Bayern, Herzog 1548-1626 (DE-588)118771841 gnd rswk-swf Renata Bayern, Herzogin 1544-1602 (DE-588)118836218 gnd rswk-swf Bordüre (DE-588)4274867-7 gnd rswk-swf Hochzeit (DE-588)4025292-9 gnd rswk-swf Federzeichnung (DE-588)4127475-1 gnd rswk-swf Chorbuch (DE-588)4147892-7 gnd rswk-swf Buchmalerei (DE-588)4008650-1 gnd rswk-swf Rahmen (DE-588)4048300-9 gnd rswk-swf Wilhelm V. Bayern, Herzog 1548-1626 (DE-588)118771841 p Renata Bayern, Herzogin 1544-1602 (DE-588)118836218 p Hochzeit (DE-588)4025292-9 s Richart (DE-588)136318347 p Chorbuch (DE-588)4147892-7 s Buchmalerei (DE-588)4008650-1 s Federzeichnung (DE-588)4127475-1 s Rahmen (DE-588)4048300-9 s Bordüre (DE-588)4274867-7 s DE-604 Ferdinand II. Österreich, Erzherzog 1529-1595 (DE-588)119117304 p volume:31/32 year:2021 pages:49-97 Imago musicae / publ. under the auspices of RIdIM and the International Council for Traditional Music (ICTM) Lucca, 2021 31/32 (2021), Seite 49-97 (DE-604)BV002599309 0255-8831 (DE-600)622852-5 |
spellingShingle | Lodes, Birgit 1967- Richard und die Rahmen zur Rolle von Figurenbüchern für die Konzeption des Prachtchorbuchs Mus.Hs. 2129 der Österreichischen Nationalbibliothek Richart (DE-588)136318347 gnd Ferdinand II. Österreich, Erzherzog 1529-1595 (DE-588)119117304 gnd Wilhelm V. Bayern, Herzog 1548-1626 (DE-588)118771841 gnd Renata Bayern, Herzogin 1544-1602 (DE-588)118836218 gnd Bordüre (DE-588)4274867-7 gnd Hochzeit (DE-588)4025292-9 gnd Federzeichnung (DE-588)4127475-1 gnd Chorbuch (DE-588)4147892-7 gnd Buchmalerei (DE-588)4008650-1 gnd Rahmen (DE-588)4048300-9 gnd |
subject_GND | (DE-588)136318347 (DE-588)119117304 (DE-588)118771841 (DE-588)118836218 (DE-588)4274867-7 (DE-588)4025292-9 (DE-588)4127475-1 (DE-588)4147892-7 (DE-588)4008650-1 (DE-588)4048300-9 |
title | Richard und die Rahmen zur Rolle von Figurenbüchern für die Konzeption des Prachtchorbuchs Mus.Hs. 2129 der Österreichischen Nationalbibliothek |
title_auth | Richard und die Rahmen zur Rolle von Figurenbüchern für die Konzeption des Prachtchorbuchs Mus.Hs. 2129 der Österreichischen Nationalbibliothek |
title_exact_search | Richard und die Rahmen zur Rolle von Figurenbüchern für die Konzeption des Prachtchorbuchs Mus.Hs. 2129 der Österreichischen Nationalbibliothek |
title_full | Richard und die Rahmen zur Rolle von Figurenbüchern für die Konzeption des Prachtchorbuchs Mus.Hs. 2129 der Österreichischen Nationalbibliothek Birgit Lodes |
title_fullStr | Richard und die Rahmen zur Rolle von Figurenbüchern für die Konzeption des Prachtchorbuchs Mus.Hs. 2129 der Österreichischen Nationalbibliothek Birgit Lodes |
title_full_unstemmed | Richard und die Rahmen zur Rolle von Figurenbüchern für die Konzeption des Prachtchorbuchs Mus.Hs. 2129 der Österreichischen Nationalbibliothek Birgit Lodes |
title_short | Richard und die Rahmen |
title_sort | richard und die rahmen zur rolle von figurenbuchern fur die konzeption des prachtchorbuchs mus hs 2129 der osterreichischen nationalbibliothek |
title_sub | zur Rolle von Figurenbüchern für die Konzeption des Prachtchorbuchs Mus.Hs. 2129 der Österreichischen Nationalbibliothek |
topic | Richart (DE-588)136318347 gnd Ferdinand II. Österreich, Erzherzog 1529-1595 (DE-588)119117304 gnd Wilhelm V. Bayern, Herzog 1548-1626 (DE-588)118771841 gnd Renata Bayern, Herzogin 1544-1602 (DE-588)118836218 gnd Bordüre (DE-588)4274867-7 gnd Hochzeit (DE-588)4025292-9 gnd Federzeichnung (DE-588)4127475-1 gnd Chorbuch (DE-588)4147892-7 gnd Buchmalerei (DE-588)4008650-1 gnd Rahmen (DE-588)4048300-9 gnd |
topic_facet | Richart Ferdinand II. Österreich, Erzherzog 1529-1595 Wilhelm V. Bayern, Herzog 1548-1626 Renata Bayern, Herzogin 1544-1602 Bordüre Hochzeit Federzeichnung Chorbuch Buchmalerei Rahmen |
work_keys_str_mv | AT lodesbirgit richardunddierahmenzurrollevonfigurenbuchernfurdiekonzeptiondesprachtchorbuchsmushs2129derosterreichischennationalbibliothek |