Critical Perspectives on Classicism in Japanese Painting, 1600-1700:
In the West, classical art-inextricably linked to concerns of a ruling or dominant class-commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past ar...
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| Weitere beteiligte Personen: | , , , , , , , , |
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| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Honolulu
University of Hawaii Press
[2003]
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| Schlagwörter: | |
| Links: | https://doi.org/10.1515/9780824862046 https://doi.org/10.1515/9780824862046 https://doi.org/10.1515/9780824862046 https://doi.org/10.1515/9780824862046 https://doi.org/10.1515/9780824862046 https://doi.org/10.1515/9780824862046 https://doi.org/10.1515/9780824862046 https://doi.org/10.1515/9780824862046 |
| Zusammenfassung: | In the West, classical art-inextricably linked to concerns of a ruling or dominant class-commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a "classical revival," "era of classicism," or a "renaissance." How did seventeenth-century artists and patrons imagine the past? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan-just as in the West. The authors of the essays collected here are by no means unanimous in their assessment of the use of the label "classicism." Although they may not agree on a definition of the term and its applicability to seventeenth-century Japanese art, all recognize the relevance of recent scholarly currents that call into question methods that privilege Western culture. Their various approaches-from stylistic analysis and theoretical conceptualization to assessment of related political and literary trends-greatly increase our understanding of the art of the period and its function in society.Contributors: Laura Allen, Karen Gerhart, Elizabeth Lillehoj, Sam Morse, Joshua Mostow, Keiko Nakamachi, Quittman Eugene Phillips, Satoko Tamamushi, Melanie Trede |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) |
| Umfang: | 1 online resource (298 pages) color & b/w illus |
| ISBN: | 9780824862046 |
| DOI: | 10.1515/9780824862046 |
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| 520 | |a In the West, classical art-inextricably linked to concerns of a ruling or dominant class-commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a "classical revival," "era of classicism," or a "renaissance." How did seventeenth-century artists and patrons imagine the past? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan-just as in the West. The authors of the essays collected here are by no means unanimous in their assessment of the use of the label "classicism." Although they may not agree on a definition of the term and its applicability to seventeenth-century Japanese art, all recognize the relevance of recent scholarly currents that call into question methods that privilege Western culture. Their various approaches-from stylistic analysis and theoretical conceptualization to assessment of related political and literary trends-greatly increase our understanding of the art of the period and its function in society.Contributors: Laura Allen, Karen Gerhart, Elizabeth Lillehoj, Sam Morse, Joshua Mostow, Keiko Nakamachi, Quittman Eugene Phillips, Satoko Tamamushi, Melanie Trede | ||
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Datensatz im Suchindex
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| author2 | Allen, Laura W. Gerhart, Karen M. Lillehoj, Elizabeth Lillehoj, Elizabeth Morse, Samuel C. Mostow, Joshua S. Nakamachi, Keiko Quitman, Eugene Phillips Tamamushi, Satoko Trede, Melanie |
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| spelling | Critical Perspectives on Classicism in Japanese Painting, 1600-1700 ed. by Elizabeth Lillehoj Honolulu University of Hawaii Press [2003] © 2004 1 online resource (298 pages) color & b/w illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021) In the West, classical art-inextricably linked to concerns of a ruling or dominant class-commonly refers to art with traditional themes and styles that resurrect a past golden era. Although art of the early Edo period (1600-1868) encompasses a spectrum of themes and styles, references to the past are so common that many Japanese art historians have variously described this period as a "classical revival," "era of classicism," or a "renaissance." How did seventeenth-century artists and patrons imagine the past? How did classical manners relate to other styles and themes found in Edo art? In considering such questions, the contributors to this volume hold that classicism has been an amorphous, changing concept in Japan-just as in the West. The authors of the essays collected here are by no means unanimous in their assessment of the use of the label "classicism." Although they may not agree on a definition of the term and its applicability to seventeenth-century Japanese art, all recognize the relevance of recent scholarly currents that call into question methods that privilege Western culture. Their various approaches-from stylistic analysis and theoretical conceptualization to assessment of related political and literary trends-greatly increase our understanding of the art of the period and its function in society.Contributors: Laura Allen, Karen Gerhart, Elizabeth Lillehoj, Sam Morse, Joshua Mostow, Keiko Nakamachi, Quittman Eugene Phillips, Satoko Tamamushi, Melanie Trede In English ART / Asian / General bisacsh Classicism in art Japan Painting, Japanese Edo period, 1600-1868 Allen, Laura W. ctb Gerhart, Karen M. ctb Lillehoj, Elizabeth ctb Lillehoj, Elizabeth edt Morse, Samuel C. ctb Mostow, Joshua S. ctb Nakamachi, Keiko ctb Quitman, Eugene Phillips ctb Tamamushi, Satoko ctb Trede, Melanie ctb https://doi.org/10.1515/9780824862046 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Critical Perspectives on Classicism in Japanese Painting, 1600-1700 ART / Asian / General bisacsh Classicism in art Japan Painting, Japanese Edo period, 1600-1868 |
| title | Critical Perspectives on Classicism in Japanese Painting, 1600-1700 |
| title_auth | Critical Perspectives on Classicism in Japanese Painting, 1600-1700 |
| title_exact_search | Critical Perspectives on Classicism in Japanese Painting, 1600-1700 |
| title_full | Critical Perspectives on Classicism in Japanese Painting, 1600-1700 ed. by Elizabeth Lillehoj |
| title_fullStr | Critical Perspectives on Classicism in Japanese Painting, 1600-1700 ed. by Elizabeth Lillehoj |
| title_full_unstemmed | Critical Perspectives on Classicism in Japanese Painting, 1600-1700 ed. by Elizabeth Lillehoj |
| title_short | Critical Perspectives on Classicism in Japanese Painting, 1600-1700 |
| title_sort | critical perspectives on classicism in japanese painting 1600 1700 |
| topic | ART / Asian / General bisacsh Classicism in art Japan Painting, Japanese Edo period, 1600-1868 |
| topic_facet | ART / Asian / General Classicism in art Japan Painting, Japanese Edo period, 1600-1868 |
| url | https://doi.org/10.1515/9780824862046 |
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