Liner notes for the revolution: the intellectual life of black feminist sound
An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and i...
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | Englisch |
| Veröffentlicht: |
Cambridge, Massachuesetts ; London, England
The Belknap Press of Harvard University Press
2021
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| Schlagwörter: | |
| Links: | https://doi.org/10.4159/9780674258808?locatt=mode:legacy https://www.degruyter.com/isbn/9780674258808 https://www.degruyter.com/isbn/9780674258808 https://www.degruyter.com/isbn/9780674258808 https://www.degruyter.com/isbn/9780674258808 https://www.degruyter.com/isbn/9780674258808 https://doi.org/10.4159/9780674258808 https://www.degruyter.com/isbn/9780674258808 https://www.degruyter.com/isbn/9780674258808 https://doi.org/10.4159/9780674258808 https://www.degruyter.com/isbn/9780674258808 https://doi.org/10.4159/9780674258808 |
| Zusammenfassung: | An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals |
| Umfang: | 1 Online-Ressource (viii, 598 Seiten) Illustrationen |
| ISBN: | 9780674258808 9780674258815 |
| DOI: | 10.4159/9780674258808 |
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| author | Brooks, Daphne A. 1968- |
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| discipline | Anglistik / Amerikanistik Musikwissenschaft |
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| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV047415251 |
| illustrated | Illustrated |
| indexdate | 2025-02-18T19:11:03Z |
| institution | BVB |
| isbn | 9780674258808 9780674258815 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032816130 |
| oclc_num | 1264267907 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-20 DE-12 DE-706 DE-188 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-20 DE-12 DE-706 DE-188 |
| physical | 1 Online-Ressource (viii, 598 Seiten) Illustrationen |
| psigel | ZDB-23-DGG ZDB-23-DSL ZDB-23-DSL21 BSB_NED_20220225 ZDB-23-DSL BSB_DSL_HarvardUniversityPress ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG ZDB-23-DGG_2020 ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UBW_Paketkauf ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | The Belknap Press of Harvard University Press |
| record_format | marc |
| spelling | Brooks, Daphne A. 1968- Verfasser (DE-588)102897762X aut Liner notes for the revolution the intellectual life of black feminist sound Daphne A. Brooks Cambridge, Massachuesetts ; London, England The Belknap Press of Harvard University Press 2021 1 Online-Ressource (viii, 598 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier An award-winning Black feminist music critic takes us on an epic journey through radical sound from Bessie Smith to Beyoncé. Daphne A. Brooks explores more than a century of music archives to examine the critics, collectors, and listeners who have determined perceptions of Black women on stage and in the recording studio. How is it possible, she asks, that iconic artists such as Aretha Franklin and Beyoncé exist simultaneously at the center and on the fringe of the culture industry? Liner Notes for the Revolution offers a startling new perspective on these acclaimed figures-a perspective informed by the overlooked contributions of other Black women concerned with the work of their musical peers. Zora Neale Hurston appears as a sound archivist and a performer, Lorraine Hansberry as a queer Black feminist critic of modern culture, and Pauline Hopkins as America's first Black female cultural commentator. Brooks tackles the complicated racial politics of blues music recording, song collecting, and rock and roll criticism. She makes lyrical forays into the blues pioneers Bessie Smith and Mamie Smith, as well as fans who became critics, like the record-label entrepreneur and writer Rosetta Reitz. In the twenty-first century, pop superstar Janelle Monae's liner notes are recognized for their innovations, while celebrated singers Cécile McLorin Salvant, Rhiannon Giddens, and Valerie June take their place as cultural historians. With an innovative perspective on the story of Black women in popular music-and who should rightly tell it-Liner Notes for the Revolution pioneers a long overdue recognition and celebration of Black women musicians as radical intellectuals Geschichte gnd rswk-swf SOCIAL SCIENCE / Popular Culture bisacsh African American feminists African American women musicians African American women Intellectual life African American women Music History and criticism Musical criticism United States History Musikkritik (DE-588)4139777-0 gnd rswk-swf Afroamerikanische Musik (DE-588)4122767-0 gnd rswk-swf Feminismus (DE-588)4222126-2 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Afroamerikanische Musik (DE-588)4122767-0 s Feminismus (DE-588)4222126-2 s Musikkritik (DE-588)4139777-0 s Geschichte z DE-604 Erscheint auch als Druck-Ausgabe 978-0-674-05281-9 https://doi.org/10.4159/9780674258808 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brooks, Daphne A. 1968- Liner notes for the revolution the intellectual life of black feminist sound SOCIAL SCIENCE / Popular Culture bisacsh African American feminists African American women musicians African American women Intellectual life African American women Music History and criticism Musical criticism United States History Musikkritik (DE-588)4139777-0 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Feminismus (DE-588)4222126-2 gnd |
| subject_GND | (DE-588)4139777-0 (DE-588)4122767-0 (DE-588)4222126-2 (DE-588)4078704-7 |
| title | Liner notes for the revolution the intellectual life of black feminist sound |
| title_auth | Liner notes for the revolution the intellectual life of black feminist sound |
| title_exact_search | Liner notes for the revolution the intellectual life of black feminist sound |
| title_full | Liner notes for the revolution the intellectual life of black feminist sound Daphne A. Brooks |
| title_fullStr | Liner notes for the revolution the intellectual life of black feminist sound Daphne A. Brooks |
| title_full_unstemmed | Liner notes for the revolution the intellectual life of black feminist sound Daphne A. Brooks |
| title_short | Liner notes for the revolution |
| title_sort | liner notes for the revolution the intellectual life of black feminist sound |
| title_sub | the intellectual life of black feminist sound |
| topic | SOCIAL SCIENCE / Popular Culture bisacsh African American feminists African American women musicians African American women Intellectual life African American women Music History and criticism Musical criticism United States History Musikkritik (DE-588)4139777-0 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd Feminismus (DE-588)4222126-2 gnd |
| topic_facet | SOCIAL SCIENCE / Popular Culture African American feminists African American women musicians African American women Intellectual life African American women Music History and criticism Musical criticism United States History Musikkritik Afroamerikanische Musik Feminismus USA |
| url | https://doi.org/10.4159/9780674258808 |
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