Passing and posing between black and white: calibrating the color line in U.S. cinema
Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fac...
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch Deutsch |
| Veröffentlicht: |
Bielefeld
transcript Verlag
[2021]
|
| Schriftenreihe: | FilmStudies
|
| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9783839453377?locatt=mode:legacy https://ebookcentral.proquest.com/lib/viadrina-ebooks/detail.action?docID=6733045 https://doi.org/10.1515/9783839453377 https://doi.org/10.1515/9783839453377 https://doi.org/10.1515/9783839453377 https://doi.org/10.1515/9783839453377 https://doi.org/10.1515/9783839453377 https://doi.org/10.1515/9783839453377 https://doi.org/10.1515/9783839453377 https://doi.org/10.1515/9783839453377 https://doi.org/10.1515/9783839453377 |
| Zusammenfassung: | Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with negating boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium |
| Beschreibung: | Aus dem Vorwort: "slightly shortened and rivised ... english edition" |
| Umfang: | 1 Online-Ressource (246 Seiten) Illustrationen |
| ISBN: | 9783839453377 |
| DOI: | 10.1515/9783839453377 |
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Datensatz im Suchindex
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| adam_text | |
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| author | Gotto, Lisa 1976- |
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-search | 791.43/655 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| doi_str_mv | 10.1515/9783839453377 |
| era | Geschichte 1915-2003 gnd |
| era_facet | Geschichte 1915-2003 |
| format | Electronic eBook |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV047600552 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T19:12:04Z |
| institution | BVB |
| isbn | 9783839453377 |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032985676 |
| oclc_num | 1286871835 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-521 DE-12 DE-706 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-521 DE-12 DE-706 |
| physical | 1 Online-Ressource (246 Seiten) Illustrationen |
| psigel | ZDB-23-DSL ZDB-23-DGG ZDB-30-PQE ZDB-23-DSL21 ZDB-23-DSL BSB_DSL_transcript ZDB-30-PQE EUV_EK_EBC ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | transcript Verlag |
| record_format | marc |
| series2 | FilmStudies |
| spelling | Gotto, Lisa 1976- Verfasser (DE-588)1029790175 aut Traum und Trauma in Schwarz-Weiß Passing and posing between black and white calibrating the color line in U.S. cinema Lisa Gotto ; translated by Rudolph Saliba Bielefeld transcript Verlag [2021] © 2021 1 Online-Ressource (246 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier FilmStudies Aus dem Vorwort: "slightly shortened and rivised ... english edition" Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with negating boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium Geschichte 1915-2003 gnd rswk-swf America Cinema Cultural History Culture Ethnicity Hollywood Media Studies Media Race Racism SOCIAL SCIENCE / Media Studies bisacsh Motion pictures United States History Passing (Identity) in motion pictures Race in motion pictures Racism in motion pictures Rassismus (DE-588)4076527-1 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Film (DE-588)4017102-4 s Rassismus (DE-588)4076527-1 s USA (DE-588)4078704-7 g DE-604 Ethnische Beziehungen Motiv (DE-588)4176974-0 s Visuelle Wahrnehmung (DE-588)4078921-4 s Geschichte 1915-2003 z Saliba, Rudolph trl Erscheint auch als Druck-Ausgabe, Paperback 978-3-8376-5337-3 https://doi.org/10.1515/9783839453377 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Gotto, Lisa 1976- Passing and posing between black and white calibrating the color line in U.S. cinema America Cinema Cultural History Culture Ethnicity Hollywood Media Studies Media Race Racism SOCIAL SCIENCE / Media Studies bisacsh Motion pictures United States History Passing (Identity) in motion pictures Race in motion pictures Racism in motion pictures Rassismus (DE-588)4076527-1 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4076527-1 (DE-588)4078921-4 (DE-588)4176974-0 (DE-588)4017102-4 (DE-588)4078704-7 (DE-588)4113937-9 |
| title | Passing and posing between black and white calibrating the color line in U.S. cinema |
| title_alt | Traum und Trauma in Schwarz-Weiß |
| title_auth | Passing and posing between black and white calibrating the color line in U.S. cinema |
| title_exact_search | Passing and posing between black and white calibrating the color line in U.S. cinema |
| title_full | Passing and posing between black and white calibrating the color line in U.S. cinema Lisa Gotto ; translated by Rudolph Saliba |
| title_fullStr | Passing and posing between black and white calibrating the color line in U.S. cinema Lisa Gotto ; translated by Rudolph Saliba |
| title_full_unstemmed | Passing and posing between black and white calibrating the color line in U.S. cinema Lisa Gotto ; translated by Rudolph Saliba |
| title_short | Passing and posing between black and white |
| title_sort | passing and posing between black and white calibrating the color line in u s cinema |
| title_sub | calibrating the color line in U.S. cinema |
| topic | America Cinema Cultural History Culture Ethnicity Hollywood Media Studies Media Race Racism SOCIAL SCIENCE / Media Studies bisacsh Motion pictures United States History Passing (Identity) in motion pictures Race in motion pictures Racism in motion pictures Rassismus (DE-588)4076527-1 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | America Cinema Cultural History Culture Ethnicity Hollywood Media Studies Media Race Racism SOCIAL SCIENCE / Media Studies Motion pictures United States History Passing (Identity) in motion pictures Race in motion pictures Racism in motion pictures Rassismus Visuelle Wahrnehmung Ethnische Beziehungen Motiv Film USA Hochschulschrift |
| url | https://doi.org/10.1515/9783839453377 |
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