Breaking the frames: populism and prestige in comics studies
Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to clea...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Austin
University of Texas Press
2018
|
| Ausgabe: | First edition |
| Schriftenreihe: | World comics and graphic nonfiction series
|
| Schlagwörter: | |
| Links: | https://doi.org/10.7560/317099 https://doi.org/10.7560/317099 https://doi.org/10.7560/317099 https://doi.org/10.7560/317099 https://doi.org/10.7560/317099 https://www.jstor.org/stable/10.7560/317099 https://doi.org/10.7560/317099 https://doi.org/10.7560/317099 https://www.jstor.org/stable/10.7560/317099 |
| Zusammenfassung: | Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to cleave into distinct camps-based primarily in cultural or literary studies-that attempt to dictate the boundaries of the discipline or else resist disciplinarity itself. The consequence is a growing disconnect in the ways that comics scholars talk to each other-or, more frequently, do not talk to each other or even acknowledge each other's work. Breaking the Frames: Populism and Prestige in Comics Studies surveys the current state of comics scholarship, interrogating its dominant schools, questioning their mutual estrangement, and challenging their propensity to champion the comics they study. Marc Singer advocates for greater disciplinary diversity and methodological rigor in comics studies, making the case for a field that can embrace more critical and oppositional perspectives. Working through extended readings of some of the most acclaimed comics creators-including Marjane Satrapi, Alan Moore, Kyle Baker, and Chris Ware-Singer demonstrates how comics studies can break out of the celebratory frameworks and restrictive canons that currently define the field to produce new scholarship that expands our understanding of comics and their critics |
| Umfang: | 1 Online-Ressource (viii, 292 Seiten, 8 ungezählte Seiten Bildtafeln) Illustrationen |
| ISBN: | 9781477317112 9781477317129 |
| DOI: | 10.7560/317099 |
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| spelling | Singer, Marc Verfasser (DE-588)1126584916 aut Breaking the frames populism and prestige in comics studies Marc Singer First edition Austin University of Texas Press 2018 1 Online-Ressource (viii, 292 Seiten, 8 ungezählte Seiten Bildtafeln) Illustrationen txt rdacontent c rdamedia cr rdacarrier World comics and graphic nonfiction series Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to cleave into distinct camps-based primarily in cultural or literary studies-that attempt to dictate the boundaries of the discipline or else resist disciplinarity itself. The consequence is a growing disconnect in the ways that comics scholars talk to each other-or, more frequently, do not talk to each other or even acknowledge each other's work. Breaking the Frames: Populism and Prestige in Comics Studies surveys the current state of comics scholarship, interrogating its dominant schools, questioning their mutual estrangement, and challenging their propensity to champion the comics they study. Marc Singer advocates for greater disciplinary diversity and methodological rigor in comics studies, making the case for a field that can embrace more critical and oppositional perspectives. Working through extended readings of some of the most acclaimed comics creators-including Marjane Satrapi, Alan Moore, Kyle Baker, and Chris Ware-Singer demonstrates how comics studies can break out of the celebratory frameworks and restrictive canons that currently define the field to produce new scholarship that expands our understanding of comics and their critics LITERARY CRITICISM / Comics & Graphic Novels bisacsh Comic books, strips, etc History and criticism Popular culture and literature Kulturwissenschaften (DE-588)4033597-5 gnd rswk-swf Comic (DE-588)4010427-8 gnd rswk-swf Literaturwissenschaft (DE-588)4036034-9 gnd rswk-swf Forschungsmethode (DE-588)4155046-8 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Comic (DE-588)4010427-8 s Kulturwissenschaften (DE-588)4033597-5 s Literaturwissenschaft (DE-588)4036034-9 s Forschungsmethode (DE-588)4155046-8 s DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-4773-1709-9 Erscheint auch als Druck-Ausgabe, Paperback 978-1-4773-1710-5 https://doi.org/10.7560/317099 Verlag URL des Erstveröffentlichers Volltext https://www.jstor.org/stable/10.7560/317099 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Singer, Marc Breaking the frames populism and prestige in comics studies LITERARY CRITICISM / Comics & Graphic Novels bisacsh Comic books, strips, etc History and criticism Popular culture and literature Kulturwissenschaften (DE-588)4033597-5 gnd Comic (DE-588)4010427-8 gnd Literaturwissenschaft (DE-588)4036034-9 gnd Forschungsmethode (DE-588)4155046-8 gnd |
| subject_GND | (DE-588)4033597-5 (DE-588)4010427-8 (DE-588)4036034-9 (DE-588)4155046-8 (DE-588)4143413-4 |
| title | Breaking the frames populism and prestige in comics studies |
| title_auth | Breaking the frames populism and prestige in comics studies |
| title_exact_search | Breaking the frames populism and prestige in comics studies |
| title_full | Breaking the frames populism and prestige in comics studies Marc Singer |
| title_fullStr | Breaking the frames populism and prestige in comics studies Marc Singer |
| title_full_unstemmed | Breaking the frames populism and prestige in comics studies Marc Singer |
| title_short | Breaking the frames |
| title_sort | breaking the frames populism and prestige in comics studies |
| title_sub | populism and prestige in comics studies |
| topic | LITERARY CRITICISM / Comics & Graphic Novels bisacsh Comic books, strips, etc History and criticism Popular culture and literature Kulturwissenschaften (DE-588)4033597-5 gnd Comic (DE-588)4010427-8 gnd Literaturwissenschaft (DE-588)4036034-9 gnd Forschungsmethode (DE-588)4155046-8 gnd |
| topic_facet | LITERARY CRITICISM / Comics & Graphic Novels Comic books, strips, etc History and criticism Popular culture and literature Kulturwissenschaften Comic Literaturwissenschaft Forschungsmethode Aufsatzsammlung |
| url | https://doi.org/10.7560/317099 https://www.jstor.org/stable/10.7560/317099 |
| work_keys_str_mv | AT singermarc breakingtheframespopulismandprestigeincomicsstudies |