I Cantici di Fidenzio di Camillo Scroffa e la pluralità dei mondi: Il canone classico, l'eredità del Petrarca e la tradizione giocosa
In the sixteenth-century Cantici di Fidenzio, unhappy teacher Fidenzio sings of his disastrous love for one of his students. As may be expected of a Renaissance teacher of Latin, he drew on both ancient and contemporary literary models, from Virgil over Petrarch to Berni, in order to enhance his hom...
Gespeichert in:
| Beteilige Person: | |
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| Weitere beteiligte Personen: | , , |
| Format: | Elektronisch E-Book |
| Sprache: | Italienisch |
| Veröffentlicht: |
Göttingen
V&R Unipress
2013
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| Ausgabe: | 1st ed |
| Schriftenreihe: | Super alta perennis
|
| Schlagwörter: | |
| Links: | https://elibrary.utb.de/doi/book/10.5555/9783862349777 https://elibrary.utb.de/doi/book/10.5555/9783862349777 https://elibrary.utb.de/doi/book/10.5555/9783862349777 https://elibrary.utb.de/doi/book/10.5555/9783862349777 |
| Zusammenfassung: | In the sixteenth-century Cantici di Fidenzio, unhappy teacher Fidenzio sings of his disastrous love for one of his students. As may be expected of a Renaissance teacher of Latin, he drew on both ancient and contemporary literary models, from Virgil over Petrarch to Berni, in order to enhance his homosexual desire and his poems with appropriate auctoritas.Fidenzio's language (a morpho-syntactical mix of Latin and Italian), the exaggerated expectations, and the implied consequences cannot easily be understood from the perspective of today's readers: for the contemporary audience the Cantici, teeming with citations and allusions, certainly were a hilarious read, we today need further explanations in order to fully grasp the meaning of Fidenzio's verses. For the first time, this study offers a bridge into the Cantici's world and allows a more wholesome understanding of this great work of the Italian Renaissance |
| Umfang: | 1 Online-Ressource (276 Seiten) |
| ISBN: | 9783862349777 |
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| isbn | 9783862349777 |
| language | Italian |
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| spelling | Hartmann, Katharina Verfasser aut I Cantici di Fidenzio di Camillo Scroffa e la pluralità dei mondi Il canone classico, l'eredità del Petrarca e la tradizione giocosa Katharina Hartmann, Uwe Baumann, Marc Laureys, Winfried Schmitz 1st ed Göttingen V&R Unipress 2013 1 Online-Ressource (276 Seiten) txt rdacontent c rdamedia cr rdacarrier Super alta perennis In the sixteenth-century Cantici di Fidenzio, unhappy teacher Fidenzio sings of his disastrous love for one of his students. As may be expected of a Renaissance teacher of Latin, he drew on both ancient and contemporary literary models, from Virgil over Petrarch to Berni, in order to enhance his homosexual desire and his poems with appropriate auctoritas.Fidenzio's language (a morpho-syntactical mix of Latin and Italian), the exaggerated expectations, and the implied consequences cannot easily be understood from the perspective of today's readers: for the contemporary audience the Cantici, teeming with citations and allusions, certainly were a hilarious read, we today need further explanations in order to fully grasp the meaning of Fidenzio's verses. For the first time, this study offers a bridge into the Cantici's world and allows a more wholesome understanding of this great work of the Italian Renaissance Homosexualität Italien Komische Literatur liebeslyrik Petrarkismus Renaissance Romanistik Baumann, Uwe edt Laureys, Marc edt Schmitz, Winfried edt https://elibrary.utb.de/doi/book/10.5555/9783862349777 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hartmann, Katharina I Cantici di Fidenzio di Camillo Scroffa e la pluralità dei mondi Il canone classico, l'eredità del Petrarca e la tradizione giocosa Homosexualität Italien Komische Literatur liebeslyrik Petrarkismus Renaissance Romanistik |
| title | I Cantici di Fidenzio di Camillo Scroffa e la pluralità dei mondi Il canone classico, l'eredità del Petrarca e la tradizione giocosa |
| title_auth | I Cantici di Fidenzio di Camillo Scroffa e la pluralità dei mondi Il canone classico, l'eredità del Petrarca e la tradizione giocosa |
| title_exact_search | I Cantici di Fidenzio di Camillo Scroffa e la pluralità dei mondi Il canone classico, l'eredità del Petrarca e la tradizione giocosa |
| title_full | I Cantici di Fidenzio di Camillo Scroffa e la pluralità dei mondi Il canone classico, l'eredità del Petrarca e la tradizione giocosa Katharina Hartmann, Uwe Baumann, Marc Laureys, Winfried Schmitz |
| title_fullStr | I Cantici di Fidenzio di Camillo Scroffa e la pluralità dei mondi Il canone classico, l'eredità del Petrarca e la tradizione giocosa Katharina Hartmann, Uwe Baumann, Marc Laureys, Winfried Schmitz |
| title_full_unstemmed | I Cantici di Fidenzio di Camillo Scroffa e la pluralità dei mondi Il canone classico, l'eredità del Petrarca e la tradizione giocosa Katharina Hartmann, Uwe Baumann, Marc Laureys, Winfried Schmitz |
| title_short | I Cantici di Fidenzio di Camillo Scroffa e la pluralità dei mondi |
| title_sort | i cantici di fidenzio di camillo scroffa e la pluralita dei mondi il canone classico l eredita del petrarca e la tradizione giocosa |
| title_sub | Il canone classico, l'eredità del Petrarca e la tradizione giocosa |
| topic | Homosexualität Italien Komische Literatur liebeslyrik Petrarkismus Renaissance Romanistik |
| topic_facet | Homosexualität Italien Komische Literatur liebeslyrik Petrarkismus Renaissance Romanistik |
| url | https://elibrary.utb.de/doi/book/10.5555/9783862349777 |
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