Czech sculpture in the late 19th and early 20th centuries and its attitude towards Vienna:
Gespeichert in:
| Beteilige Person: | |
|---|---|
| Format: | Elektronisch Paper |
| Sprache: | Englisch |
| Veröffentlicht: |
10 July 2021
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| Schlagwörter: | |
| Links: | https://doi.org/10.11588/riha.2021.1.81896 |
| Abstract: | During the course of the 19th century, Czech society underwent an intensive process of national revival and emancipation from Vienna. This, of course, was also projected onto the field of visual arts: For a long time, under the influence of Czech nationalists, surveys of developments in the arts field did not include German-speaking artists from the Czech lands, such as the brothers Max and Franz Metzner or Hugo Lederer. Contacts between both individuals and institutions and Vienna thus became extremely complicated, and after 1900 they were generally considered undesirable by Czech nationalists. In 1902, the Mánes Fine Arts Association, which can take much of the credit for promoting modern art in the Czech milieu at that time, organized an exhibition in Prague of the works of Auguste Rodin, whose artistic style fundamentally influenced Czech sculpture in the first decade of the 20th century and disrupted the monopoly enjoyed until then by Josef Václav Myslbek. In contrast to Myslbek’s conventional equestrian monument to St Wenceslas, two other national monuments in Prague, the statues of Jan Hus (by Ladislav Šaloun) and of František Palacký (by Stanislav Sucharda) reflect the fascination with Rodinesque pathos at that time. The politically motivated suppression of contacts between the Czech milieu and Vienna and German-speaking countries on the one hand, and the support for intensive communication with Paris on the other, contributed to the progressive tendencies in Czech art before the First World War and to its exceptional plurality of styles. |
| Umfang: | 1 Online-Ressource (16 Seiten) Illustrationen |
| ISSN: | 2190-3328 |
| DOI: | 10.11588/riha.2021.1.81896 |
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| 520 | 3 | |a During the course of the 19th century, Czech society underwent an intensive process of national revival and emancipation from Vienna. This, of course, was also projected onto the field of visual arts: For a long time, under the influence of Czech nationalists, surveys of developments in the arts field did not include German-speaking artists from the Czech lands, such as the brothers Max and Franz Metzner or Hugo Lederer. Contacts between both individuals and institutions and Vienna thus became extremely complicated, and after 1900 they were generally considered undesirable by Czech nationalists. In 1902, the Mánes Fine Arts Association, which can take much of the credit for promoting modern art in the Czech milieu at that time, organized an exhibition in Prague of the works of Auguste Rodin, whose artistic style fundamentally influenced Czech sculpture in the first decade of the 20th century and disrupted the monopoly enjoyed until then by Josef Václav Myslbek. In contrast to Myslbek’s conventional equestrian monument to St Wenceslas, two other national monuments in Prague, the statues of Jan Hus (by Ladislav Šaloun) and of František Palacký (by Stanislav Sucharda) reflect the fascination with Rodinesque pathos at that time. The politically motivated suppression of contacts between the Czech milieu and Vienna and German-speaking countries on the one hand, and the support for intensive communication with Paris on the other, contributed to the progressive tendencies in Czech art before the First World War and to its exceptional plurality of styles. | |
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| author | Krummholz, Martin 1974- |
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| spelling | Krummholz, Martin 1974- Verfasser (DE-588)134060806 aut Czech sculpture in the late 19th and early 20th centuries and its attitude towards Vienna Martin Krummholz 10 July 2021 1 Online-Ressource (16 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier During the course of the 19th century, Czech society underwent an intensive process of national revival and emancipation from Vienna. This, of course, was also projected onto the field of visual arts: For a long time, under the influence of Czech nationalists, surveys of developments in the arts field did not include German-speaking artists from the Czech lands, such as the brothers Max and Franz Metzner or Hugo Lederer. Contacts between both individuals and institutions and Vienna thus became extremely complicated, and after 1900 they were generally considered undesirable by Czech nationalists. In 1902, the Mánes Fine Arts Association, which can take much of the credit for promoting modern art in the Czech milieu at that time, organized an exhibition in Prague of the works of Auguste Rodin, whose artistic style fundamentally influenced Czech sculpture in the first decade of the 20th century and disrupted the monopoly enjoyed until then by Josef Václav Myslbek. In contrast to Myslbek’s conventional equestrian monument to St Wenceslas, two other national monuments in Prague, the statues of Jan Hus (by Ladislav Šaloun) and of František Palacký (by Stanislav Sucharda) reflect the fascination with Rodinesque pathos at that time. The politically motivated suppression of contacts between the Czech milieu and Vienna and German-speaking countries on the one hand, and the support for intensive communication with Paris on the other, contributed to the progressive tendencies in Czech art before the First World War and to its exceptional plurality of styles. Metzner, Franz 1870-1919 (DE-588)118783572 gnd rswk-swf Gutfreund, Oto 1889-1927 (DE-588)118877240 gnd rswk-swf Sucharda, Stanislav 1866-1916 (DE-588)1048442624 gnd rswk-swf Max, Emanuel 1810-1901 (DE-588)130114324 gnd rswk-swf Myslbek, Josef Václav 1848-1922 (DE-588)117207357 gnd rswk-swf Štursa, Jan 1880-1925 (DE-588)121494446 gnd rswk-swf Spolek Výtvarných Umělců Mánes (DE-588)10118400-1 gnd rswk-swf Geschichte 1800-1900 gnd rswk-swf Einfluss (DE-588)4151276-5 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf Tschechien (DE-588)4303381-7 gnd rswk-swf Tschechien (DE-588)4303381-7 g Wien (DE-588)4066009-6 g Plastik (DE-588)4046277-8 s Einfluss (DE-588)4151276-5 s Geschichte 1800-1900 z DE-604 Spolek Výtvarných Umělců Mánes (DE-588)10118400-1 b Max, Emanuel 1810-1901 (DE-588)130114324 p Myslbek, Josef Václav 1848-1922 (DE-588)117207357 p Sucharda, Stanislav 1866-1916 (DE-588)1048442624 p Štursa, Jan 1880-1925 (DE-588)121494446 p Gutfreund, Oto 1889-1927 (DE-588)118877240 p Metzner, Franz 1870-1919 (DE-588)118783572 p number:265 year:2021 RIHA Journal München, 2021 265 (2021) (DE-604)BV036128042 2190-3328 (DE-600)2549868-X https://doi.org/10.11588/riha.2021.1.81896 Verlag kostenfrei Volltext |
| spellingShingle | Krummholz, Martin 1974- Czech sculpture in the late 19th and early 20th centuries and its attitude towards Vienna Metzner, Franz 1870-1919 (DE-588)118783572 gnd Gutfreund, Oto 1889-1927 (DE-588)118877240 gnd Sucharda, Stanislav 1866-1916 (DE-588)1048442624 gnd Max, Emanuel 1810-1901 (DE-588)130114324 gnd Myslbek, Josef Václav 1848-1922 (DE-588)117207357 gnd Štursa, Jan 1880-1925 (DE-588)121494446 gnd Spolek Výtvarných Umělců Mánes (DE-588)10118400-1 gnd Einfluss (DE-588)4151276-5 gnd Plastik (DE-588)4046277-8 gnd |
| subject_GND | (DE-588)118783572 (DE-588)118877240 (DE-588)1048442624 (DE-588)130114324 (DE-588)117207357 (DE-588)121494446 (DE-588)10118400-1 (DE-588)4151276-5 (DE-588)4046277-8 (DE-588)4066009-6 (DE-588)4303381-7 |
| title | Czech sculpture in the late 19th and early 20th centuries and its attitude towards Vienna |
| title_auth | Czech sculpture in the late 19th and early 20th centuries and its attitude towards Vienna |
| title_exact_search | Czech sculpture in the late 19th and early 20th centuries and its attitude towards Vienna |
| title_full | Czech sculpture in the late 19th and early 20th centuries and its attitude towards Vienna Martin Krummholz |
| title_fullStr | Czech sculpture in the late 19th and early 20th centuries and its attitude towards Vienna Martin Krummholz |
| title_full_unstemmed | Czech sculpture in the late 19th and early 20th centuries and its attitude towards Vienna Martin Krummholz |
| title_short | Czech sculpture in the late 19th and early 20th centuries and its attitude towards Vienna |
| title_sort | czech sculpture in the late 19th and early 20th centuries and its attitude towards vienna |
| topic | Metzner, Franz 1870-1919 (DE-588)118783572 gnd Gutfreund, Oto 1889-1927 (DE-588)118877240 gnd Sucharda, Stanislav 1866-1916 (DE-588)1048442624 gnd Max, Emanuel 1810-1901 (DE-588)130114324 gnd Myslbek, Josef Václav 1848-1922 (DE-588)117207357 gnd Štursa, Jan 1880-1925 (DE-588)121494446 gnd Spolek Výtvarných Umělců Mánes (DE-588)10118400-1 gnd Einfluss (DE-588)4151276-5 gnd Plastik (DE-588)4046277-8 gnd |
| topic_facet | Metzner, Franz 1870-1919 Gutfreund, Oto 1889-1927 Sucharda, Stanislav 1866-1916 Max, Emanuel 1810-1901 Myslbek, Josef Václav 1848-1922 Štursa, Jan 1880-1925 Spolek Výtvarných Umělců Mánes Einfluss Plastik Wien Tschechien |
| url | https://doi.org/10.11588/riha.2021.1.81896 |
| work_keys_str_mv | AT krummholzmartin czechsculptureinthelate19thandearly20thcenturiesanditsattitudetowardsvienna |