Reuse, misuse, abuse: the ethics of audiovisual appropriation in the digital era
In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
New Brunswick, NJ
Rutgers University Press
[2021]
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| Schlagwörter: | |
| Links: | https://doi.org/10.36019/9780813599304 https://doi.org/10.36019/9780813599304 https://doi.org/10.36019/9780813599304 https://doi.org/10.36019/9780813599304 https://doi.org/10.36019/9780813599304 https://doi.org/10.36019/9780813599304 https://doi.org/10.36019/9780813599304 https://doi.org/10.36019/9780813599304 https://doi.org/10.36019/9780813599304 |
| Zusammenfassung: | In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications |
| Umfang: | 1 Online-Ressource (218 Seiten) Illustrationen |
| ISBN: | 9780813599304 |
| DOI: | 10.36019/9780813599304 |
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| spelling | Baron, Jaimie Verfasser (DE-588)1048044661 aut Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era Jaimie Baron New Brunswick, NJ Rutgers University Press [2021] © 2021 1 Online-Ressource (218 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications SOCIAL SCIENCE / General bisacsh Actualities (Motion pictures) Documentary films Moral and ethical aspects Gaze in motion pictures Stock footage Video recordings Moral and ethical aspects https://doi.org/10.36019/9780813599304 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Baron, Jaimie Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era SOCIAL SCIENCE / General bisacsh Actualities (Motion pictures) Documentary films Moral and ethical aspects Gaze in motion pictures Stock footage Video recordings Moral and ethical aspects |
| title | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era |
| title_auth | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era |
| title_exact_search | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era |
| title_full | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era Jaimie Baron |
| title_fullStr | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era Jaimie Baron |
| title_full_unstemmed | Reuse, misuse, abuse the ethics of audiovisual appropriation in the digital era Jaimie Baron |
| title_short | Reuse, misuse, abuse |
| title_sort | reuse misuse abuse the ethics of audiovisual appropriation in the digital era |
| title_sub | the ethics of audiovisual appropriation in the digital era |
| topic | SOCIAL SCIENCE / General bisacsh Actualities (Motion pictures) Documentary films Moral and ethical aspects Gaze in motion pictures Stock footage Video recordings Moral and ethical aspects |
| topic_facet | SOCIAL SCIENCE / General Actualities (Motion pictures) Documentary films Moral and ethical aspects Gaze in motion pictures Stock footage Video recordings Moral and ethical aspects |
| url | https://doi.org/10.36019/9780813599304 |
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